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String Quartet String Quartet - Digital Download SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
Gaúcho - Corta Jaca (Brazilian Music)
Quatuor à cordes: 2 violons, alto, violoncelle

$20.00 17.07 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1117136 By Scandal. This edition: scorch. E-Z Play Today. Pop,Rock. Score. 4 pages. Hal Leonard - Digital #42132. Published by Hal Leonard - Digital (HX.1117136). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
The Warrior (feat. Patty Smyth)
Piano grosses notes
Scandal This edition: scorch
$2.99 2.55 € Piano grosses notes PDF SheetMusicPlus

Piano - Digital Download SKU: BQ.979-0-50179-046-3 Composed by Sigismund von Neukomm. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 22 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-046-3). ISBN 9790501790463.The Zwolf Walzer originated in a time when the classic waltz was far from being socially accepted. It was still considered a somewhat scandalous dance of the lower classes and became the latest trend in the salons of the nobility only after the Congress of Vienna. With his 12 waltzes, composed during his first Parisian phase in 1811, Neukomm was on the cutting edge of the musical consciousness of his age, even though it is hard for us today to perceive this music as scandalous. An ideal complement to music lessons for moderately advanced pupils, but also fitting as stage music or prima vista studies, Neukomm's waltzes in the version for Piano Solo offer a charming glimpse at an evolving musical genre.
Zwolf Walzer
Piano seul

$21.95 18.73 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.527525 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Standards. 19 pages. Diego Marani #2849887. Published by Diego Marani (A0.527525). Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon.This arrangement of the ouverture for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
Carmen Overture (Prelude) for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$9.90 8.45 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Str. (mind. 3 · 3 · 3 · 3 · 1) recorder (sopranoino-, alto-, tenor- and bass recorder), strings and harpsichord - advanced - Digital Download SKU: S9.Q19105 Concerto for recorder, strings and harpsichord. Composed by Enjott Schneider. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 18 minutes. Schott Music - Digital #Q19105. Published by Schott Music - Digital (S9.Q19105). With his 'Omaggio a Vivaldi' Enjott Schneider drew a musical portrait of the Italian Baroque master. Whereas the first movement illuminates the topic of Vivaldi's scandalous relationship with the prima donna Anna who was his junior by 25 years, the second movement focuses on the composer of magical dream worlds who was far ahead of his time. The final virtuoso picture characterizes Vivaldi in the way that many of his contemporaries saw him: as a manically composing eccentric. The Concerto for recorder, strings and harpsichord is dedicated to the virtuoso flutist Stefan Temmingh. Created by the composer himself, the piano score now makes this interesting piece accessible for chamber music purposes.
Omaggio a Vivaldi

$21.99 18.77 € PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,Traditional. 6 pages. Jmsgu3 #912628. Published by jmsgu3 (A0.1324430). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
What Child is This for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 21.29 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Chorale SATB
Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673 Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista
$9.99 8.53 € Chorale SATB PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.931265 Composed by Alessandro Macrì. Christmas,Classical,Concert,Film/TV,Holiday. Score and parts. 51 pages. Music Macri Editions #5808093. Published by Music Macri Editions (A0.931265). Il valzer, che per i suoi passi lenti ed eleganti era considerato il ballo della nobiltà, nacque in Austria e nella Germania meridionale nella seconda metà del 18° sec, come evoluzione di un altro ballo, il Ländler o la Deutscher Tanz. Si diffuse velocemente nel resto d’Europa offrendo motivo di entusiasmo (e al tempo stesso di scandalo) per il fatto che si trattava del primo tipo di ballo in cui i ballerini si stringevano in un abbraccio.The nine daysQuesto brano è una breve cantata natalizia in tempo di valzer dal carattere leggero e delicato ispirato ai temi popolari composti nel corso degli anni dai maestri della Storica Banda Musicale della città di Gerace: una graziosa cittadina dalle radici medievali in provincia di Reggio Calabria inserita tra i borghi più belli d’Italia e che vanta una tradizione musicale con quasi trent'anni di attività e le cui origini risalgono a metà ottocento.La notte di nataleQuesto brano è stato composto nel giorno della vigilia di Natale del 2016, ispirandosi allo stile geracese.Un ballo al CastelloL' Autore ha immaginato di trascorrere il periodo natalizio in un Castello, immerso in un mondo magico e incantato.
Three Christmas Waltzes for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$7.00 5.97 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus


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