Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1110009 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Christmas,Classical,Contemporary,Instructional,Jazz. Score. 14 pages. Sandra schlink #712358. Published by sandra schlink (A0.1110009). Theory Book 11 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 6 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 4 Sight Singing and Theory Book 4 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2,Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1037636 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Instructional. Score. 18 pages. Sandra schlink #642537. Published by sandra schlink (A0.1037636). Theory Book 1 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 1 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Concert Band - Level 3 - Digital Download SKU: A0.1414218 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 62 pages. Lorenzo Bocci #995989. Published by Lorenzo Bocci (A0.1414218). IL FORTE (The Strong) - From The Good, The Bad And The Uglyfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With Choir (SATB). Score and parts. With Fanfare Band parts. Duration 2'12''. Published by Lorenzo Bocci.Create The Good, The Bad And The Ugly Suite (Il buono, il brutto e il cattivo Suite) with:- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Il Forte (The Strong)- The Ecstasy Of Gold - YouTube ScorePlay - Sheet Music PlusInstrumentation:Full Score, Bb Solo Trumpet, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, 4, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Snare Drum, Percussion (Tam Tam, Bass Drum), Choir (SATB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.The Good, the Bad and the Ugly (Il buono, il brutto e il cattivo) is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as the Good, Lee Van Cleef as the Bad, and Eli Wallach as the Ugly. The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The score is composed by frequent Leone collaborator Ennio Morricone. The Good, the Bad and the Ugly broke previous conventions on how the two had previously collaborated. Instead of scoring the film in the post-production stage, they decided to work on the themes together before shooting had started, this was so that the music helped inspire the film instead of the film inspiring the music. Leone even played the music on set and coordinated camera movements to match the music. The main theme, resembling the howling of a coyote, is a two-pitch melody that is a frequent motif, and is used for the three main characters. The main theme, The Good, the Bad and the Ugly, was a hit in 1968 with the soundtrack album on the charts for more than a year.Subscribe to my YouTube Channel to stay updated on new releases.

Mandolin - Advanced Intermediate - Digital Download By Alan Silvestri. Arranged by Michael Reichenbach. Score. 3 pages. Published by Michael Reichenbach

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1305017 By Ivan Brand. By Joseph P. Webster. Arranged by Ivan Brand. Christian,Religious,Sacred. 20 pages. Ivan Brand #894447. Published by Ivan Brand (A0.1305017). This piece begins by developing the typical emotional feeling of peaceful longing consistent with verse 1 of the original lyrics. It then turns celebratory consistent with verse 2 - We shall sing on that beautiful shore!. The piece climaxes with an emphatic refrain and coda which underscore the forthcoming celebration when We shall meet on that beautiful shore. An optional tambourine can be used effectively to add to this celebratory style. The included alternatie instrumentation consisting of Alto Sax (for F Horn), Tenor Sax (for Trombone), and 5-string Bass Guitar (for Tuba) can creat an exciting and unique musical texture.

2 Trumpets and 2 Trombones, Percussion (With Optional Horn, Tuba) - Digital Download SKU: LX.30-2139L Composed by Lloyd Larson. Sacred Anthem. Digit. 39 pages. Exaltation Publications - Digital #e30/2139L. Published by Exaltation Publications - Digital (LX.30-2139L). This regal anthem underscores the unity of the church and her mission. The optional brass and congregational participation in singing the familiar Lead On, O King Eternal is a powerful concluding statement of commitment for the church.

Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688).     Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular.    The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years.     Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers.    This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version.    There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone.    This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.

Brass Quintet, Brass Choir or Ensemble, Small Brass Band - Intermediate - Digital Download Composed by Irish Trad. Arranged by David Catherwood. World, St. Patrick's Day. Score, Set of Parts. 21 pages. Published by Opus 3 Music

Piano Solo - Intermediate - Digital Download By Alexandre Desplat. Arranged by Flavio Regis Cunha. Score. 8 pages. Published by Flavio Regis Cunha

Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….

Handbell - Level 3 - Digital Download SKU: A0.953714 Composed by Foundery Collection, John Bacchus Dykes, Traditional English Melody, and and William A. Ogden. Arranged by G. R. Adkison. Christian,Sacred. Score. 6 pages. Gary Ray Adkison #7477. Published by Gary Ray Adkison (A0.953714). The Power of the One is a 67 measure, 4-5 octave medley of Christian hymns whose unifying theme is the Power of the (One) God. This medley is comprised of I Sing the Mighty Power of God, Praise the Lord Who Reigns Above, Eternal Father, Strong to Save (The Navy Hymn) and He Is Able to Deliver Thee. The first two of these hymns are upbeat, and include some melody doubling into the highest octave. Those two and the last hymn make use of occasional descant lines. He Is Able to Deliver Thee is very lively, and utilizes both an occasional descant line, and (fairly fast) bass runs. In between Praise the Lord Who Reigns Above and He Is Able to Deliver Thee, you have the slower, and much more reverential Eternal Father, Strong to Save (also known as The Navy Hymn), which uses handchimes, although bells can be substituted for the chimes. This selection helps add a contrast in style, tempo and volume to the other three. At the end, there is a tag consisting of the last part of Praise the Lord Who Reigns Above at a slower tempo, and at a triple forte dynamic level, for a grandioso ending. The fast bass runs contribute to my thinking that this arrangement is probably a 3+ difficulty level.

Piano Solo - Level 3 - Digital Download SKU: A0.1298554 Composed by Franz Waxman and Paul Francis Webster. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. Score. 6 pages. Timothy Stapay #888449. Published by Timothy Stapay (A0.1298554). The Wonderful Season Of Love is better known as the Theme from Peyton Place, written by Franx Waxman.   In 2005, the American Film Institute recognized the score in its 100 Years of Film Scores, for which it received a nomination.Peyton Place was an American prime-time soap opera that aired on ABC in half-hour episodes from September 15, 1964, to June 2, 1969.  The movie of the same name  was a 1957 American drama film starring Lana Turner, Hope Lange, Lee Philips, Lloyd Nolan, Diane Varsi, Arthur Kennedy, Russ Tamblyn, and Terry Moore..   It was based partly on Grace Metalious's bestselling 1956 novel of the same name. Lyrics:Where I was born time was told, Not by the clock nor the calendar, But by the seasons.  Summer was carefree contentment,Autumn was that bittersweet time of regret, And then Winter fell with a cold mantle of caution and chill.  Spring was promise, But there was a fifth season, Of love, and only the wise knew where to find it!They say that the seasons are four,They come and they go by my door;From April's first roseTo the day that it snows,Same moon is smiling above.They say that the seasons are four,But you and I know there are more!And best of them allIs the one that we callThe wonderful season of love!They say that the seasons are four,But you and I know there are more!And best of them allIs the one that we callThe wonderful season of love!

Solo, unison voices, cello, and organ - Moderately Easy - Digital Download SKU: MQ.56-0029-E Composed by Howard Goodall. 5 pages. Duration 4 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0029-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0029-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For solo and unison voices, cello, and organ, the music has a light, ethereal feeling. The text is in Latin. Appropriately for the title, this movement has the simplest construction of any of the Beatitude pieces. An angular but comfortable vocal line is sung first by the soloist and then by an increasing number of voices. The organ and muted cello accompany with a sustained, almost cantus-firmus-like line. Peaceful, legato, and sublime. Duration 4:30Instrumentalists play from the choral score.

Ukulele - Level 1 - Digital Download SKU: A0.1238898 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Folk,Jazz,Multicultural,Rock,World. Score. 1 pages. A.D.G. Productions #834303. Published by A.D.G. Productions (A0.1238898). The Lone Star Blues Shuffle is one of a collection of beginner blues songs Andrew D. Gordon has created for Ukulele.The Play-A-Long track can be downloaded for free at the following link.tinyurl.com/nwrbvtwh Scroll down to the very bottom of the category list on the left hand side of the page to where it says Play-A-Long Tracks.About the ComposerAndrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding.Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books:Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you.E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.