Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.745313 Composed by Francois Clement Theodore Dubois. Arranged by James F. Rickley. Romantic Period,Sacred. Score. 5 pages. WayWordBound #353326. Published by WayWordBound (A0.745313). The Seventh Work from Les Sept Paroles du Christ | The Seven Words of Jesus on the Cross (1867), Theodore DuBois, Composer, James F. Rickley, Arranger and Editor, For Soprano Solo and Organ, Lent, Easter, Eastertide.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.745314 Composed by Francois Clement Theodore Dubois. Arranged by James F. Rickley. Romantic Period,Sacred. Octavo. 6 pages. WayWordBound #353328. Published by WayWordBound (A0.745314). The Seventh Work from Les Sept Paroles du Christ | The Seven Words of Jesus on the Cross (1867), Theodore DuBois, Composer, James F. Rickley, Arranger and Editor, For SATB Choir, Soprano Solo and Organ, Lent, Easter, Eastertide.

Soloists (SATB) and mixed choir (SATB), piano ad libitum - Digital Download SKU: S9.Q19116 Sept chants religieux. Composed by Giacomo Meyerbeer. This edition: score. Choral Treasury. Downloadable, Score. Schott Music - Digital #Q19116. Published by Schott Music - Digital (S9.Q19116). German • French.Mit seinen Sieben geistlichen Gesängen stellt Giacomo Meyerbeer einmal mehr unter Beweis, dass er nicht nur als Opernkomponist Epochales hinterlassen, sondern auch einige „Schätze der Chormusik geschaffen hat. Seinen vierstimmigen religiösen Gesängen liegen mehrstrophige Texte von Friedrich Gottlob Klopstock zugrunde. Ursprünglich schrieb Meyerbeer diese von aufklärerischer Frömmigkeit durchströmten Liedmotetten 1812 für solistisches Vokalensemble. Knapp 30 Jahre später brachte er sie dann, erweitert um Optionen für eine wechselweise chorische und solistische Ausführung und eine (intonationssichernde) Klavierbegleitung ad libitum, zweisprachig (deutsch/französisch) heraus. Eine gut zu bewältigende, aber dennoch sehr wirkungsvolle Repertoirebereicherung für jeden ambitionierten Laien- bzw. Kirchenchor.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-13E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-13E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-14E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1456661 By George Formby, Vera Lynn, Gracie Fields. By Samuel H Sept, Lew Brown, Charles Tobias. Arranged by F. Turnbull. 19th Century,Comedy,Historic,Patriotic. Score. 1 pages. Musicaliti Publishing #1035732. Published by Musicaliti Publishing (A0.1456661). Simple guitar accompaniment for group sing-along.

Organ - Level 5 - Digital Download SKU: A0.1103835 Composed by Hughes-Mussorgsky. Arranged by Gene Roberson. 20th Century. Score. 7 pages. Gene Roberson #707115. Published by Gene Roberson (A0.1103835). Organ Postlude Solo. Worship Recital Memorial to Queen Elizabeth's passing today Sept 8, 2022.

Choral Choir (TB) - Level 2 - Digital Download SKU: A0.727343 Composed by Theodore Dubois, Theodore Baker. Arranged by Carol Troutman Wiggins. Christian,Early Music,Instructional,Religious,Sacred. Octavo. 4 pages. Carol Troutman Wiggins #3460729. Published by Carol Troutman Wiggins (A0.727343). ADORAMUS TE, CHRISTETB/2-Part Male Voices Adoramus Te, Christe or Christ, we do all adore Thee is the final movement from Les sept paroles du Christ' or The Seven Last Words of Christ, an oratorio written in 1867 by Théodore Dubois. The text is very old, taken from the Roman Catholic liturgy: Adoramus te, Christe, et benedicimus tibi: Quia per Crucem tuam redemisti mundum. Easy vocal parts, great for beginning male chorus Late Intermediate level accompaniment Excellent for school repertoire, church services, recitals Some original material laced with the traditional hymn Chords included for additional instruments, if desired.

Digital Download SKU: A0.832290 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Www.HayesMusicPublishing.com #4794173. Published by www.HayesMusicPublishing.com (A0.832290). Psalm 90 is found at http://www.HayesMusicPublishing.com.  This psalm setting is suitable for use in Catholic liturgy and other religious services with a simple refrain and common verse melody. It is written in a lead sheet format with single line melody, chord symbols and ICEL lyrics.  Easy to learn.  Appropriate for the 23rd Sunday in Ordinary Time on Sept. 8, 2019.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-28E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.