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1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamber orchestra - Digital Download SKU: S9.Q2899 Fünf Lieder für eine Frauenstimme auf Gedichte von Mathilde Wesendonck von Richard Wagner. Composed by Hans Werner Henze and Richard Wagner. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 15 minutes. Schott Music - Digital #Q2899. Published by Schott Music - Digital (S9.Q2899). German.During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the opera Henze found most accessible and it was therefore the Wesendonck-Lieder, dating from 1858 with their clear affinity to the harmony of Tristan, which became Henze’s focal point of interest. In his arrangements he was aiming 'to evoke the pre-Tristan state. For this reason, I have selected a small ensemble consisting of seven wind instruments, two horns, harp and small string orchestra to retain the preliminary study character of these Lieder. At the same time however, I am attempting to permit the Tristanesque tone which is already inherent in the piano version to unfold through harmonic separation.' - Hans Werner Henze.
Wesendonck-Lieder
Orchestre de chambre

$45.99 44.71 € Orchestre de chambre PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.890161 Composed by Johann Sebastian Bach (1685–1750). Arranged by Andy Schmidt. Baroque,Classical,Holiday,Standards,Wedding. Score. 5 pages. Andy Schmidt #6063681. Published by Andy Schmidt (A0.890161). At long last, the wonderful Prelude from the Cello Suite No. 6 in D Major, arranged for piano solo! This is one of the most challenging and dynamic movements from the Bach Cello Suites. The original sheet music changes clefs often, from bass to alto to soprano. I've arranged the music into only bass and treble clef, to make playing and performing easier and more enjoyable. Like my other Bach Cello Suite arrangements, this edition is a 100% faithful piano transcription, featuring thoughtful separation of the cello melody into two staves and helpful fingerings throughout. Now pianists of all levels can enjoy this wonderful music! The audio clip here is a partial recording.
Bach Cello Suite No. 6 in D Major-Prelude
Piano seul

$5.00 4.86 € Piano seul PDF SheetMusicPlus

Traditionnel : Maremma, Italie (Toscane) - Chant de séparation
Voix seule
Téléchargez la partition Chant Maremma, Italie (Toscane) - Chant de sé…
8.99 € Voix seule PDF Tomplay

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
Lua para o Epilogo de Verão (Août)
Guitare

$5.95 5.78 € Guitare PDF SheetMusicPlus

Brass Ensemble Baritone Horn TC,Cornet,Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1174943 By John Denver and Placido Domingo. By John Denver. Arranged by Rita Arendz. 20th Century,Contemporary,Contest,Festival,Pop,Wedding. Score and parts. 16 pages. Rita Arendz #775075. Published by Rita Arendz (A0.1174943). Combining the genres of folk and soft rock, John Denver penned Perhaps Love as a love letter to his wife, Anne Martell, during their separation in the early 1980s.Written and recorded in 1981 as a duet with opera tenor, Placido Domingo, there was some concern about the chart getting on the air.  It became its own genre of popera, which led to such groups as The Three Tenors.   By 2008, the song sold nearly four million copies.This arrangement for Brass Quintet with an optional Drum kit is great for Valentine's Day, weddings, anniversaries, and concerts.  The parts are for British Brass Band instruments with orchestral brass alternate parts.Duration 3:00  16 pages.
Perhaps Love
John Denver and Placido Domingo
$19.99 19.43 € PDF SheetMusicPlus

Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - Digital Download SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour à mort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.
Sonata for 6 Players

$34.99 34.02 € PDF SheetMusicPlus

String quartet - Digital Download SKU: S9.Q19873 'Divorce' · Scheidung. Composed by Fazil Say. This edition: score and parts. Downloadable, Score and parts. Op. 29. Duration 16 minutes. Schott Music - Digital #Q19873. Published by Schott Music - Digital (S9.Q19873). In the composition of this string quartet, I have permitted myself to be led by my personality and experiences and have attempted to relate experiences such as divorce, separation and the failure of a relationship in the language of music with the aid of notes and rhythms. As is the case with my other compositions, this quartet is more a work originating from intuition than the description of a historical event, a journey or a place. The beginning of the first movement is somewhat wild, rapid and sorrowful with an irregular rhythm. Intermittent sections ensue which are reminiscent of a jazz club. Living history is our present which we are currently experiencing. The second movement with a melancholic atmosphere is dominated by colours, the subject of searching, the search for a remedy and unhappiness. In contrast, the final movement is intended to express the hatefulness, arguments and disputes within a relationship which have been transformed into a profound trauma. (Fazıl Say, translated by Lindsay Chalmers-Gerbracht).
String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$40.99 39.85 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

SATB chorus a cappella - Digital Download SKU: IZ.VMW203 Composed by Pete Deshler. Score. 7 pages. Imagine Music - Digital #VMW203. Published by Imagine Music - Digital (IZ.VMW203). 8.5 x 11 in inches.Cantate Domino combines the Latin text from Psalm 149 with driving rhythms and rich, contemporary harmonies. This piece should be dance-like and joyous. It should not be sung legato but with slight separation. If the low D in the final measure of the bass part is not possible, it may be omitted.TranslationO sing unto the Lord a new song: let the congregation of saints praise him.Let Israel rejoice in him that made him: and let the children of Sion be joyful in their King. -From Church of England 1662 Book of Common Prayer.
Cantate Domino
Chorale SATB

$2.05 1.99 € Chorale SATB PDF SheetMusicPlus






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