(Accompaniment Only) - Digital Download SKU: HX.384096 By Pentatonix. By Kevin Olusola, Martin Johnson, Mitchell Grassi, Sam Hollander, and Scott Hoying. Arranged by Mark A. Brymer. Pop. Choral. Duration 180. Published by Hal Leonard - Digital (HX.384096).

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.858944 Composed by Various. Arranged by Stephen Bulat. Celtic,Holiday,Love,Wedding. Score. 5 pages. Stephen Bulat Publishing #6260737. Published by Stephen Bulat Publishing (A0.858944). This sampler pack includes lead sheet arrangements (melody, lyrics & chords) of three romantic Celtic songs in their original keys. Songs include: Greensleeves (key of E minor) O Danny Boy (key of C) When Irish Eyes Are Smiling (key of D)A Celtic, love song gig book must-have, each arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to minimize page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute)Please click on the publisher to view these arrangements in other keys as well as to purchase in the Celtic Fiddle Fake Book or in Classic Love Songs - A Valentine's Day Fake Book.Classic Love Songs - A Valentine's Day Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21964690 - Item Number: S0.975249

Bells,Boomwhackers,Handbell,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565148 By Sharon Wilson. By African-American Spiritual and Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. 9 pages. Sharon Wilson #3497139. Published by Sharon Wilson (A0.565148). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells ~ D E G A B C* where C* is high C, one octave above middle C  Boomwhackers® ~ C D E G A B C*Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 7 or 13 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian

Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.914984 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Children,Classical,Holiday,Instructional,Jazz. Score and parts. 7 pages. White Piano International Publishing #6720309. Published by White Piano International Publishing (A0.914984). THE BLACK CAT WALTZ (Piano Duet) One Piano / Four HandsAdvanced Intermediate Approx. Performance TIme: 2:306 PagesOriginally composed in 2002 as a piano solo, THE BLACK CAT WALTZ was arranged years later as a One Piano, Four Hands Duet in 2010.The sheet music is clearly notated with dynamic and articulation marks, phrasing, suggested fingerings and appropriate musical terms for playing.Both Primo and Secondo players each have numbered measures and sections with easy to locate corresponding bars.The piece is written in the key of D minor. It then changes to G minor at measure 76 giving a refreshing color to the melody.THE BLACK CAT WALTZ (Duet) makes a wonderful piano selection for two advanced intermediate students - great for teaching ensemble techniques. It is an appropriate piece for Halloween, recitals and school musical events...a delightful listening treat for audiences.The sample music is a March 13, 2011 premier live performance at the KPMF Piano Ensemble Club Spring Concert performed by Hiro Nakae and Ryota Watanabe, both students of Yoko Kurosawa. Here is their video: http://www.youtube.com/watch?v=8rDI5JwiLOYA Youtube video of Robert's original solo performance of THE BLACK CAT WALTZ in 2009 is available at: http://www.youtube.com/watch?v=qGtzxCdSlrQRobert's Official Website: www.robertvanhorne.comASCAP AffiliationWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.778610 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Gospel,Jazz,Opera,Spiritual. Score. 4 pages. Don Hodell Chilcote #48223. Published by Don Hodell Chilcote (A0.778610). Same Train is for Piano and Soprano. A lively fun setting of this great spiritual. Piece includes a distinct and unique introduction, and an original middle part not in the original spiritual. Fun with a energetic soprano and well worth the effort to learn. Similar to hymn writing by the greats, Mark Hayes, Bill Wolaver, Mary McDonald, John Carter, Llyod Larson, and Larry Shackley in todays church pianist marketplace.

Piano,Trombone - Level 5 - Digital Download SKU: A0.928162 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional,Jazz. Score and part. 40 pages. Pete Strohm Music #6285133. Published by Pete Strohm Music (A0.928162). Sonata No. 4 for Trombone and Piano was written for American trombonist Mark Kellogg. The rhythmic roots of this piece are in the music of Central and South America.  The first movement is based on bossa nova, in ABCBA form, with trombone and piano working together to create the syncopation. It segues into the second movement, a sweeping slow beguine in A-flat minor with a lovely A-flat major mid-section. The third movement has a declamatory opening, that goes into a driving samba. The piano generates the rhythm, with the trombone providing an aggressive lead and a fierce, improvisational-sounding midsection. An outstanding and unique work for contest, concert or recital.  Difficulty level for both instruments is advanced. Total performance time is 14:40.  Member, ASCAP. 

String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html

Clarinet,Piano - Level 4 - Digital Download SKU: A0.994716 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and part. 16 pages. Music Studio #4321767. Published by Music Studio (A0.994716). Fantasia for Clarinet and Piano.Fantasia for Clarinet and Piano is part of my album Modern Chamber Music Vol. 1 by Darian Stavans.Modern Chamber Music Vol. 1 is an academic proposal and a personal perspective of the times we live in. The compilation in this album includes works for small ensembles, duets for instruments like the clarinet and piano that establish metaphorical dialogs with each other in the Sonata for Clarinet and Piano, as well as in the fantasia for the same instruments. Later we encounter a watery flow of deliciously fresh notes in the String Trio, a Neo-romantic piece. The album concludes with a Chamber Concert for Piano in three parts that exalts the old and classical manner of writing piano concerts. In this case, however, there are modern strokes and tonalities adorning this mix of textures and forms.  It is an academic conception in itself that brings remarkably fresh sounds to our day.Clarinet and Piano work.Chamber Music.14 pages.Duration: 6:04Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.

Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).

Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).

Piano,Violin - Level 2 - Digital Download SKU: A0.914221 Composed by Hollaender, Victor. Arranged by Rebecca Wishnia. Concert,Romantic Period,Standards. 3 pages. Rebecca Wishnia #6026623. Published by Rebecca Wishnia (A0.914221). Victor Hollaender's parlour music comes to life in this new arrangement for the intermediate violinist. The solo part may be played in first position only, but if your student is shifting, some schmaltzy fingerings would be a welcome addition to this romantic piece. Your download includes the piano score and a beautiful, minimally marked violin solo part. Audio samples coming soon!

Concert Band - Level 4 - Digital Download SKU: A0.1026068 Composed by Malcolm Jones. Holiday,Patriotic,Romantic Period,World. Score and parts. 109 pages. Aeolian Music #6301131. Published by Aeolian Music (A0.1026068). Fanfare Parade And Celebration Depicts great joy, elation and euphoria with some humor and is a great show opener.Orchestrated for Wind Band. Include are parts for Euphonium and Tuba in bass clef C, also included the parts for Bb Euphonium in both bass clef and treble clef, Horns in Eb and Basses in Eb and Bb treble clef these are not on the score.n Depicts great joy, elation and euphoria with some humor and is a great show opener.Orchestrated for Wind Band. Include are parts for Euphonium and Tuba in bass clef C, also included the parts for Bb Euphonium in both bass clef and treble clef, Horns in Eb and Basses in Eb and Bb treble clef these are not on the score. Score and parts are available from sheetmusicmarketplace.com.As sound track for media and film Fanfare Parade And Celebration is available in high quality MP3,AIFF form and as a WAV track. Fanfare Parade And Celebration can be arranged for film orchestra and tailored to your needs as sampled sound track if you prefere? cost of orchestra etc!

Piano/vocal - Digital Download SKU: S8.AC0300-1000330 Composed by Bert Kalmer & Harry Ruby. Music from or about Maryland. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 8.23: Geography - Maryland, Box 26, Folder A, Archives Center, National Museum of American History, Smithsonian Institution. 7 pages. Published by Smithsonian Institution (S8.AC0300-1000330). Sheet music published in 1922 by Waterson, Berlin and Snyder. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.