Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1447144

Composed by Socrates Arvanitakis. Classical,Contemporary. 74 pages. Socrates Arvanitakis #1026923. Published by Socrates Arvanitakis (A0.1447144).

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL

Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS

226 ??(?)???? (??????) (Soft Dance from Patmos)
227 ???? ????? ??? ????? (Coachman, drive slowly the coach)
228 ??? ???? ???? (I Told You, Mother)
229 ???????? (????????????) (Soultana - Dance from Soufli)
230 ?????? ?????? (Sousta Dance from Crete)
231 ?????? ?????? (Seed of Paper)
232 ??? ???????? (In Ioannina)
233 ??? ???????? (In the Three Mountain Tops)
234 ???? ????? ?????????? (In Up-Town Neighborhood)
235 ???? ????????? ??? ????? (In Your Embroidered Apron)
236 ??? '?? ??????? (I told you, Birbo)
237 ???? ??? ?? ?????? (I will Descent to Hades)
238 ???? ?????????? ???? ?????? (In The Mills Of Valtetsi)
239 ?????????? ???? ???????? (It went cloudy on Mount Parnassus)
240 ?????? ????????? (Syrtos Dance from Rhodes)
241 ?' ?????????? ? ???? (Androutsos' Mother).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1369621

Composed by Socrates Arvanitakis. 21st Century,Contemporary. 72 pages. Socrates Arvanitakis #953986. Published by Socrates Arvanitakis (A0.1369621).

GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣ

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL

Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS

114 ΛΑΖΑΡΟΥ ΤΟΥ (Lazarus' Song)
115 ΛΑΛΑ Τ' ΑΗΔΟ�Ι (The Nightingale Sings)
116 ΛΑΛΗΣΕ ΚΟΥΚΕ (Sing Cuckoo Bird)
117 ΛΑΦΙ�Α Η 1 (The Doe 1)
118 ΛΑΦΙ�Α Η 2 (The Doe 2)
119 ΛΕΒΕ�ΤΙΑ 1 (Valour 1)
120 ΛΕΒΕ�ΤΙΑ 2 (Valour 2)
121 ΛΕΪΜΟ�ΙΑ Η (The Lemon Tree)
122 ΛΕΜΟ�ΑΚΙ (Little Lemon)
123 ΛΕ�ΚΩ Η (Lenko)
124 ΛΟΥΛΟΥΔΙ ΤΗΣ ΜΟ�ΕΜΒΑΣΙΑΣ (Flower of Monemvasia)
125 ΛΥΓΕΡΗ Η 1 (The Graceful Lass 1)
126 ΛΥΓΕΡΗ Η 2 (The Graceful Lass 2)
127 Μ' ΕΚΑΨΕΣ ΓΕΙΤΟ�ΙΣΣΑ (Neighbor, You've Burned Me)
128 ΜΑΚΕΔΟ�ΙΚΟΣ (Dance from Macedonia)
129 ΜΑΚΕΔΟ�ΙΚΟΣ ΚΛΕΦΤΙΚΟΣ (Macedonian Kleftik Dance).

String Orchestra - Level 3 - Digital Download

SKU: A0.1517572

By Keith Terrett. By Original: Korofo Moussa, 1904 Modern: Fodéba Keïta, 1958. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 9 pages. Keith Terrett #1091734. Published by Keith Terrett (A0.1517572).

Korofo Moussa's song:

The music of the anthem is derived from a praise song for the late-1800s king of Labé, in Fouta Djallon, Alpha Yaya Diallo (or Alfa Yaya). Alpha Yaya is, along with Wassoulou Empire founder Samory Touré, considered central by Guineans to the foundation of the modern Guinean nation, in part because of his fierce attempts to resist colonisation.

In 1904, Alpha Yaya was one of many traditional chiefs and kings summoned to a doctrinal conference with French colonists, who were still in the process of consolidating his territory.The chiefs each brought along a retinue for the journey; in Alpha Yaya's retinue was griot Korofo Moussa, from Kissidougou in the south of the country. Alpha Yaya arrived to the conference on its sixth day, and Korofo Moussa is said to have spontaneously improvised, along with his troupe of dancers and kora players, a praise song for Alpha Yaya after he arrived. The song began with the line Alpha Yaya, Mansa bè Manka (Alpha Yaya, mansas (kings) are not the same). According to Fodéba Isto Keira, former Minister of Youth, Sports and Culture, the performance took place in the building of the modern Directorate of the Judicial Police in the Kaloum sub-prefecture of Conakry.

Korofo Moussa's air quickly became popular; it was sung and played by all the griots for the rest of the conference, and within a few days it was known throughout Conakry. Alpha Yaya's personal griot immediately trained to play the song. Upon the return of the kings and their retinues to their regions, it spread throughout the country.

Modern anthem:

Upon approaching independence in 1958, the lyrics of Korofo Moussa's song were reworked and written in French by artist, choreographer and politician Fodéba Keïta and Jean Cellier for the national anthem of Guinea. Korofo Moussa's melody was retained for the anthem. According to Keira, Keïta used the solfège method when working with the music. Keira stated that the national anthem had to be inspired by something from Fouta Djallon for the sake of avoiding frustrations and preserving national unity.

Concert Band,Large Ensemble - Level 3 - Digital Download

SKU: A0.522164

Composed by Ananda Samarakoon (1911-1962). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #4286175. Published by Colin Kirkpatrick Publications (A0.522164).

This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band,clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This is the full version of the anthem (41 measures) which is used on formal, official occasions. Shorter versions are sometimes heard.

This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment.

This arrangement consists of a five-page score with six instrumental staves (including timpani) and three one-line percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file.

Part1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin)and Part 1a in E flat (E flat cornet in British-style brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).

Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone,bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band).

Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium,bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).

Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon, tuba, double bass.

There’s also a part for timpani, percussion (3 players) and a piano reduction.

The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.

Harp - Level 2 - Digital Download

SKU: A0.889438

Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438).

The piece is thou very simple and easy to perform.

It is appropriate for the harp and it sounds great on any kind of harp. 

When using a little lap harp, one can easily transpose the bass voice an octave higher.

It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando.

You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul.

It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings.

When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire.

Thank you very much for taking your time to read this text and to listen to the file.

I hope you have a lot of fun and enjoy the music.

Sheers!

Luis Anjos Teixeira

„Now comes the Little Story

The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest.

I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance.

I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. 

In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons.

In one of these dreams „Time and Matter were a byproduct of „Music itself.  

The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. 

As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. 

I named it „The Volcano`s Lake, because the „Lake was comforting me with its  melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe.

Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design.

Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. 

For all Living beings on Earth, for all our Ancestors, 

Thank You for all of You 

All Your Love and Compassion.

Love Forever.

Luis Anjos Teixeira

Disclaimer: The score was written on Finale.

The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.

Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download

SKU: A0.1372025

By Troye Sivan. By Brett Leland McLaughlin, Chris Stracey, Christopher John Stracey, Ian Kirkpatrick, Jack Glass, Kaelyn Behr, Tayla Parx, Troye Sivan, and Troye Sivan Mellet. Arranged by Alex Van den Broek. Pop. 15 pages. Alexandra Van den Broek #956213. Published by Alexandra Van den Broek (A0.1372025).

Got Me Started by Troye Sivan for contemporary a cappella ensemble. I am OBSESSED with this song, and I can hear it as a slinky, close harmony, cool piece for your repertoire. Needs a lot of emotion in the delivery from the soloist (and ensemble) to make it not sound so same-samey. VP is written as a guide only - feel free to experiment!

Guide tracks are available if you like - email me at hello@alexvandenbroek.com :).

Large Ensemble Bass Voice,Drums,Guitar,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download

SKU: A0.718123

By Kate Ceberano. By Kate Ceberano, Raymond Jones, and Sami McKinney. Arranged by Daryl McKenzie. Contemporary. Score and parts. 28 pages. Daryl McKenzie #4776645. Published by Daryl McKenzie (A0.718123).

Arranged for a live performance with Kate Ceberano. Vocal (no vocal part included), Backing Vocals, Tenor Sax, Trumpet, Trombone, Piano, Guitar, Bass, Drums, Percussion.  Key of B minor.

Same arrangement for Big Band also available on SMP

More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128

Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1360674

Composed by Socrates Arvanitakis. 21st Century,Contemporary. 72 pages. Socrates Arvanitakis #945173. Published by Socrates Arvanitakis (A0.1360674).

GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣ

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL
Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS
49  ΓΙΑΤΡΟΣ Ο (The Doctor)
50  ΓΙΩΡΓΟΣ Ο (George)
51  ΓΚΙΟΥΛ ΜΠΑΞΕΣ (Beautiful Garden)
52  ΓΛΥΚΟΧΑΡΑΖΕΙ Η ΧΑΡΑΥΓΗ (The Dawn Comes Sweetly)
53  ΔΑΧΤΥΛΙΔΙ ΤΟ (The Ring)
54  ΔΕ�ΤΡΟ ΤΟ (The Tree)
55  ΔΕΡΒΙΣΑΚΙ ΤΟ (The Little Dervish)
56  ΔΗΜΟΣ Ο (Demos)
57  ΔΙΑΜΑ�ΤΙ ΔΑΧΤΥΛΙΔΙ (Diamond Ring)
58  ΔΙΑΜΑ�ΤΩ Η (Diamanto)
59  ΔΥΟΣΜΑΡΑΚΙ ΤΟ (The Peppermint)
60  ΕΓΩ ΕΙΜΑΙ Η ΒΛΑΧΑ (I Am The Wallachian Woman)
61  ΕΙΚΟΣΙΠΕ�ΤΕ ΤΟΥ ΜΑΡΤΙΟΥ (25th of March)
62  ΕΙΧΑ ΜΙΑ� ΑΓΑΠΗ (I Had A Love)
63  ΕΞΟΜΟΛΟΓΗΣΗ Η (The Confession)
64  ΕΡΗ, ΕΡΗ�ΑΚΙ ΜΟΥ (Eri, My Little Erini).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1409341

Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 80 pages. Socrates Arvanitakis #991966. Published by Socrates Arvanitakis (A0.1409341).

GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣ

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL
Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS
194 ΠΕΤΑ ΤΗ ΡΟΚΑ (Throw Away The Spindle)
195 ΠΗΔΗΧΤΟΣ ΚΡΗΤΗΣ (Jumping Dance from Crete)
196 ΠΗΛΙΟΡΕΙΤΙΚΟΣ  (Mount Pilion Dance)
197 ΠΛΑΤΑ�ΟΣ Ο (The Plane Tree)
198 ΠΟΘΟΣ (Σαν Πας Πουλί Μου) (Craving)
199 ΠΟΛΕΜΟΣ ΘΡΗ�ΟΣ ΓΙ�ΕΤΑΙ (War And Lament Is Happening)
200 ΠΟΤΑΜΟΣ Ο 1 (The River 1) in D
201 ΠΟΤΑΜΟΣ Ο 2 (The River 2) in G
202 ΠΟΤΕΣ ΘΑ ΚΑΜΕΙ ΞΑΣΤΕΡΙΑ (when will the sky clear)
203 ΠΟΥ �Α ΒΡΩ ΓΩ ΒΑΣΙΛΙΚΟ (Where Should I Find A Basil)
204 ΠΟΥΛΑΚΙ ΞΕ�Ο (Foreign Bird)
205 ΠΩΣ ΤΟ ΤΡΙΒΟΥ� ΤΟ ΠΙΠΕΡΙ (How They Grate The Pepper)
206 ΡΗ�ΑΚΙ ΤΟ 1 (Rinaki)
207 ΡΙ�ΑΚΙ ΤΟ 2 (Little Catherine-Rinaki 2)
208 ΡΟΒΑΣ Ο (Rovas)
209 ΡΟΔΙΤΙΚΟΣ (Dance from Rhodes Island).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download

SKU: A0.1409338

Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 75 pages. Socrates Arvanitakis #991962. Published by Socrates Arvanitakis (A0.1409338).

GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣ

This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.
The total collection is centred more on the music from mainland Greece and less in that from the Islands.
The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.

TECHNICAL
Separate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.
Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.
Thematic Index with active internal links for ease of navigation have been added.
Audio file (mp3) has been added

CONTENTS
178 ΠΑΙΔΙΑ ΣΑ� ΘΕΛΤΕ ΛΕΒΕ�ΤΙΑ (Lads, Since You Want Some Valour)
179 ΠΑΛΙ ΜΕΘΥΣΜΕ�ΟΣ ΕΙΣΑΙ (Again You're Drunk)
180 ΠΑ�ΑΓΙΩΤΙΣΣΑ (The Girl From Panaghia)
181 ΠΑ�ΤΡΕΥΟΥ� ΤΗ� ΑΓΑΠΗ ΜΟΥ (They Wed My Love to Someone Else)
182 ΠΑ�Ω ΣΕ ΨΙΛΗ ΡΑΧΟΥΛΑ (On Top Of A High Mountain Ridge)
183 ΠΑΠΑΔΙΕΣ ΟΙ (The Priests' Wives)
184 ΠΑΠΑΚΙ (Little Duckling)
185 ΠΑΠΑΛΑΜΠΡΑΙ�Α (Priest Lambro's Wife)
186 ΠΑΡΑΠΟ�ΙΑΡΙΚΟ (The Little complainer)
187 ΠΑΡΑΣΚΕΥΟΥΛΑ (Paraskevoula)
188 ΠΑΡΕ ΜΑΡΙΩ ΤΗ ΡΟΚΑ ΣΟΥ (Mary, Take Your Distaff)
189 ΠΑΤΡΙ�ΙΑ (The Lass from Patras)
190 ΠΕ�ΤΟΖΑΛΗΣ (Five Steps Dance - Pentozalis-Crete)
191 ΠΕΡΔΙΚΟΥΛΑ Η (The Little Partridge)
192 ΠΕΡΙΒΟΛΙ ΤΟ (The Orchard )
193 ΠΕΡΙΒΟΛΙ� ΕΙΧΑ (I Had An Orchard).

String Orchestra - Level 2 - Digital Download

SKU: A0.933100

Composed by Xavier Santiago. Contemporary,Instructional,Patriotic,Standards,Traditional. Score and parts. 14 pages. Xavier Santiago #538861. Published by Xavier Santiago (A0.933100).

The composer has written this delightful patriotic medley for your young string orchestra students. This medley includes Yankee Doodle, The Star-Spangled Banner, and Chester. While this medley is a very clever mix, all of the songs are segued by America the Beautiful! This piece also has the style of tone painting (for the art made by Childe Hassam; The Fourth of July, 1916). This piece is sure to teach, and have fun all at the same time! Your students get a great kick out of this one!

Guitar - Level 1 - Digital Download

SKU: A0.980763

By Mark Greer. By Mark Greer. Children,Christian,Praise & Worship,Religious,Sacred. Chords/Lyrics. 3 pages. The CHOSEN Company, LLC #4596443. Published by The CHOSEN Company, LLC (A0.980763).

Ballad about how Jesus and John the Baptist grew up together in the same family, and new each other from before their birth, as John leapt in the womb of Elizabeth, even as Jesus was in the womb of Mary.

Find more great music at:
www.chosen-company.us
www.markgreermusic.com
www.chosenthemusical.com
www.samsonthemusical.com.

Small Ensemble Horn,Oboe,Piano - Level 5 - Digital Download

SKU: A0.977000

Composed by Keith Moss (b.1982). 20th Century,Concert,Contemporary. Score and parts. 58 pages. Keith Moss #3473533. Published by Keith Moss (A0.977000).

Commissioned by the SAMRO Endowment for the National Arts, the work was written for Horn player, Neil Smit in 2014.  The work aims at building more repertoire for solo horn work in the chamber category, as well as pairing it with oboe.

The work can stand as large piece for any program.  It's sound scape includes a prepared piano for which the pianist should move to in the second movement while in the same movement the horn is stopped throughout.

For more information visit www.keithmoss.co.za
Please visit my YouTube channel and feel free to upload any performances of the work https://www.youtube.com/channel/UCltV19e4NmkSU8Xo_T6Bhmg