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B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.1349247 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #933992. Published by Phil Beaman (A0.1349247). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz clarinet and euphonium/baritone horn

$4.99 4.3 € PDF SheetMusicPlus

Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1349255 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 2 scores. 4 pages. Phil Beaman #934000. Published by Phil Beaman (A0.1349255). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, low B to 4th space E 2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz clarinet and bass clarinet
2 Clarinettes (duo)

$4.99 4.3 € 2 Clarinettes (duo) PDF SheetMusicPlus

Choral - Digital Download SKU: HX.314952 By Traditional Carols. Arranged by Joseph M. Martin. Christmas, Sacred, Winter. Choral Instrumental Pack, part. Hal Leonard - Digital #265809. Published by Hal Leonard - Digital (HX.314952). This service in song is a joyous celebration of hope and peace for the Christmas season. Using carols, narration, congregational participation and original anthems, this approachable work is the perfect choice for choirs of any size. From jubilant songs of praise to reflective carols of peace, this cantata is filled with moments designed to energize the spirit of the season in your community of faith. Extra musical suggestions offer directors creative options for presentation, and the wonderfully crafted and colorful orchestrations by Brant Adams further enhance the festive potential of this thoughtful work. Songs include: Christmas Overture and Processional; The Advent Rose; The Divine Expectation; Concertato on O Little Town of Bethlehem; Carols from a Quiet Manger; Arise! (Hodie Christus natus est); Bleak Midwinter's Gift; Let There Be Christmas; A Joyful Gathering of Carols..
Let There Be Christmas
Traditional Carols Arranged by Joseph M
$75.00 64.59 € PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1434238 Composed by Johann Sebastian Bach. Arranged by Aaron Sinnett. Baroque,Chamber,Classical,Religious. Score and part. 9 pages. Aaron Sinnett #1013961. Published by Aaron Sinnett (A0.1434238). Arioso is a movement from J.S. Bach Cantata No. 156 Ich Steh mit einem Fuß im Grabe. Originally, Bach composed it in F major with the oboe being the solo instrument, accompanied by strings. In the early 20th century, it was arranged for cello and piano in G major. This is a beautiful arrangement but is much too difficult for many students who desire to play great music earlier in their journey of cello learning. There is a distinct lack of great music specifically arranged for cello students who are just getting their bearings in the lower positions (up to fourth). After playing this Arioso in C major, transposing directly from the printed G major cello arrangement, I made the decision right then and there to make my own arrangement for this wonderfully sublime piece of music. Transposing it down to C major takes away all the higher positions and reduces the number of accidentals that need to be attended to, thus giving the student a slight advantage in reading the music and eventually performing it, at a higher level of competence.  I have opted, in this version, to leave in all of the ornamentation and intricate rhythms found in the orignal.  This version has already been tested out on several of my own students who found it compelling and exciting to be able to participate in music making of the great music composed by the master of all Western Tonal music, Johann Sebestian Bach. 
Arioso from Cantata No. 156
Violoncelle, Piano

$6.99 6.02 € Violoncelle, Piano PDF SheetMusicPlus

B-Flat Clarinet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1349244 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933989. Published by Phil Beaman (A0.1349244). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz clarinet and trombone
Clarinette, Trombone (duo)

$4.99 4.3 € Clarinette, Trombone (duo) PDF SheetMusicPlus






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