SKU: A0.506441

During a stay in Poland, Saint-Preux composed what became his greatest success, the Concerto Pour Une Voix (Concert for One Voice). When Saint-Preux returned to France, René Boyer, head of the Fantasia label, convinced him to record his Concerto for a Voice. The piece was originally composed for trumpet and strings, however, Saint-Preux had heard French singer Danielle Licari rehearsing in another studio and ended up deciding to record it with her voice as the trumpet part, using a vocal technique similar to scat singing of jazz. The song, released on the DiscAZ label in 1969, boosted both his career and hers.

SKU: A0.506435

During a stay in Poland, Saint-Preux composed what became his greatest success, the Concerto Pour Une Voix (Concert for One Voice). When Saint-Preux returned to France, René Boyer, head of the Fantasia label, convinced him to record his Concerto for a Voice. The piece was originally composed for trumpet and strings, however, Saint-Preux had heard French singer Danielle Licari rehearsing in another studio and ended up deciding to record it with her voice as the trumpet part, using a vocal technique similar to scat singing of jazz. The song, released on the DiscAZ label in 1969, boosted both his career and hers.

SKU: A0.506439

During a stay in Poland, Saint-Preux composed what became his greatest success, the Concerto Pour Une Voix (Concert for One Voice). When Saint-Preux returned to France, René Boyer, head of the Fantasia label, convinced him to record his Concerto for a Voice. The piece was originally composed for trumpet and strings, however, Saint-Preux had heard French singer Danielle Licari rehearsing in another studio and ended up deciding to record it with her voice as the trumpet part, using a vocal technique similar to scat singing of jazz. The song, released on the DiscAZ label in 1969, boosted both his career and hers.

SKU: A0.506442

During a stay in Poland, Saint-Preux composed what became his greatest success, the Concerto Pour Une Voix (Concert for One Voice). When Saint-Preux returned to France, René Boyer, head of the Fantasia label, convinced him to record his Concerto for a Voice. The piece was originally composed for trumpet and strings, however, Saint-Preux had heard French singer Danielle Licari rehearsing in another studio and ended up deciding to record it with her voice as the trumpet part, using a vocal technique similar to scat singing of jazz. The song, released on the DiscAZ label in 1969, boosted both his career and hers.

SKU: A0.506434

During a stay in Poland, Saint-Preux composed what became his greatest success, the Concerto Pour Une Voix (Concert for One Voice). When Saint-Preux returned to France, René Boyer, head of the Fantasia label, convinced him to record his Concerto for a Voice. The piece was originally composed for trumpet and strings, however, Saint-Preux had heard French singer Danielle Licari rehearsing in another studio and ended up deciding to record it with her voice as the trumpet part, using a vocal technique similar to scat singing of jazz. The song, released on the DiscAZ label in 1969, boosted both his career and hers.

SKU: A0.506436

During a stay in Poland, Saint-Preux composed what became his greatest success, the Concerto Pour Une Voix (Concert for One Voice). When Saint-Preux returned to France, René Boyer, head of the Fantasia label, convinced him to record his Concerto for a Voice. The piece was originally composed for trumpet and strings, however, Saint-Preux had heard French singer Danielle Licari rehearsing in another studio and ended up deciding to record it with her voice as the trumpet part, using a vocal technique similar to scat singing of jazz. The song, released on the DiscAZ label in 1969, boosted both his career and hers.

SKU: A0.1446063

Piano & Trumpet.