Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.889792 Composed by Rainer Fabich. 20th Century,Contemporary. Score and parts. 44 pages. Fajora Music #3481995. Published by Fajora Music (A0.889792). Three beautiful musical tableaux for saxophone and piano from the CDRAINER FABICH - SOP SAX TUNES:WATER VISIONS 2:32 FALLING ANGEL 2:33 WAVES 2:40 Sheet music (piano, soprano saxophone in Bb, alternatively alto sax in Eb or C part), 42 pages. The three musical pieces were originally composed for solo piano and recorded by the Munich concert pianist Prof. Michaela Pühn for the CD Piano Pur in the Great Concert Hall of the University of Music and Theater, Munich. Analogous to techniques of visual art was added at Three Sax Repaintings subsequently another solo voice. The soprano saxophone overpaints the piano part, so to speak, and places it in a new context. Music by the composer Rainer Fabich. Further information and audio samples at:www.rainer-fabich.de, www.fajora.com, itunes or amazon. ISBN: 9783746703237 Format: DIN A4 high Pages: 42

Piano Solo - Intermediate - Digital Download Composed by Rainer Fabich. 21st Century, Romantic Period, Contemporary Classical, Impressionistic, Post-Romantic. Individual Part, Score. 80 pages. Published by Fajora Music

Chorus - Digital Download SKU: AX.00-PO-0002906 Land of Our Dreams - SATB. Arranged by Jay Althouse. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0002906. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002906). UPC: 038081237596.An Armenian mother sings an impassioned lullaby to her child as they sail away to the arms of America to start life anew in the land of their dreams. So effective, so emotional that there won't be a dry eye in the house as the sculpted melody gracefully floats over an accompaniment suggestive of ocean waves. Highly musical and especially theatrical. A must have for every choir. Optional SoundTrax CD with cinematic imagery.Recorded Acc. Available.

Solo Guitar - Level 3 - Digital Download SKU: A0.1437523 By Glass Animals. By Dave Bayley. Arranged by Chris Richter. Pop,Rock. Individual part. 5 pages. Chris Richter #1017631. Published by Chris Richter (A0.1437523). Heat Waves by Glass Animals arranged for solo fingerstyle guitar.

Double Bass,Drum Set,Synthesizer,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1393657 By Glass Animals. By Dave Bayley. Arranged by Helios D'Andrea. Jazz. 18 pages. D'Andrea Helios #977120. Published by D'Andrea Helios (A0.1393657). Arranged for Piano, Bass, Tenor Sax and Drums.

Piano Solo - Level 2 - Digital Download SKU: A0.940716 Composed by Julia Muenchj. Concert,Contemporary,Holiday,Instructional,Patriotic,Standards. Score. 2 pages. NJ Original Music #3411895. Published by NJ Original Music (A0.940716). Ocean Waves is an excellent teaching piece for learning  about perfect fifths and strengthening the hands overall. It is a good beginning intermediate piano piece, and fun for learning crossing over of the hands.  Explaination and  and demonstrating  the interval of perfect fifths in advance. ( as well as other intervals) is always a good preparation for this! Julia Muench is a pianist, composer, arranger, piano professor since 2006 at the Monmouth Conservatory of Music now through the Count Basie Theatre in Red Bank, New Jersey. She can be found performing on youtube and her articles are on musicflower at Wordpress.

Piano Solo - Level 4 - Digital Download SKU: A0.1097957 By Heather Pierson. By Heather Pierson. Contemporary,New Age. Score. 7 pages. Sacred Vessel Recordings (ASCAP) #700880. Published by Sacred Vessel Recordings (ASCAP) (A0.1097957). Wheat is a 7 page advanced intermediate level piece in the key of A flat major. It is from my album 'The Open Road', a collection of 14 of my solo piano compositions. Though I was born in Missouri, I do think of Kansas as my home state - it’s where I spent the first five years of my life. One of the most beautiful sights (there or anywhere, in my opinion) is that of wheat fields holding up the sky for as far as the eye can see, swaying gently like waves upon the ocean. That sight was the inspiration for this piece. Other pieces available in this collection are: Bittersweet, Doc Bradley’s Waltz, Edith, Flight of Fancy, Jasper County, Late October, Lullaby, Marble In My Pocket, The Open Road, Prairie Sunset, Skipping Rocks at Shoal Creek, The Storm’s Promise, and Sunflowers.

Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1312809 By Katrina & The Waves. By Kimberley Rew. Arranged by Jim Farley. Pop,Rock. 41 pages. Jim Farley arrangementsone.com #901639. Published by Jim Farley arrangementsone.com (A0.1312809). Aqrranged for 7-8 piece horn band, including: Directors Score, Piano/Vocal/Chords, Leadsheet, Guitar (rythm & chords only), Bass Guitar, Drums, Alto Sax, Tenor Sax (identical to Alto), Trumpets 1 & 2 and Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in hist catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Cruise Ship, Broadway and Las Vegas performers as well as arranging for dozens of classic rock horn bands throughout the U.S., Canada and Europe. If you have any additional arranging needs, contact Jim at farleyjc@gmail.com and visit his website at ARANGEMENTS ON E! 

Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1312815 By Katrina & The Waves. By Kimberley Rew. Arranged by Jim Farley. Pop,Rock. Score. 10 pages. Jim Farley arrangementsone.com #901650. Published by Jim Farley arrangementsone.com (A0.1312815). ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Cruise Ship, Broadway and Las Vegas performers as well as dozens of classic rock horn bands in the U.S., Canada & Europe. If you have any arranging needs, please contact Jim at farleyjc@gmail.com and visi his website at ARRANGEMENTS ON E!

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1163839 Composed by anonymous/traditional. Arranged by Stella Claire ter Hart. Celtic,Contest,Festival,Folk,Historic,Irish,Multicultural,World. 14 pages. Stella ter Hart #749496. Published by Stella ter Hart (A0.1163839). A new, exciting arrangement for SSAA choir of this much loved Scottish folk song. Stirring, powerful, harmonically rich and innovative, Skye Boat Song arranged by Stella ter Hart is perfect for advanced high school choirs, community and professional choirs. The words behind this well-known song carry significant historical significance. The piece is actually not just a isn't that a lovely tune folksong. The familiar main chorus Speed bonny boat like a bird on the wing... is repeated between the four verses which tell the story of the brutal battle of Culloden in Scotland and the end of the Highland way of life. The accompanying violin and piano are characters in their own right and use word painting to highlight the emotional text. Scottish snare adds drama! The vocal writing uses different effects to ensure each verse has its own impact and expression. Sure to be a favourite with intermediate and higher level treble choirs!Speed bonny boat like a bird on the wing. Onward! the sailors cry. Carry the lad that is born to be King over the sea to Skye. Loud the winds howl, loud the waves roar. Thunder clouds rend the air. Baffled our foes stand by the shore. Follow they do not dare. Though the waves leap soft shall ye sleep ocean's a royal bed. Rocked in the deep, Flora will keep watch by your weary head. Many's the lad fought on that day. Well the claymore did wield. When the night came silently lay Dead in Culloden's field. Burned are our homes. Exile and death scatter the loyal men. Yet e'er the sword cools in the sheath Charlie will come again. Speed bonny boat like a bird on the wing. Onward! the sailor’s cry. Carry the lad that is born to be King over the sea to Skye.