Violin and piano - Advanced - Digital Download

SKU: ZY.DO-1525

Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525).

J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953
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Transfigured Life - Still Life, Op. 165 (violin & piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.

Composed by Rachel Bloom and Tom Root. Arranged by Blake Neely. Musical. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0016009. Published by Alfred Music - Digital Sheet Music

Descant recorder and basso continuo - easy - Digital Download

SKU: S9.Q52904

Easy Pieces for Descant Recorder and Basso continuo (Piano). This edition: Sheet music. Downloadable, Tune book. Schott Music - Digital #Q52904. Published by Schott Music - Digital (S9.Q52904).

With 'Concerto', the experienced recorder teacher Gudrun Heyens presents a selection of recorder pieces which allow for the study of performance literature as early as from the second year of study. The edition contains individual pieces such as Dornel's 'Chaconne' or Corelli's 'Follia Variations' as well as little pieces by Playford or Susato which can also be played as short suites. The collection was compiled with regard to 'Jugend musiziert' or other competitions.

La pédagogue expérimentée Gudrun Heyens présente, avec Concerto, une sélection de pièces pour flûte à bec qui permettent d'aborder la littérature de concert dès la deuxième année d'étude. L'édition renferme des morceaux séparés comme par exemple la Chaconne de Dornel ou les variations sur La follia de Corelli de même que des petites pièces de Playford ou de Susato qui peuvent être exécutées comme de courtes suites.

Composed by Anonymous. Arranged by Thomas. Score and parts. Published by Music Express (EX.4B101). - score and parts - - Music Express

Composed by Georges Bizet (1838-1875). Arranged by Dorsey. Score and parts. Published by Music Express (EX.EC502). - score and parts - - Music Express

Composed by George Frideric Handel (1685-1759). Arranged by Gale. Score and parts. Published by Music Express (EX.EC547). - score and parts - - Music Express

Composed by Giuseppe Verdi (1813-1901). Arranged by Bill Holcombe. Score and parts. Published by Music Express (EX.EC522). - score and parts - - Music Express

Tenor recorder and bass recorder - intermediate - Digital Download

SKU: S9.Q19062

For tenor and bass recorder. Composed by Gavin Bryars. This edition: Sheet music. Downloadable. Duration 4 minutes. Schott Music - Digital #Q19062. Published by Schott Music - Digital (S9.Q19062).

'Two Lines' was written at the request of Peter Bowman and Kathryn Bennets for a piece to celebrate 20 years of their performing together. It is a response to Bach's Two-part Inventions and, like the Bach, is suitable for concert performance or as part of a programme of two-part inventions. As Bach said in his preface to the first edition of his work the aim is '... above all to cultivate a cantabile style of playing and to gain from the beginning a strong foretaste of composition.'

Two Lines a été écrit à la demande de Kathryn Bennetts et Peter Bowman pour célébrer leurs 20 ans de collaboration. Il s’agit ici d’une réponse aux Inventions à deux voix de Bach et, comme celles de Bach, la pièce peut s’exécuter en concert ou faire partie d’un programme d’Inventions à deux voix.