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Piano,Trombone - Level 5 - Digital Download

SKU: A0.810983

Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983).

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer.

The concerto is in the standard three movement form: Fast, slow, fast.

This publication is a reduction from the original orchestral version (to be released at some point in the future).

Here is a description of the Concerto by the composer, John W. Ware.

I started on the trombone concerto in my junior year studying composition at Indiana University.  While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad).  The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital.  I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting.  I thought at the time that he had given me and my music a fine compliment.  I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now.

The first movement is in fairly normal sonata-allegro form, in the key of A minor.  It alternates between assertive and more thoughtful moods.   There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end.  Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes.  Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic.  The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina.

The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes.  The main theme is heard in the piano part before the soloist enters.  The mood is more lyric than in the first movement, but with dramatic episodes also.  In this movement are some definite derivations from themes in the first movement.  The ending is a sort of lengthened shadow of the opening.

The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes.  Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward.  The introduction is a brief and simple preparation for the solo entry.  Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo.  Toward the end, there is a second cadenza, again leading to a swift and energetic coda.

The work is about 20 minutes in length and is appropriate for advanced performers.

Concerto for Trombone and Piano accompaniment (piano reduction) Trombone et Piano

$35.00 33.14 € Trombone et Piano PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download

SKU: A0.971665

Composed by Jeffrey Hoover. 20th Century,Concert,Contemporary. 24 pages. Musicart Publications #6382801. Published by Musicart Publications (A0.971665).

Of Water, Sand, and Time (Postcards from the Indiana Dunes) was commissioned by Vanessa Porter, violinist, for National Park Compositions. For solo violin, the work represents the natural beauty of the Indiana Dunes National Park on the shore of Lake Michigan in Northern Indiana.  https://nationalparkcompositions.com

Each of the seven movements depicts some aspect of the Indiana Dunes. Where Northern Indiana and Lake Michigan come together, the Indiana Dunes is a place where wildlife, geography, and human history amplify each other.

While there is an order to the work, the performer is free to rearrange the number and order of movements in performance a given performance, to meet time limitations if necessary. The title of each movement is like a few works written rapidly on the back of a picture postcard and sent to a friend.

The score of this edition is formatted to be printed double-sided, with correct page turns.

Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for his distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.

Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.

To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website:  https://jeffreyhooverart.wixsite.com/mysite

Contacting Musicart Publications  

Carlos Rio, DCM - Editor

musicart.publications.editor@gmail.com

Choral Choir (SATB divisi) - Level 3 - Digital Download

SKU: A0.953628

Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628).

Great for concerts about nature and the environment, pandemic life, creativity!

Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnson

a setting of Shelter in Place, a poem by Kim Stafford

Commissioned by Lewis & Clark College, Portland, Oregon, April 2021

Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.

Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.

Shelter in Place by Kim Stafford (used with permission)

Long before pandemic prisoned us,

the trees knew how to guard their place

with roots and shade.

Moss found how to hug a stone for life.

Every stream knows how to move in place,

stay home and yet flow outward,

sending bounty far.

Now is our time to practice-

now to sing from balconies,

now send words of comfort

by any courier,

now to hoard lonesome generosity-

and then to shine in all directions like stars.

Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. 

The nature soundtrack features sounds of the Oregon forest, stream, and night sky.

Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. 

Contact the composer to obtain the audio file of the nature soundtrack.

Copyright © 2021 Adrienne Inglis | adrienne.inglis.com

Shelter in Place for SSAATB chorus and nature soundtrack Chorale SATB

$3.99 3.78 € Chorale SATB PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download

SKU: A0.971650

Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #4628067. Published by Musicart Publications (A0.971650).

Ruby and Steel (duration 7 min.) is a fantasy work for alto saxophone and piano, reflecting on the physical qualities and contrasts between an unlikely pairing of materials – nature's precious gemstone ruby and the manmade material steel. The ideas of the red glow of molten steel and the red light of ruby are held in common. Establishing a modern yet Romantic atmosphere, an extended piano solo opens the work. The music is developed through a thematic transformation process: gestures of earlier music reappears as transformations of its previous selves. The interaction (both musical dialogue and subsequent agreement) between piano and saxophone is a prominent characteristic, along with ebb-and-flow of tempo. As with several other compositions by Jeffrey Hoover, there is an abstract painting–Ruby and Steel–created by Hoover as a visual interpretation of the music

Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. 

One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.

Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.

Ruby and Steel (for alto saxophone and piano) Saxophone Alto et Piano

$19.95 18.89 € Saxophone Alto et Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download

SKU: A0.971651

Composed by Jeffrey Hoover. 20th Century,Contemporary,World. Score and part. 57 pages. Musicart Publications #4627679. Published by Musicart Publications (A0.971651).

Winner of the 2019 SMP Press Contemporary Composition award, Wu Xing - Sonata for Five Elements (5 movements, 15 min. 30 sec) was composed by Jeffrey Hoover for Yusheng Li, who initiated the first professional university saxophone degree in China.  A work for alto saxophone and piano, Wu Xing reflects a fusion of American and Chinese musical aesthetics and compositional techniques.  Each movement represents an element in the traditional Wu Xing generative cycle.  Musical elements of one movement carry into the next, in the same way these traditional Chinese elements evolve into the next: Wood, Fire, Earth, Metal, and Water.  The fourth movement, Metal, is for unaccompanied saxophone, and includes extended techniques including microtones, multiphonics, and altered tone colors.  As with other compositions by Jeffrey Hoover, Hoover has also created a series of paintings that visually interpret the music: Dancing in the Trees, The Ancient Lance, The Dragon's Creation, Temple Bells and Swords, and Life of the Earth.  In the way the music is a fusion of American and Chines techniques, the paintings incorporate the Wu Xing philosophy approach.  Images of the paintings may be projected during performance and are available directly from the composer.

Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.

Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as  and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.

For more information about his compositions, availability for appearance and festivals, and commissions, please contact him through his website.

https://jeffreyhooverart.wixsite.com/mysite

Wu Xing - Sonata for Five Elements (alto saxophone and piano) Saxophone Alto et Piano

$24.95 23.62 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.971642

Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 45 pages. Musicart Publications #4276221. Published by Musicart Publications (A0.971642).

In five movements.  16 piano solo.  18 min. 30 sec. with poetic narration.  Score, 53 pages.  For solo piano, with optional poems, paintings, and movement.  In The Magician, each movement is based on the development of a single sound, idea, or process.  The work also possesses cyclic material; musical ideas that are carried to successive movements and are further transformed in a new context.  As with other works by Jeffrey Hoover, the music of The Magician is connected to other artworks - paintings and poems (and sometimes dance/movement) also created by the composer.  In the music and connected art forms, the ideas of creative energy and transformation are explored in sound, images, words, and movement.

Jeffrey Hoover's work- music ranging from soloist to symphony orchestra -has received recognition through the prestigious Trieste prize, the Luigi Russolo composition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions.  He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. 

One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike.  His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music.  Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience.  Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor.  His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.

Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University.  His career in higher education has included both music faculty and arts administrative appointments. 

The Magician (piano solo with optional poems, paintings, and movement) Piano seul

$24.95 23.62 € Piano seul PDF SheetMusicPlus

Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download

SKU: A0.971641

Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 14 pages. Musicart Publications #4270425. Published by Musicart Publications (A0.971641).

Duration: 5 min. 45 sec.  Appropriate for recitals, concert performances, and worship services.  In biblical literature, Archangel Uriel is a divine messenger from God, bringing knowledge to the people while serving as a protector of truth. Uriel's providence is set in light, truth, and wisdom. Uriel is a patron of poetry, associated with repentance, and is one of the archangels who stand in the presence of God. In some traditions, Uriel stands at the entrance to the Garden of Eden, with a fiery sword, preventing Man's return to that paradise on Earth. Uriel is the angel who came to Earth and warned Noah of the Great Flood to come. Uriel also spoke to the biblical prophet Ezra on behalf of God, teaching and answering a series of questions Ezra posed to God. Uriel is associated with several literary and artistic works, notably depicted in Leonardo da Vinci's famous painting The Virgin on the Rocks. In this painting, Uriel is shown along with Mary (the mother of Jesus), with Jesus and John the Baptist presented as young toddlers.

The composition Uriel makes use of two modal scales to create melodic and harmonic tension and resolution: an altered E Phrygian scale (with a lowered 6th step of the scale) and an altered C Lydian (with a lowered 6th and 7th scale step). The Phrygian scale brings a dark minor quality to the sound, in contrast to the Lydian scale's major yet veiled quality. Set in an unfolding three-part form, the music invokes a blurred and sometimes mystical atmosphere for the listener.

Jeffrey Hoover's compositions- music for soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.  One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.

Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. 

Uriel - for harp or piano
$19.00 17.99 € PDF SheetMusicPlus

Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download

SKU: A0.858876

Composed by George Gershwin. Arranged by Stephen Bulat. Jazz. Score and parts. 3 pages. Stephen Bulat Publishing #6212541. Published by Stephen Bulat Publishing (A0.858876).

A jazz staple from the George & Ira Gershwin Songbook which been covered by many vocal and instrumental groups which include Fred Astaire, Judy Garland, Sarah Vaughan, Tony Orlando, Rosemary Clooney, The Four Tops, Diane Reeves, Ella Fitzgerald and a duet with Tony Bennett and Diana Krall.

A jazz standard songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)

The perfect addition to the gigging musician's pop, jazz, love song and wedding fake book. Please click on the publisher to view this song in other keys as well as to purchase it in the Classic Love Songs - A Valentine's Day Fake Book.

SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 - Stephen Bulat Publishing 

Online: http://stephenbulat.com

Fascinating Rhythm (from "Lady Be Good") - Lead sheet (key of D)
$2.99 2.83 € PDF SheetMusicPlus






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