EUROPE
866 articles
USA
1801 articles
DIGITAL
3326 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
3326 partitions trouvées


Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016184_T3

3rd B-flat Trumpet. Composed by Craig Skeffington. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016184_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016184_T3).

UPC: 038081314778.

Show off the sensitive side of your ensemble with this ballad with no featured soloist. There is a brief 4-bar written trumpet melody; otherwise, it's all ensemble blend with a lush texture, a double-time section and lead trumpet range is to written G on top of the staff. The drummer plays brushes and sticks, the band emotes and everybody sounds great. Arranged by Craig Skeffington, you'll fall in love with this excellent chart. (3:40).

When I Fall in Love: 3rd B-flat Trumpet
Trompette (partie séparée)

$3.00 2.85 € Trompette (partie séparée) PDF SheetMusicPlus

String Ensemble,String Quintet - Level 3 - Digital Download

SKU: A0.808437

Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 7 pages. Mark Wayne Music, LLC #3688827. Published by Mark Wayne Music, LLC (A0.808437).

2018 Holiday Contest Entry

Performance Considerations

This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music 

Educational Considerations

1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass

2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid.

Violin: L4 on D string, new note Ab 

Viola:  L4 on G string, new note Db,

    Enharmonics- Cb, Fb

    Violin III included

Cello: 2 measures extended first position (repeated). 

    Second position on D string

Bass: New notes: Eb on D string, Db on A string, Ab on E string, 

          Enharmonic- Gb

          Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses.


Christmas Time Is Here

$6.99 6.64 € PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download

SKU: A0.1376331

By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331).

This is a lead sheet for any instrument for the song Almost May. 

Almost May - Theme and Variations
Backstory: 
Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. 

What to listen for: Theme

The main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. 

What to listen for: Variation I 
The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. 

What to listen for: Variation II 

The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. 

Credits: 
I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.

Almost May Lead Sheet
Instruments en Do
Heidi Savoie
$2.99 2.84 € Instruments en Do PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0017177_TN1

1st Trombone. Composed by Jule Styne. Arranged by Gordon Goodwin. Jazz; Secular. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017177_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017177_TN1).

UPC: 038081385556.

A medium swing chart in the style of Basie and Hefti, you'll love this Goodwin adaptation of the wonderful holiday classic. Not a drum showcase, but the drummer has plenty of solo space beginning on brushes then to sticks and the intensity rises. There is a flute part on second alto (can be omitted) and a percussion part for vibes. Optional solo space for alto, tenor, trumpet and trombone, lead trumpet range is to written high E plus a nice sax soli round out this excellent chart. This chart is so nice, you'll want to play it all twelve months a year!

Let It Snow! Let It Snow! Let It Snow!: 1st Trombone
Trombone (partie séparée)

$3.00 2.85 € Trombone (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016184_D

Drums. Composed by Craig Skeffington. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016184_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016184_D).

UPC: 038081314778.

Show off the sensitive side of your ensemble with this ballad with no featured soloist. There is a brief 4-bar written trumpet melody; otherwise, it's all ensemble blend with a lush texture, a double-time section and lead trumpet range is to written G on top of the staff. The drummer plays brushes and sticks, the band emotes and everybody sounds great. Arranged by Craig Skeffington, you'll fall in love with this excellent chart. (3:40).

When I Fall in Love: Drums
Batterie (partie séparée)

$3.00 2.85 € Batterie (partie séparée) PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download

SKU: A0.802373

Composed by Richard Rodgers. Arranged by John Fleming. Jazz,Standards. Brass Band. 36 pages. Flemingmusic #6488545. Published by flemingmusic (A0.802373).

Arranged for Brass Band, this Rogers & Hart ballad features 1st trombone and flugelhorn swapping the melody and also playing some sections as a duet.
I've written the arrangement with some tight jazz harmonies and a nice full, but mostly quiet sound.
The trombone features a jazz solo that can be played as written or improvised using the provided chords.
The instrumentation is traditional Brass band line up, but with only drum kit using brushes in the percussion section.
Duration is 4:40
Intermediate difficulty.

My Funny Valentine

$29.99 28.5 € PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016184_H1

1st F Horn. Composed by Craig Skeffington. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016184_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016184_H1).

UPC: 038081314778.

Show off the sensitive side of your ensemble with this ballad with no featured soloist. There is a brief 4-bar written trumpet melody; otherwise, it's all ensemble blend with a lush texture, a double-time section and lead trumpet range is to written G on top of the staff. The drummer plays brushes and sticks, the band emotes and everybody sounds great. Arranged by Craig Skeffington, you'll fall in love with this excellent chart. (3:40).

When I Fall in Love: 1st F Horn
Cor (partie séparée)

$3.00 2.85 € Cor (partie séparée) PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.874783

Composed by William B. Bradbury. Arranged by Dr. Jerry Nelson. Christian,Concert,Holiday,Jazz,Sacred. Score. 9 pages. Jerry Nelson #3604015. Published by Jerry Nelson (A0.874783).

NOTE:   Can be performed as a Standalone or, optionally, use the chord chart to add live bass and drums (brushes).  Refer to Audio Demo. Accompaniment track not available.  Receive both levels (4 and 5) for the price of one!    Time - 3:15

DO YOU or a Friend or Student PLAY ONE OF THESE:  FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL?  Show them where you found the needle in the haystack.  SEARCH:  Jerry Nelson (plus the name of Instrument).  

Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley of Arrangements & Audio Demo!                                                  

Savior Like A Shepherd Lead Us (2 for 1 PIANO Standalone Arr's)
Piano seul

$4.99 4.74 € Piano seul PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale