Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1401980 Composed by Robert Edward Smith. Christian,Praise & Worship,Sacred. 9 pages. ROBERT EDWARD SMITH MUSIC #985177. Published by ROBERT EDWARD SMITH MUSIC (A0.1401980). This is a musical setting of the English text for the Liturgy, or Mass, as celebrated in Catholic, Episcopal, Anglican, and other denominations that use the ICEL translations of the Ordinary.  It is meant for organ and choir to support the singing of the congregation, but is easy enough to learn as to allow use by congregations without the support of a choir.  The entire purpose of this setting is to provide music that is easy enough for a congregation to learn and sing that they may do so entirely on their own, with only organ as support.  The audio musical sample of the Sanctus is an example of this simplicity.The PDF includes the score for organ and choir, as well as congregation parts which may be printed on both sides of 8x10 cards to be left in the pews.  However, the music has proven to be easy enough to learn that these cards may be unnecessary.

Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #677904. Published by jmsgu3 (A0.1073960). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.765686 Composed by John B. Dykes, 1861. Arranged by Michael Myrick. A Cappella,Christian,Easter,Sacred. Octavo. 8 pages. MICHAEL MYRICK #6113931. Published by MICHAEL MYRICK (A0.765686). Opening with a beautiful a cappella section, this arrangement of the traditional hymn Holy, Holy, Holy to the tune Nicaea is stunning. The lyrics are masterfully painted by the accompaniment throughout. At the center of the piece, is a portion of the beautiful chorus Zum Sanctus from Shubert’s Deutche Messe for quite reflection. The piece then builds to the end with the final verse of the hymn focusing on the blessed Trinity. This is a perfect selection for Trinity Sunday. Inspirational! (Rev. 4:8-11)

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1292984 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Easter,Sacred. Score. 8 pages. Hélder Bento #883593. Published by Hélder Bento (A0.1292984). Domine Fili - Aria for Bass from Mass in G Major - Fullscore and PartsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.576775 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. 25 pages. David Warin Solomons #431983. Published by David Warin Solomons (A0.576775). Modaliter (an invented Latin word meant to signify by way of modes or modally) is based on my setting of the Communion Service - The Modal Mass - using mainly the Mixolydian and Dorian modes and with short excursions into Lydian and Aeolian and occasionally jazzy modes. The sections (marked Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei) can also be used separately. Versions are available for brass quartet (untransposed and transposed), wind quartet and string quartet. The pdf file contains score and parts. The sound sample is an electronic preview.

SATB chorus a cappella - Digital Download SKU: BJ.1440 Composed by Erik Westerlind. Christian. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1440. Published by Bo Ejeby Forlag - Digital (BJ.1440). 8.27 x 11.7 inches.The composer writes:During the pandemic years of 2020 and 2021, I decided to write down some of the melodies, phrases, and expressions that have come to me over the years. These melodies appeared when I was out walking, raking leaves in the garden, or enjoying summer days by the sea. The melodies evolved and grew and were clad in harmonies, a context, and lyrics. The final result turned out to be a Missa brevis, the short mass you are now holding in your hand. The different movements can be sung together on the same occasion, or one by one. This is how I picture the characters of the movements:Kyrie– PrayerGloria– JoySanctus– Pride and reverenceAgnus Dei –Redemption.

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.767567 Composed by Andrea Gabrieli. Arranged by Mike Lyons. Baroque,Renaissance,Sacred. 34 pages. Lyons Music Services #6198789. Published by Lyons Music Services (A0.767567). A setting for Clarinet quintet (Eb, 3 x Bb, Bass) of a Missa Brevis by Andrea Gabrieli.The mass has five sections, conforming to the usual set of Kyrie eleison, Gloria in excelsis Deo, Sanctus, Benedictus and Agnus Dei.In a modern setting, particularly of a Latin mass (there are a few still being done) this music could easily provide accompaniment in a liturgical setting.

Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.840619 Composed by David Heck, Jr. A Cappella,Contemporary,Sacred,Spiritual. Octavo. 9 pages. What the Heck Press #5307701. Published by What the Heck Press (A0.840619). This is the Benedictus from the A Cappella Mass.  It is for two soloists.  This movement ends with the fugue found at the end of the Sanctus.  This work requires larger forces.  .

Choral Choir (SAB) - Digital Download SKU: A0.733053 Composed by Michael Roth. Christian,Christmas,Easter,Sacred. Octavo. 33 pages. Ayotte Custom Musical Engravings #2837097. Published by Ayotte Custom Musical Engravings (A0.733053). The Mass of St. Lawrence by Michael Roth is a new setting of the Novus Ordo mass in accordance with the New Roman Missal (promulgated 2002). This movements included are:I.     Kyrie (Penitential Rite)II.     GloriaIII.   Gospel AcclamationIV.     SanctusV.     Memorial AcclamationVI.   Doxology AmenVII. Agnus Dei    

SATB choir unaccompanied - Medium - Digital Download SKU: MQ.1.3508-E Composed by Leonard Enns. 15 pages. Galaxy Music Corporation - Digital #1.3508-E. Published by Galaxy Music Corporation - Digital (MQ.1.3508-E). Latin.Missa Brevis began as a wedding gift for friends of the composer. The Sanctus and Agnus Dei were written for that purpose in 1980. The entire work was completed over the course of the next three years. It received its premiere performance nearly twenty years later by the Elmer Iseler Singers, Lydia Adams director, on February 5, 1999, as winning the composition in the Ruth Watson Henderson Choral Composition Competition for that year. Kyrie, Credo, and Agnus Dei borrow directly from liturgical chant, or are otherwise inspired by the spirit of that repertoire. Missa Brevis is intended both for liturgical and concert use, and may be performed by a quartet or chamber choir. Duration: 14:00.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.727576 Composed by Carol Troutman Wiggins and Text from the Roman Missal. Chamber,Classical,Contemporary,Early Music,Sacred. Octavo. 61 pages. Carol Troutman Wiggins #4847869. Published by Carol Troutman Wiggins (A0.727576). MASS GLORIFICANA is an SAB/3-Part Mixed Voices work with traditional text from the Liturgy of the Roman Mass in a contemporary music a setting. Some of the songs have a hint of a1950's ballad, an Appalachian folk song, but mostly traditional classical music. Great for advanced middle school learning their first mass, for high school students, or for any church choir seeking a short, quick and easy Mass. Includes the basics: Kyrie, Glorificana, Credo in Unum Deum, Sanctus, and Agnus Dei. Full piano accompaniment.

Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Digital Download SKU: A0.1059344 Composed by David Warin Solomons. 20th Century,Contemporary,Sacred. Full Performance. Duration 438. David Warin Solomons #2054371. Published by David Warin Solomons (A0.1059344). Setting of the Mass in Latin (Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei) in various modes. Performed by Matthew Curtis.

Trumpet Solo - Level 4 - Digital Download SKU: A0.864999 Composed by George Frideric Handel. Arranged by Rhodri Tomos. Baroque,Christian,Sacred. Individual part. 31 pages. RT Music Ltd #6022463. Published by RT Music Ltd (A0.864999). Handel HWV deest Gloria in Excelsis movts 2 to 6 only solo sheet music for concert pitch / trumpet in C , piccolo trumpet in Bb, trumpet in Eb and trumpet in Bb. 2. Et in terra pax3. Laudamus te4. Domine deus5. Quit tollis peccata mundi6. Quoniam tu solus sanctusIt does NOT include movement 1 Gloria in excelsis this is sold separately.

0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - Digital Download SKU: S9.Q19856 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: organ score. Downloadable, Organ reduction. Op. 5 a. Duration 18 minutes. Schott Music - Digital #Q19856. Published by Schott Music - Digital (S9.Q19856). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.