Composed by Ludwig van Beethoven (1770-1827). Arranged by Sheila Bateman. Romantic Period, Classical Period. 39 pages. Published by Sheila Bateman (S0.168187). - - Romantic Period,Classical Period - Sheila Bateman

Clarinet, Woodwind Quartet, Double Bass - Intermediate - Digital Download Composed by George Bennard - Traditional Country Gospel. Arranged by Dennis Ruello. 20th Century, Praise & Worship, General Worship, Easter, Lent. Score, Set of Parts. 15 pages. Published by Chicory Music

Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Movies, TV, Christmas, New Year's, Pop. Lead Sheet, Score, Sheet Music Single. 5 pages. Published by F & N Enterprise

Full Orchestra - Digital Download SKU: A0.962362 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 196 pages. Sergio Roberto de Oliveira #5803115. Published by Sergio Roberto de Oliveira (A0.962362). Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.

SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7542-E Composed by Derek Healey. Instrument part. 13 pages. E. C. Schirmer Music Company - Digital #7542-E. Published by E. C. Schirmer Music Company - Digital (MQ.7542-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).