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Piano,Violin - Level 5 - Digital Download SKU: A0.861950 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 56 pages. Mark O'Connor Musik International #6209121. Published by Mark O'Connor Musik International (A0.861950). The Fiddle Concerto (piano score – violin and piano) MO119APiano Score adapted for violin and piano (piano reduction)Music by Mark O’Connor52 pages - 45:00 minutes in length The FIDDLE CONCERTO adapted for violin and piano is from Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. O’Connor has prepared this adaption for violin and piano from his score. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO119ACopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
The Fiddle Concerto (piano score – violin and piano)
Violon et Piano

$20.00 17.21 € Violon et Piano PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1306166 By Richard K. Johnson. By Richard K. Johnson. Arranged by Stephen E. Johnson. Contemporary,Country,Pop. Score. 9 pages. Stephen Johnson #895559. Published by Stephen Johnson (A0.1306166). Country song celebrating the life of a mother and grandmother, defining her life and reflecting on her life from her early beginnings in Texas to a later life in the Pacific Northwest. While this is the piano-voice version, the arrangement is well-suited for a small country band as there is room for solos. In fact, an arrangement is available on Spotify illustrating how this can be prepared as an ensemble arrangement, and the preview has a short segment of this arrangement.
Thelma Jean
Piano, Voix et Guitare
Richard K Johnson
$5.99 5.15 € Piano, Voix et Guitare PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1190215 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. Brass Band. 201 pages. Charles Decker Music Press #789828. Published by Charles Decker Music Press (A0.1190215). This brilliant, tour de force arrangement for brass band is guaranteed to inspire performers and excite audiences as it captures the energy of the Samuel Coleridge-Taylor's 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The 11 minute arrangement has an optional cut to make it seven minutes and is scored for British brass band instrumentation of E-flat cornet, B-flat cornets, flugelhorn, E-flat alto horns, baritone horn, euphonium, trombones and E-flat and B-flat basses with parts sets in treble clef except for the bass trombone. Optional brass instrumentaion is provided with substiute F horn parts for the E-flat alto horns and bass clef parts for all the low brass. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
The Bamboula Rhapsodic Dance for Brass Band

$39.95 34.37 € PDF SheetMusicPlus

Cello,Flute,Harp - Level 3 - Digital Download SKU: A0.544954 Composed by George Frideric Handel. Arranged by Cindy Blevins. Christmas. 8 pages. Cindy Blevins #4305825. Published by Cindy Blevins (A0.544954). This is beautifully arranged for harp (lever or pedal harp), flute, and cello. With this download, you receive the score, the harp part, the flute part and the cello part. The harp part is for lever harp, and of course can also be played on pedal harp. There is no levering or pedaling within the piece. It is also part of a small collection, Harp, Flute and Cello, Christmas, Set 6, which includes five arrangements: Away In A Manger, I Saw Three Ships, The Holly And The Ivy, We Three Kings and While Shepherds Watched Their Flocks. The Sheet Music Plus Item No. for this collection is S0.506671.
While Shepherds Watched Their Flocks, for Harp, Flute and Cello
Flûte, Harpe et Violoncelle

$5.99 5.15 € Flûte, Harpe et Violoncelle PDF SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.708624 Composed by Alphons Czibulka. Arranged by Matteo Firmi. Classical,Folk,Instructional,Patriotic,Traditional. Score and parts. 13 pages. BoraVerlag #317192. Published by BoraVerlag (A0.708624). Small March for band transcribed for wind septet Czibulka was born in Spišské Podhradie (German: Kirchdrauf, Hungarian: Szepesváralja), district of Spiš (Hungarian: Szepes County), Upper Hungary. He first came to prominence from the age of 15 touring Southern Russia giving piano recitals and concerts. He eventually became musical director at the French Opera in Odessa and at the National Theatre in Innsbruck, in 1865 he was second under Franz von Suppé as conductor at the Carl Theatre in Vienna. From 1866 to 1869 he served as a military bandmaster in Austro-Hungarian Infantry Regiment No. 17 in Bolzano. From 1869 to 1870 he held the same position at the 23ern in Petrovaradin and then, until 1871, with Infantry Regiment No. 20 in Krakow. Success as conductor and composer in the military led Czibulka onwards to Kapellmeister for Infantry Regiment No. 25 in Prague from 1872 to 1880. In 1880 he was appointed representative of Austria-Hungary's military orchestra at the International Exhibition in Brussels. He won First Prize he won 1st prize at that festival's Internationalen Musikkapellenkonkurrenz When Rudolf, Crown Prince of Austria became engaged, he dedicated to Princess Stéphanie of Belgium his Stephanie Gavotte, which became one of the most popular salon music pieces of the 19th century. From 1880 to 1883 he was military bandmaster of Infantry Regiment No. 44 in Trieste. His opera Pentecost premiered in Vienna in 1884 and its success took it on to Florence and throughout Europe. As a military bandmaster in the Infantry Regiment No. 31 in Vienna from 1883 to 1887 he held highly acclaimed composer-nights together with the musicians of the 30 under Carl Czerny (not related to the piano teacher). As a civilian he became music director in 1889 of the Concert House Flora in Hamburg. From 1891 to 1894 he again served as a military band conductor at the 19ern in Vienna.
Evviva Trieste - Score Only

$20.00 17.21 € PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.742691 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 79 pages. AnderKamp Music #3637261. Published by AnderKamp Music (A0.742691). This is a fun, gospel arrangement. The drums have a ‘train’ sort of feel (the ‘choo choo’ not ‘soul sister’ variety). This arrangement is a medley of Are You Washed In the Blood with There Is Power In the Blood. Toe tapping for sure. These type arrangements play themselves and everyone will love this energetic opener. This arrangement is in the Key of F then changes key up to G. You don’t have to have a rhythm section to play this piece. Not at all. As long as you have a piano player, they can play the written out piano part and go to town! As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
Are You Washed In the Blood - 8 Core Orchestra
Orchestre

$49.99 43.01 € Orchestre PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
John Cage I-VI (2023) piano-vocal score
Piano, Voix

$9.99 8.6 € Piano, Voix PDF SheetMusicPlus






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