Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1260597 Composed by George Frideric Handel. Arranged by Scott S. Stewart. A Cappella,Baroque,Classical,Opera. Octavo. 4 pages. Scott S. Stewart #853790. Published by Scott S. Stewart (A0.1260597). “O Sleep, Why Dost Thou Leave Me?�, from Georg Friedrich Händel’s oratorio/opera Semele (1743), is sung by the lovely, yet vain and ambitious princess, Semele of Thebes.  She awakens and regrets that the dream she was having has ended, and calls upon Sleep to return and restore her peaceful vision. (This aria is often suggested listening to those suffering from insomnia.)  This arrangement is for 4-part SATB ensemble to be performed a cappella.  It’s purpose is twofold: to serve as an introduction to Händel and English Baroque music, while at the same time teaching young sopranos a performable aria for their solo repertoire. Performance time: 2:15+-.

String Ensemble,String Trio Violin - Level 1 - Digital Download SKU: A0.905537 Composed by Lowell Mason, George Friedrich Händel. Arranged by Ludovica Lanaro. Christian,Christmas,Holiday,Spiritual. Score and parts. 5 pages. Ludovica Lanaro #6097391. Published by Ludovica Lanaro (A0.905537). Joy to the World arranged for three violins. It is perfect for beginners.Score and parts are included.It is a popular Christmas carol and its music it is attributed to Lowell Mason. Mason was a great admirer and scholar of Händel's music and the first four notes of Joy to the World are the same as the first four in the chorus Lift up your heads from Handel's Messiah.

Small Ensemble Bass Guitar,Drums,Piano - Level 3 - Digital Download SKU: A0.1085701 By Wings. By Linda McCartney and Paul McCartney. Arranged by Louis Drummond. Pop,Rock. Score and parts. 11 pages. Louis Drummond Van Rensburg #689872. Published by Louis Drummond Van Rensburg (A0.1085701). Live And Let Die is the main theme song of the 1973 James Bond film with the same name, written by Paul and Linda McCartney and performed by Paul's band Wings. It was one of the band's most successful singles, charting at No. 2 on the US Billboard Hot 100 and No. 9 on the US Singles Chart. In my Piano Trio arrangement (piano, bass and drums) for intermediate players, the bass and drums and L.H. of the piano support the melody played by the R.H. of the piano. Between the slow and faster Rock feel there is a short Reggae section. Score and parts are available.

Violin Solo - Level 2 - Digital Download SKU: A0.1486428 By H.E.R. By Darhyl Jr Camper, Gabriella Wilson, and Hue Wayne Strother. Arranged by Grace Music Events LLC and Grace UnHae Kwon. Blues,Hip-Hop,R & B,Soul,Wedding. 3 pages. Grace Music Event LLC #1063491. Published by Grace Music Event LLC (A0.1486428). Every Kind of Way by H.E.R.For Intermediate ViolinOriginal Key of G MajorThis arrangement can be performed as a complete solo or with karaoke track (must be the orignal version G major). Perfect for professional musicians for events to amateurs who want to play the song for fun. GIG APPROVED: Sheet music has been tested and performance ready. All you need is the original karaoke track of the song and you can perform it cold. (Please make sure the Karaoke track is the original and has the same run time.)Arranged by Grace UnHae KwonFor Grace Music Events LLCTitle available for  Viola Solo, Cello Solo, Flute Solo, Sax Solo, Clarinet, Bassoon Solo, and Trumpet Solo. Please feel free to reach out for any titles and instrumentation.

Baritone, flute and piano - difficult - Digital Download SKU: S9.Q6943 Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, score and parts. Duration 3 minutes and 30 seconds. Schott Music - Digital #Q6943. Published by Schott Music - Digital (S9.Q6943). German.An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin’s late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This ‘riveness’ can be found in the work’s concentrated character, which combines fragile colours of piano and flute, an eruptive climax and exactly organized lines and motives. During the thorough revision of the score, 17 years after the composition of the primary version, I tried to preserve the character of the piece with its strong influences from Alban Berg’s expressionistic style, but to accentuate the musical ideas of the work more exactly and subtly at the same time. Benjamin Schweitzer.

B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four� Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing� first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.�Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.� — 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king� at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today� (published as “Hymn for Easter-Day� in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Small Ensemble B-Flat Bass Clarinet,Marimba,Trumpet - Level 5 - Digital Download SKU: A0.969850 Composed by Amy Dunker. Concert,Contemporary. Score and parts. 12 pages. Amy Dunker #5887303. Published by Amy Dunker (A0.969850). hubbub noun [ U ] US   /ˈhÊŒb.ÊŒb/ UK   /ˈhÊŒb.ÊŒb/   a loud noise, especially caused by a lot of people all talking at the same time: I could hardly hear myself speak above all the hubbub in the bar.   general excitement and activity: Once the hubbub of the election had died down, it was back to normal for the president. https://dictionary.cambridge.org/us/dictionary/english/hubbub   Hubub is a fanfare for Bb Bass Clarinet, Bb Trumpet and Marimba   Duration:  2:00

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score and Parts. 88 pages. Jon Thingvall #865640. Published by Jon Thingvall (A0.1273503). Briar Rose was the name of an early version of Sleeping Beauty.  Here, Tchaikovsky’s famous Sleeping Beauty Waltz is perked up a little, and re-imagined for a standard junior high/early high school, jazz big band (5,4,4), and played in 4/4 time.Difficulty:  junior high to early high school band.Designed to help students learn jazz.Key:  F (original ballet key is B-flat)Highest lead trumpet note: concert E (last note), in the treble clef.There are no solos.  Exposed parts have at least two players.The rhythms swing, but are kept predictable, without too much variety.Rhythm section play-along here:  https://youtu.be/rhlifLTzHC8Additional Parts Included:                Score, transposed                Score, concert pitch                Piano/Guitar showing Bass in L.H.                Piano/Guitar only, no Bass                Piano with jazz ideas/options written out                Drum set notation                Drum set kicksheetMeasure 71 (at approx. 1:51) could serve as an Optional Ending, and the director will be able to edit the measure as desired—beef up the “& of two� if desired, and/or add horns on beat 4, etc.  If done in class, as my teachers occasionally did, it can show the students the process of arranging, and might encourage some in that direction.As a classical-turned-jazz pianist, my best memories are of those who helped me bridge the gap from verbatim part-playing to the concepts of learning jazz harmonies and its own unique form of counterpoint.  Writers' suggestions--like Sammy Nestico's, who occasionally specified voicings--were invaluable.  So, for classically-trained pianists who are interested in jazz, I’ve included a couple versions of the piano part—a fairly standard “lead sheet�, but also one with ideas for voicings, especially quartal, which the classical artist might not have considered.  Further study on YouTube and other Internet sites will help them hear and visualize the difference between jazz and classical.The Bass part gives the student the option of playing the changes, or the written notes.I’ve also included two kinds of drum parts—one with notation for those just starting out, and another “kick sheet� for those with more experience.Manuscript made with Finale v26Sounds from Finale and Garritan “JABB3� (Jazz And Big Band)MP3 courtesy of OnlineAudioConverter.com.

Piano,Trumpet - Level 5 - Digital Download SKU: A0.761756 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Debra E. Stempien, Gregory H. Turner. Contemporary. Score and part. 8 pages. Standard Time #6244553. Published by Standard Time (A0.761756). This classic 1930s swing tune is arranged for trumpet solo with piano accompaniment.  The trumpet presents the complete melody, followed by a composed piano solo (chord symbols provided for optional improvisation) with trumpet backgrounds. The third iteration features a composed trumpet solo (optional improvisation) leading to an exciting conclusion.  Please note that the recording features the alto sax version of this arrangement.

Piano,Viola - Level 4 - Digital Download SKU: A0.1513115 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Debra E. Stempien, Gregory H. Turner. Christmas,Holiday,Jazz,Standards. Score and part. 8 pages. Standard Time #1087994. Published by Standard Time (A0.1513115). This Christmas classic is arranged as a jazz waltz for viola solo with piano accompaniment.  The complete form is presented four times:  the melody in its original form, then as a composed jazz-style solo for viola, then as a piano solo with viola backgrounds, and again as the original melody.  Use this arrangement for background sets at the holidays or as a featured solo in a concert setting.  A live recording is forthcoming.

Piano,Viola - Level 5 - Digital Download SKU: A0.761757 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 8 pages. Standard Time #6244555. Published by Standard Time (A0.761757). This classic 1930s swing tune is arranged for viola solo with piano accompaniment.  The viola presents the complete melody, followed by a composed piano solo (chord symbols provided for optional improvisation) with viola backgrounds. The third iteration features a composed viola solo (optional improvisation) leading to an exciting conclusion.  Please note that the recording features the alto sax version of this arrangement.

Small Ensemble Alto Saxophone,Piano,Voice - Level 4 - Digital Download SKU: A0.761670 Composed by Axel Stordahl and Paul Weston. Arranged by Debra E. Stempien, Gregory H. Turner. Contemporary. Score and parts. 14 pages. Standard Time #4285901. Published by Standard Time (A0.761670). This classic ballad by Sammy Cahn, Paul Weston, and Axel Stordahl is arranged for alto sax and vocal solos with piano accompaniment. Recorded by favorites such as Frank Sinatra, Nat King Cole, Jo Stafford, and Boz Scaggs, this arrangement features updated harmonies and solos on the complete form for both sax and voice. In addition to a score and individual parts, a combined vocal and piano part is included for the singing pianist, along with a lead sheet containing both solo parts with chord symbols.  To hear the arrangement in its entirety, please visit: https://standardtime.bandcamp.com/track/i-should-care

Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1129471 By Mannheim Steamroller. By Jule Styne and Sammy Cahn. Arranged by Debra E. Stempien, Gregory H. Turner. Christmas,Holiday,Jazz,Standards. Score and parts. 10 pages. Standard Time #729921. Published by Standard Time (A0.1129471). This swing version of the Christmas classic is arranged for sax quarter (SATB) and piano. A sax soli is included. Chord symbols are included in the piano part.

Flute,Piano - Level 5 - Digital Download SKU: A0.761755 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Debra E. Stempien, Gregory H. Turner. Contemporary. Score and part. 8 pages. Standard Time #6244547. Published by Standard Time (A0.761755). This classic 1930s swing tune is arranged for flute solo with piano accompaniment.  The flute presents the complete melody, followed by a composed piano solo (chord symbols provided for optional improvisation) with flute backgrounds. The third iteration features a composed flute solo (optional improvisation) leading to an exciting conclusion.  Please note that the recording features the alto sax version of this arrangement.

Piano,Violin - Level 5 - Digital Download SKU: A0.761758 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. 8 pages. Standard Time #6244559. Published by Standard Time (A0.761758). This classic 1930s swing tune is arranged for violin solo with piano accompaniment.  The violin presents the complete melody, followed by a composed piano solo (chord symbols provided for optional improvisation) with violin backgrounds. The third iteration features a composed violin solo (optional improvisation) leading to an exciting conclusion.  Please note that the recording features the alto sax version of this arrangement.