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Flute - Intermediate - Digital Download SKU: M0.21696EB African-American & Jamaican Melodies. Composed by Clark Kimberling. Flute, Fife and Oboe, Gospel/Sacred, Christian. World Music. E-book. Mel Bay Publications - Digital Sheet Music #21696EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21696EB). ISBN 9781609745103. 8.75x11.75 inches.A unique collection for the flute: 46 full-page solos, including arrangements of spirituals, folk songs, dance tunes, and melodies by African-American composers, plus five solos composed for this collection. Includes melodies by A. J. R. Conner, Henry Hart, J. W. Postlewaite, Will Accooe, John W. Boone, Justin Holland, James Allen Bland and more. Features previously unpublished solo by renowned Philadelphia musician Francis Johnson, the earliest known composition by an African-American, dating from 1815. Favorites include Amen, Banyan Tree, Doctor Bird, and Ev'ry Time I Feel the Spirit. Supported by Internet-accessible melody-specific Historical Notes.Forty-six full-page solos for fluteArrangements of melodies by America's best known composers of African descent, as well as traditional melodiesInternet-based melody-specific Historical Notes
Solos for Flute, Collection 1
Flûte traversière

$14.99 12.79 € Flûte traversière PDF SheetMusicPlus

Guitar Ensemble - Level 3 - Digital Download SKU: A0.1463377 By Tool. By Adam Jones, Daniel Carey, Justin Chancellor, and Maynard Keenan. Arranged by Tracy Dean McCallum. 20th Century,Rock. Score and Parts. 16 pages. Tracy Dean McCallum #1042070. Published by Tracy Dean McCallum (A0.1463377). https://tracymccallum.com/ Dive into the Polyrhythmic Depths of Tool's Forty-Six & 2 with This Dual-Guitar Sheet Music! This exclusive PDF download unlocks the secrets of Tool's enigmatic masterpiece, Forty-Six & 2, for two guitars. Features: Accurate Transcription: Master the intricate riffs and harmonies of both Adam Jones and Danny Carey's parts, meticulously transcribed in standard notation and tablature. Dual-Guitar Format: Jam alongside a friend or bandmate with clearly separated parts for each guitar. Dropped D Tuning: Get the signature low-end growl of the song with a clear tuning guide.
Forty Six & 2
Tool
$8.88 7.58 € PDF SheetMusicPlus

Brass Ensemble Bass Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1463181 Composed by Tim Brewer. 21st Century,Contemporary. 81 pages. Linden Brass Press Inc. #1041894. Published by Linden Brass Press Inc. (A0.1463181). Six Stories in a PandemicTim Brewer (2024)Brass Septet and Percussion Three Trumpets (Bb)Two TrombonesBass TromboneTubaPercussion (3rd Story Only): Ride Cymbal, ClavesAn intense and dramatic work for advanced or professional-level players, written by composer Tim Brewer during recent troubling times.Familiar to most Kansas City jazz fans, bassist Tim Brewer has been a mainstay on the KC jazz scene for forty-five years. He's an original, and continuing, member of the Boulevard Big Band and the Doug Talley Quartet. During his career he's backed performers as diverse as Ray Charles and Idina Menzel, Herb Ellis and Eddie Harris. He is also a member of the Medical Arts Symphony and Civic Orchestra. After practicing dentistry for thirty-one years Tim retired in 2019 to devote his time to writing music as well as playing. In addition to numerous tunes for jazz combo, Tim has written for orchestra, brass groups, and big band.
Six Stories in a Pandemic

$19.95 17.03 € PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.8697 Composed by William White. Portraits, Cartoons, Blackboards, Monkeys, Children, Girls, School, Education, Mathematics. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8697). Six Times Six is Thirty-Six, And Six is Forty-Two. Lyric by Bert Hanlon. Music by Wm. White. Published 1917 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Cartoons, Blackboards, Monkeys, Children, Girls, School, Education, Mathematics. First line reads Ever since I've been so very high I've tried to multiply.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Six Times Six is Thirty-Six, And Six is Forty-Two
Piano, Voix

$5.99 5.11 € Piano, Voix PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1019348 Composed by Kevin Longley. Contemporary. Score and parts. 6 pages. Kevin Longley #3222633. Published by Kevin Longley (A0.1019348). Psalm For Strings, scored for 2 violins, viola and cello was composed in 1991 and later revised in 2017. Drawing inspiration from Psalm 29, the piece focuses upon the following text: Give unto the Lord, O ye mighty, give unto the Lord glory and strength. Give unto the Lord the glory due unto his name; worship the Lord in the beauty of holiness. While the piece begins with an Aeolian mode melody, as played by the cello, the music quickly shifts to the major key at measure nine bringing with it a sense of optimism. A return to the inspiration of the opening lines of the psalm, at measure seventeen, introduces an additional melody. Enhanced through warm rich harmonies we now hear the fullness of the entire ensemble. A change in mood felt at measure thirty conveys reverence, as the music suddenly softens and beckons us to... Worship the Lord in beauty of holiness. The melody first introduced in measure nine, along with its optimism, reappears at measure thirty seven and then returns to the opening melody at measure forty three, now played in a lush string harmony. The same shift in mood felt at measure thirty appears in measure sixty three though a subtle change to the music is made; a shift to the minor key is used instead of a major key adding a sense of drama to the music. At measure sixty-nine a reprise of the opening melody leads to the glorious ending of hope and peace as the psalmist intended. The Lord will give strength unto his people; the Lord will bless his people with peace
Psalm For Strings
Quatuor à cordes: 2 violons, alto, violoncelle

$4.50 3.84 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano

$9.99 8.53 € Trombone et Piano PDF SheetMusicPlus

Bass Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1110981 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713249. Published by RayThompsonMusic (A0.1110981). Arranged wind dectet and bass. Optional tiba/double bass, and 2 bass clts for bsns Ave verum corpus (Hail, true body) is a motet in D major (K. 618), composed by Wolfgang Amadeus Mozart. It is a setting of the 14th century Eucharistic hymn in Latin Ave verum corpus in 1791. Mozart wrote it for Anton Stoll, a friend of Mozart and Joseph Haydn. Stoll was the musical coordinator in the parish of Baden bei Wien, near Vienna. This setting of the Ave verum corpus text was composed to celebrate the feast of Corpus Christi; the autograph is dated 17 June 1791. It is only forty-six bars long and is scored for SATB choir, string instruments, and organ. Mozart's manuscript contains minimal directions, with only a single sotto voce at the beginning. Check out my arrangements of movements from Mozart’s Requiem K626.
Mozart: Motet "Ave Verum Corpus" K618 - wind dectet

$9.95 8.49 € PDF SheetMusicPlus






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