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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1082668 By Text: John Wesley, - Digital KB performance plus live by Blake Davidson. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. 20th Century,Contemporary,Praise & Worship,Spiritual. Score. 62 pages. Francis Osentowski #686837. Published by Francis Osentowski (A0.1082668). DIRECTIONS FOR SINGING is my setting of the well-known text by John Wesley giving a litany of advice to congregational singers. My colleague at North Lake College was an outstanding bass/baritone and a church choir director. He handed me a copy of Wesley's directions for singers...found in many old hymnals...and we both enjoyed good laughs at how accurate the words are to modern congregations. My song is a type of theater presentation...or a short cantata and portrays the contrasting emotions in the text. For example: Sing lustily and with good courage ...singing the songs of Satan! Will be a dramatic high point! But, Wesley's beautiful ending makes a great conclusion. Above all sing spiritually. Have and eye to God in every word you sing Directions requires a good pianist but the voice part doesn't require a huge range. Note: there is a Mezzo Soprano score enclosed.
DIRECTIONS FOR SINGING, Text John Wesley Bass Baritone & Piano
Piano, Voix
Text: John Wesley, - Digital KB performance plus live by Blake Davidson
$14.99 12.96 € Piano, Voix PDF SheetMusicPlus

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
Nevermore
Saxophone

$17.99 15.56 € Saxophone PDF SheetMusicPlus

Mixed choir a cappella - advanced - Digital Download SKU: S9.Q6889 Composed by Hermann Schroeder. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 16 minutes. Schott Music - Digital #Q6889. Published by Schott Music - Digital (S9.Q6889). Latin.Herrmann Schroeder (1904-1984), one of the most important church music composers of the 20th century, wrote this Latin mass in 1961, i.e. at the beginning of the Second Vatican Council. The Council marked a turning point in the field of church music: Masses in the respective native languages gained more and more acceptance, Gregorian chant faded into the background, stylistic features of popular music were also taken up in church music. Today, about 50 years after the beginning of the Council, one can see a return to Gregorian chant and polyphonic vocal music, and this is why even works such as Schroeder's Latin Missa melismatica arouse great interest again. The work takes the free intonation of the Gregorian chant as a starting-point and is enriched with wide-spun melodic arcs in elaborate polyphony, according to Schroeder's opinion that Gregorian chant and polyphony are particularly suitable for giving expression to the mysticism and irrationality of religious faith in the liturgy. A demanding work for good choirs, duration ca. 16 minutes.
Missa melismatica
Chorale SATB

$6.99 6.04 € Chorale SATB PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1377063 By Count Basie. By Billy Hill. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #961669. Published by DAVID LEE GINGRAS (A0.1377063). The Glory of Love is a song that was written by Billy Hill and recorded in 1936 by Benny Goodman. Goodman's version was a number one pop hit and the song has been recorded by many artists. It was the signature theme of the 1967 film Guess Who's Coming to Dinner. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added what we think are some pretty cool left-hand fills that we hope you will like! It's a beautiful tune, easy to play and sounds great!
The Glory Of Love
Piano, Voix
Count Basie
$4.99 4.31 € Piano, Voix PDF SheetMusicPlus

Double Bass,Drums,Piano - Digital Download SKU: A0.1068166 Composed by Deborah Johnson-Instrumental Performance Track-no piano. Film/TV,Holiday,Love,Pop,Wedding. Full Performance. Duration 297. Deborah Johnson #6683517. Published by Deborah Johnson (A0.1068166). This is an instrumental background MP3 without vocals or piano for performance of Love at First Sight by Deborah Johnson. It's a beautiful love song ballad that tells a captivating and heartwarming story. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products)Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2 This arrangement is perfect for solo performance or performance with small rhythm section. Full sheet music also available and for licensing upon seperate agreement.The vocals are from F below middle C to A above for only a little over an octave and a half range. It is a richly arranged beautiful piece that would be a good addition for most any event! MP3s of the song and the instrumental track with piano are also available.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonProduction, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci. 
Love at First Sight

$8.99 7.77 € PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
Saxophone Soprano et Piano

$11.95 10.33 € Saxophone Soprano et Piano PDF SheetMusicPlus

Bassoon,Piano - Level 5 - Digital Download SKU: A0.1385323 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #969333. Published by jmsgu3 (A0.1385323). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
Guthrie: Toccata Agitato for Bassoon & Piano
Basson, Piano (duo)

$32.95 28.49 € Basson, Piano (duo) PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 5 - Digital Download SKU: A0.1384356 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #968675. Published by jmsgu3 (A0.1384356). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
Guthrie: Toccata Agitato for Baritone Saxophone and Piano
Saxophone Baryton, Piano

$32.95 28.49 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Horn TC,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.1385567 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and individual part. 27 pages. Jmsgu3 #969505. Published by jmsgu3 (A0.1385567). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
Guthrie: Toccata Agitato for Baritone Horn & Piano

$32.95 28.49 € PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1384458 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968722. Published by jmsgu3 (A0.1384458). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
Guthrie: Toccata Agitato for Tenor Saxophone & Piano
Saxophone Tenor et Piano

$32.95 28.49 € Saxophone Tenor et Piano PDF SheetMusicPlus






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