Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.

String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.

Level 3 - Digital Download SKU: C7.CGB737 Composed by Carol Lynn Mizell and Skinner Chávez-Melo. Arranged by Carol Lynn Mizell and Skinner Chávez-Melo. Christmas. Full score. 24 pages. Chorister's Guild - Digital #CGB737. Published by Chorister's Guild - Digital (C7.CGB737). UPC: 749193016350.Level 3 • The strikingly beautiful hymn tune RAQUEL was composed by Skinner Chávez-Melo in 1985. The words are those of Reverend Roland F. Palmer, SSJE. This arrangement incorporates the singing bell technique and is scored for handbells and handchimes with oboe or other solo instrument and optional SATB choir, soprano descant, and congregation. When used as an offertory anthem, the congregation may join in the final stanza: Glory Be to God the Father..

5 or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB738 Composed by Carol Lynn Mizell and Skinner Chávez-Melo. Arranged by Carol Lynn Mizell and Skinner Chávez-Melo. Christmas. With 5 or 6 octaves handchimes, SATB, Congregation, Oboe (C Inst). Score. 12 pages. Chorister's Guild - Digital #CGB738. Published by Chorister's Guild - Digital (C7.CGB738). UPC: 749193016367.Level 3 • The strikingly beautiful hymn tune RAQUEL was composed by Skinner Chávez-Melo in 1985. The words are those of Reverend Roland F. Palmer, SSJE. This arrangement incorporates the singing bell technique and is scored for handbells and handchimes with oboe or other solo instrument and optional SATB choir, soprano descant, and congregation. When used as an offertory anthem, the congregation may join in the final stanza: Glory Be to God the Father..

SATB chorus - Digital Download SKU: C7.CGA1265 Composed by Carol Lynn Mizell. Christmas. Score. 8 pages. Chorister's Guild - Digital #CGA1265. Published by Chorister's Guild - Digital (C7.CGA1265). UPC: 749193016374.Level 3 • The strikingly beautiful hymn tune RAQUEL was composed by Skinner Chávez-Melo in 1985. The words are those of Reverend Roland F. Palmer, SSJE. This arrangement incorporates the singing bell technique and is scored for handbells and handchimes with oboe or other solo instrument and optional SATB choir, soprano descant, and congregation. When used as an offertory anthem, the congregation may join in the final stanza: Glory Be to God the Father..

Concert Band - Level 4 - Digital Download SKU: A0.1011735 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449491. Published by Peter's Publishing House (A0.1011735). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 3rd Horn in F from Themes from the Beach (Score Sold Separately). The Horn Part is 5 pages long with no offbeats throughout and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.

Large Ensemble - Level 4 - Digital Download SKU: A0.1088408 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 113 pages. Antonio Gervasoni #692673. Published by Antonio Gervasoni (A0.1088408). Five-movement work for seven female voices (3 sopranos, 3 mezzos and 2 altos) and ensemble (flute, oboe, clarinet, percussion, piano, viola, cello and double bass) In August 2013 Peruvian choir director Paloma Bascones asked me to compose a cantata for the Josep Soler Music Festival. I then assembled various texts from different sources, cultures, and languages ​​(Latin, Ancient Greek, Ancient Egyptian, Sanskrit, Sumerian, Chinese, Japanese, Hawaiian, Navajo, Cherokee, Nahuatl, Quechua, Spanish, German, English) and created five texts with excerpts of them, each text focused on a particular element: wind, fire, water, earth and the quintessence. A specific request from Ms. Bascones was that the work be related to a collection of medieval music pieces that she referred me to. For this reason, Alchimia makes use of some harmonic and melodic features of that style, combined with modern forms and techniques, as well as some special effects made from everyday items, and deals with all of these in a way that conveys the sense of a kind of magical ritual, a ritual to call the five elements of antiquity and bring part of their essence to our time.

Composed by Paul Williams and Kenny Ascher. Arranged by Anne Crosby Gaudet. Broadway, Children, Film/TV, Folk, Musical/Show, Pop. Score. 4 pages. Music Discoveries #694797. Published by Music Discoveries

By Adele. Arranged by Dorothy Horn. Score. 13 pages. Published by Dorothy Horn

Piano,Violin - Level 2 - Digital Download SKU: A0.1502316 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. 5 pages. Iury Cardoso #1078163. Published by Iury Cardoso (A0.1502316). Beautiful easy VIOLIN and PIANO arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach(Score and violin part: 5 pages)This arrangement presentes a new adaptation solution to transform the original piece (composed for string orchestra) into an easier version for VIOLIN and PIANO, with an easy-to-follow score to be played by music students. This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and in this arrangement, the long melody line spins out its cantilena against a walking bass line and easy-to-play contrapuntal commentary played by the piano.The chord symbols are present in the sheet music, allowing the duet to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- Other versions available: On this site, there is a version of this arrangement for SOLO VIOLIN and also versions for STRING QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!air bach for violin and pianoair on the G string bach easy violin and piano Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music  easy air on the G string for violin and pianoeasier air on the G string for violin and piano    air bach violin and piano sheet music  air bach easy violin and piano  air on the G string violin for beginners  easy violin and piano chamber music  air bach but on violin and piano  air on the G string bach violin and piano version  air on the G string bach easy violin and piano arrangement  air bach violin and piano best arrangement  easy violin and piano baroque sheet music  easy pianoeasy violin  air bach easier version  air on the G string sheet music  air bach best arrangement for violin with piano  air on the G string arrangement for violin with piano  air bach for easy violin with piano  easy baroque sheet music for violin with piano  easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for violin piano dueteasy air bach sheet music  easy version of Air on the G string for violin piano  easy air bach violin piano sheet music  bach easy violin piano  air for violin and piano beginners  bach for violin students  air bach best easy arrangement for piano and violinair bach easy version for violin piano  bach easy sheet music for violin piano  bach best easy arrangement for violin and piano  bach arrangement for solo piano and violinbach for violin and piano.

Clarinet, Bass Clarinet - Advanced Intermediate - Digital Download Composed by Handel, George, Frideric. Arranged by Anne L Christopherson GRSM ARCM. General Worship, Christmas, Thanksgiving, Wedding, Recital. Score, Set of Parts. 20 pages. Published by Music- Scores.com

Piano Solo - Level 3 - Digital Download SKU: A0.1487271 Composed by Johann Baptist Wanhal. Arranged by Allan Badley. Classical. Score. 54 pages. Artaria Editions #1064246. Published by Artaria Editions (A0.1487271). Like his younger compatriot Leopold Koželuh, Johann Baptist Wanhal derived a considerable part of his income from teaching, and his large output of keyboard music – which includes solos, chamber works with keyboard and instructional pieces – reflects this. Along with the usual sets of variations, dances and other small-scale works, he published sonatinas and progressive sonatas for young performers which reveal his experience as teacher and his gift of making the simplest music attractive as well as instructive. Wanhal’s output of solo keyboard music also includes far more complex and ambitious works, among them, several sets of pieces styled “Capriccio”. These works are in essence multi-movement sonatas, their capriciousness largely evident in their discursive first movements which include an element of modest tonal adventure. The works are very attractive, technically demanding yet well within the scope of the many fine amateur fortepianists in Vienna. Wanhal’s capriccios were eagerly sought after in other centres as well and were issued by publishers in London, Paris, Amsterdam, Offenbach am Main as well as in Vienna.

Piano Solo - Level 3 - Digital Download SKU: A0.1487273 Composed by Johann Baptist Wanhal. Arranged by Allan Badley. Classical. Score. 41 pages. Artaria Editions #1064248. Published by Artaria Editions (A0.1487273). Like his younger compatriot Leopold Koželuh, Johann Baptist Wanhal derived a considerable part of his income from teaching, and his large output of keyboard music – which includes solos, chamber works with keyboard and instructional pieces – reflects this. Along with the usual sets of variations, dances and other small-scale works, he published sonatinas and progressive sonatas for young performers which reveal his experience as teacher and his gift of making the simplest music attractive as well as instructive. Wanhal’s output of solo keyboard music also includes far more complex and ambitious works, among them, several sets of pieces styled “Capriccio”. These works are in essence multi-movement sonatas, their capriciousness largely evident in their discursive first movements which include an element of modest tonal adventure. The works are very attractive, technically demanding yet well within the scope of the many fine amateur fortepianists in Vienna. Wanhal’s capriccios were eagerly sought after in other centres as well and were issued by publishers in London, Paris, Amsterdam, Offenbach am Main as well as in Vienna.