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Piano Solo - Level 4 - Digital Download SKU: A0.1143765 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 12 pages. Filipe Bernardo #744083. Published by Filipe Bernardo (A0.1143765). Lares is a brief suite of three pieces that present scenes common in Brazilian homes: 1.Dança de roda (Circle dance) 2.Casal à luz da Lua (Couple in the moonlight) 3.Quixote, o boneco aventureiro (Quixote, the adventurous doll).The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed.
Lares: Dança de roda Casal à luz da Lua Quixote, o boneco aventureiro
Piano seul
Filipe Bernardo
$5.00 4.29 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.862509 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2032067. Published by Michael Butkus-Bomier (A0.862509). A three-part set based on the topography of the keyboard, and its sonic possibilities and implications. The minor triads of C#, D# and G# all have white keys immediately above and below the chords. The Major triads of C and G have black keys immediately ABOVE the lowest and BELOW the highest notes. These two elements, along with the Major triads on the three sharp-key chords, have been combined into a haunting and ethereal setting, with the left-hand accompaniment stating these shapes, and the melody in the treble taking its cue from the scale implied by the chords below. Octaves, triplets, and 16ths are all part of the swirling mist of melody that surrounds the highly stable and uniform accompaniment. Each measure begins with the low octave on the root, and jumps up to state the shape being used, using dom 7ths to transition to the next sound and shape. Chopin and Liszt did not share many musical values, but they DID both utilize the shape and particular formations of various keys to suit their expressive needs. And, so we salute them both here, in this first of three pieces using this time-honored tradition of pianistic, yet evocative composition. MBB.
Music for the Taking Part One: The Shape of Sound for Piano Solo
Piano seul

$3.99 3.42 € Piano seul PDF SheetMusicPlus






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