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Large Ensemble - Level 1 - Digital Download SKU: A0.842412 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Tony Tournoff. Contemporary. Score and parts. 37 pages. Fairways Music #3561213. Published by Fairways Music (A0.842412). This arrangement is for the Inspired Instrumentalists of Worthing. A U3A group which was formed in 2015 with 6 members with a view to making music it now has 36 members and has a waiting list (this is due to the fact that there is no room in hall for more people). The ensemble is a mixed group with instruments ranging from a Bowed Psaltery to Guitars and Ukuleles; a full set of Brass; Alto & Tenor Saxophones; Flute and Recorders. As the group has grown it wants to perform various pieces of music which are not of the usual repertoire. To date the audiences  have been Wowed with the sound produced by the group and have enjoyed all the concerts they have done helping to raise many thousands of pounds for charitable events. All the parts can be played by similar instruments of the same pitch. Enjoy!
Chiquitita
ABBA
$25.00 21.39 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.964564 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Christmas,Concert,Sacred. Score. 2 pages. Nancy DeVries #6639519. Published by Nancy DeVries (A0.964564). What Child is This is a piano setting of the well-known Christmas carol of the same name, which dates from the 1800's. It is a familiar and beautiful carol which calls to mind the image of the Christ Child asleep on Mary's lap. This is a simple, straightforward setting which is descriptive of the utter humility and poverty of the Divine Child who was born in a humble stable in Bethlehem. Intermediate level; the piece is not difficult, but the final chords may be somewhat of a challenge for some.  This work is suitable for recitals, Christmas programs, concerts, Church liturgies, or for one's own edification and enjoyment -  it is a great piece to play expressively and musically.   
What Child is This
Piano seul

$3.99 3.41 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.936160 Composed by Giuseppe Di Bianco. A Cappella,Contemporary,Sacred,Standards. Octavo. 11 pages. Giuseppe Di Bianco #5302449. Published by Giuseppe Di Bianco (A0.936160). SATB, divisi, a cappella. Performance time: 4.00' ca.The interpretation of Psalm 150 offers a series of affective attitudes, giving words maximum strength and communicativeness. From beginning to end In Laude offers a resounding ascription of praise. The Laus Deo takes shape, section after section, in peremptory trumpet blasts, in the delicate pizzicato on the psaltery strings, in the rhythm of the timpani rather than in majestic immobility of the strings, up to the sumptuous sounds of the organ, in the finale.Performance Time: 3:33More Links:https://www.giuseppedibianco.com/
In Laude
Chorale SATB

$3.20 2.74 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.964553 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Concert,Easter,Sacred. Score. 2 pages. Nancy DeVries #6260975. Published by Nancy DeVries (A0.964553). This piano solo work is an evocative meditation on the famous Gregorian chant hymn, Stabat Mater Dolorosa which depicts the sorrows of the Blessed Virgin Mary as she stands at the cross of her dying Son, Jesus. Suitable for home, recital or church use, this work would be especially meaningful for use during Lent, Holy Week and Good Friday. Intermediate/ Advanced Intermediate skill level. This is a profound and beautiful work well worth the challenges of four flats, changes in time signature, and deep and sonorous bass clef chords. 2 pages. 
Stabat Mater Dolorosa Piano Solo
Piano seul

$3.99 3.41 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1003353 Composed by Floriano Canali. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 2 pages. CantemusDomino.Net #3535817. Published by CantemusDomino.Net (A0.1003353). A setting of Psalm 150 for SATB choir by Floriano Canali (c.1550–c.1630).Total length: ~2:45Key: F majorMode: Mode VIRange requirements (middle C = C4):· Cantus [Soprano]: D4–D5· Altus [Alto]: F3–A4· Tenor: D3–F4· Bassus [Bass]: F2–C4Pages: 2 8.5x11 sheetsSystems per page: 4Accompaniment: noneEnglish Translation (Douay-Rheims 1609):Praise ye the Lord in his holy places: praise ye him in the firmament of his power.Praise ye him for his mighty acts: praise ye him according to the multitude of his greatness.Praise him with sound of trumpet: praise him with psaltery and harp.Praise him with timbrel and choir: praise him with strings and organs.Praise him on high sounding cymbals: praise him on cymbals of joy: let every spirit praise the Lord.Possible uses: Liturgical prelude; postcommunion psalm of praise
Laudate Dominum in sanctis eius (Canali)
Chorale SATB

$3.00 2.57 € Chorale SATB PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart.  .
Rhapsody for Concert Band
Orchestre d'harmonie
July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
$20.00 17.12 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.964561 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Concert,Sacred. Score. 4 pages. Nancy DeVries #6606249. Published by Nancy DeVries (A0.964561). Marian Hymn Tribute is a contemporary piano work that includes three well known traditional hymns in honor of the Blessed Virgin Mary - O Sanctissima, Immaculate Mary and Hail, Holy Queen. This piece captures the essence of each of the three hymns, blending it into one cohesive work that is suitable for church, recital or home use. It is appropriate all year round for Marian feasts, solemnities or programs and was composed during October, the month dedicated to the Holy Rosary. Suitable for all ages at the intermediate plus/advanced intermediate level. This is an enjoyable piece to play and fun to interpret - a great opportunity to play expressively and musically. .
Marian Hymn Medley
Piano seul

$4.99 4.27 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.964562 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Christmas,Sacred. Score. 3 pages. Nancy DeVries #6622307. Published by Nancy DeVries (A0.964562). O Come Emmanuel is a contemporary piano arrangement of the centuries-old Christian hymn for Advent and Christmas, O Come, O Come, Emmanuel. The flowing counter-melody of the piece enhances and frames the hymn tune in an interesting manner from start to finish, giving the piece a subtle neo-Baroque quality. Advanced Intermediate level - suitable for performance in Christmas concerts and programs, and possible use in Church, at family gatherings or for one's own enjoyment - a fun-to-play setting of a well-known hymn.    .
O Come Emmanuel
Piano seul

$3.99 3.41 € Piano seul PDF SheetMusicPlus






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