Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.

Flute, Oboe, Clarinet, Bassoon - Digital Download Composed by Jesús Rodríguez Picó. 20th Century. Score, Set of Parts. 28 pages. Published by La Ma de Guido - Digital

Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Traditional. Score and parts. 94 pages. Last Resort Music Publishing #567576. Published by Last Resort Music Publishing (A0.961865). Music for Three, Volume 8 - More Baroque, Classical & Romantic Favorites Keyboard or Guitar Including works by Bizet, Faure, Borodin, Gottschalk, and Rossini and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. The parts available for this volume are listed here! 50811 Part 1 Flute or Oboe or Violin 50813 Part 1 Clarinet in Bb 50821 Part 2 Flute or Oboe or Violin 50822 Part 2 Viola 50823 Part 2 Clarinet in Bb 50831 Part 3 Cello or Bassoon 50840 Keyboard or Guitar 50899 Score Table of Contents Badinerie from Suite #2 in b minor (Bach) Bist Du Bei Mir (Bach) Allegro Moderato & Allegro from Brandenburg Concerto #3 in G Major (Bach) Fur Elise (Beethoven) Galop & Petit Mari, Petite Femme from Jeux d'Enfants, Op. 22 (Bizet) Farandole & Menuet from L'Arlesienne Suite #2 (Bizet) Minuet from Quintet in E Major, Op. 13 #5 (Boccherini) Theme from Polovetzian Dances from Prince Igor (Borodin) Fantasie-Impromptu from Fantasie-Impromptu in C# minor, Op. 66 (Chopin) Adagio from Violin Sonata in G minor, Op. 5 #5 (Corelli) Flower Duet from Lakme (Delibes) Slavonic Dance #1 from Slavonic Dances, Op. 46 #1 (Dvorak) Slavonic Dance #2 from Slavonic Dances, Op. 46 #2 (Dvorak) Bereceuse from Dolly Suite, Op. 56 (Faure) Bananier, Le (Gottschalk) Dying Poet, The (Gottschalk) Tournament Galop (Gottschalk) Funeral March for a Marionette (Gounod) Juliet's Waltz Song Je veux vivre from Romeo and Juliet (Gounod) I Love Thee Ich Liebe Dich from The Heart's Melodies, Op. 5 (Grieg) Arrival of the Queen of Sheba from the Oratorio Solomon (Handel) Allegro & Hornpipe from The Water Music (Handel) Theme from Jupiter from The Planets (Holst) Capriccio #24 from 24 Capricci, Op. 1 (Paganini) Galop from La Boutique Fantastique (Rossini) Mon Coeur S'ouvre A Ta Voix from the opera Samson and Delilah (Saint-Saens) Rosamunde Ballet Music from incidental music to Rosamunde (Schubert) The Trout from the Trout Quintet, Op. 114 (Schubert) The Laughing Song from Die Fledermaus (Strauss) Danses des petits cygnes from the ballet Swan Lake (Tschaikovsky) None But the Lonely Heart from Six Songs, Op. 6 #6 (Tschaikovsky).

Harp - Intermediate - Digital Download Arranged by Nancy Hurrell. Early Music, European, Recital. 82 pages. Published by Afghan Press Music for the Harp

Various - Digital Download SKU: BJ.1005 Composed by Various. Arranged by Gunnar Eriksson. Octavo. 49 pages. Bo Ejeby Forlag - Digital #1005. Published by Bo Ejeby Forlag - Digital (BJ.1005). 8.27 x 11.7 inches.33 songs - from medieval hymns and traditional folk songs to minimalistic compositions - in arrangements or with ideas and improvisation models based on old and new tricks such as quodlibet, canon, polytonality and polyrhythms. This book has long been a successful and inspiring toolbox for choral conductors and singers all over the world. Notes in English and German are available from the publisher. Contents:O Kriste, du som ljuset ar Varldens fralsare, kom har Kristallen den fina Hymn till Magnus den helige Alle, psallite - Alleluya Amen Agnus Dei Ur Deploration sur la mort d'Ockeghem Canon angelicus Sanctus Tempus adest floridum In vernali tempore Pass et medio O bone Jesu Ein feste Burg Tysk julgrot Drei Engel De komma fran ost och vast Taga del i ost och vast Till Osterland vill jag fara Ah ya Zein Lele Jano Janko Guantanamera Danse, icke grate na Folkharpa Olson III Ligeti-improvisation I-A-O Isaac og Ivan og Innsbruck Omnia mutantur, nihil interit.

Concert Band - Level 2 - Digital Download SKU: A0.1284425 Composed by Cristiano Minellono, Marc Cerrone, Pierre Delanoe, Raymond Georges Henri Donnez, and Salvatore Cutugno. Arranged by Benoit BARRAIL. 20th Century,Disco,Funk,Pop. Score and Parts. 36 pages. Benoît Barrail #875596. Published by Benoît Barrail (A0.1284425). Score in portrait format, instrumental parts in landscape format. The song Laissez-moi danser (Let me dance) was recorded in 1979 by Italian-French singer Dalida. It remains to this day an essential hit of this singer, it is the most remixed song of her repertoire. Disco style, this dynamic song will enchant your concerts or your festive events.This fairly easy piece can also be played by festive orchestras or fanfares. There are many doubled parts in the orchestration, which will allow you to play it with a small orchestra.Conducteur en format portrait, parties séparées en format paysage. La chanson Laissez-moi danser a été enregistrée en 1979 par la chanteuse italo-française Dalida. Elle reste à ce jour un tube incontournable de cette chanteuse, c’est la chanson la plus remixée de son répertoire. De style disco, cette chanson dynamique saura enchanter vos concerts ou vos animations festives.Ce morceau assez facile peut aussi être joué par des orchestres festifs de type fanfares ou bandas. Il y a beaucoup de parties doublées dans l'orchestration, ce qui vous permettra de le jouer avec un petit orchestre.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1168347 Composed by Claude Debussy. Arranged by Andrew Middleton. 20th Century,Classical. Score and parts. 142 pages. Andrew Middleton #768678. Published by Andrew Middleton (A0.1168347). Six Epigraphes Antiques is a suite of pieces composed by Claude Debussy for piano duo. This arrangement for chamber orchestra (1111/1000/perc/cel/hrp/strings) includes all 6 movements of the suite, including: 1. Pour invoquer Pan, dieu du vent d'été (To invoke Pan, god of the summer wind) 2. Pour un tombeau sans nom (For a nameless tomb) 3. Pour que la nuit soit propice (In order that the night be propitious) 4. Pour la danseuse aux crotales (For the dancer with crotales) 5. Pour l'égyptienne (For the Egyptian woman) 6. Pour remercier la pluie au matin (To thank the morning rain)  For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/.

Euphonium,Piano - Level 5 - Digital Download SKU: A0.792629 Composed by Joseph Canteloube. Arranged by Ralph Sauer. 20th Century,Concert,Romantic Period,World. Score and part. 44 pages. Gordon Cherry #5041005. Published by Gordon Cherry (A0.792629). Danses Roumaines by Canteloube are six Romanian dances for Piano written in 1930 after folk songs collected by Michel Vulpesco. The composer is best known for his collection of orchestrated folksongs from the Auvergne region of France titled Chants d'Auvergne The movements in order are: 1. Hora de Jalomitza 2. Dame Jeanne (Lady Jean) 3. Les Olténiens sont partis pour faucher 4. Hélène (Helen) 5. Hora de la mariée (The Marriage Dance) 6. A Ceinture Rouge (A Red Belt) About 18 minutes in length, these six movements are suitable for advanced performers.

Piano,Tuba - Level 5 - Digital Download SKU: A0.792621 Composed by Joseph Canteloube. Arranged by Ralph Sauer. 20th Century,Classical,Multicultural,Romantic Period,World. Score and part. 36 pages. Gordon Cherry #5040977. Published by Gordon Cherry (A0.792621). Danses Roumaines by Canteloube are six Romanian folk songs and dances for Piano written in 1930 after folk songs collected by Michel Vulpesco. The composer is best known for his collection of orchestrated folksongs from the Auvergne region of France titled Chants d'Auvergne. The movements in order are: 1. Hora de Jalomitza 2. Dame Jeanne (Lady Jean) 3. Les Olténiens sont partis pour faucher 4. Hélène (Helen) 5. Hora de la mariée (The Marriage Dance) 6. A Ceinture Rouge (A Red Belt) About 18 minutes in length, these six movements are suitable for advanced performers.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1488635 By Jean-Philippe Rameau. By Jean-Philippe Rameau. Arranged by Nina Kopparhed. Baroque,Chamber,Historic,Opera,Wedding. 27 pages. Arcantora Publications #1065482. Published by Arcantora Publications (A0.1488635). Danse du Grand Calumet de la Paix (Dance of the Great Peace Pipe), also known as Danse des Sauvages is one of the most well known pieces from Jean-Philippe Rameau's Les Indes Galantes (1735). It appears in the final Entree of the Opera-Ballet and sets the scene for a grove in an American forest on the border of the Frence and Spanish colonies.This piece is used at the Palace of Versailles every year as part of the dancing items at their grand costume ball, so if you'd like to bring some grandeur from the court of Louis XIV to your event or concert, look no further! This string quartet arrangement was premiered at a costume ball in Edinburgh in March 2024.

Violin; Violin Duet - Grade 4 SKU: HL.4472670 Advanced First Position. Arranged by Harvey S. Whistler. Ensemble Collection. Concert, Contest, Instruction. 40 pages. Rubank Publications #RUBL168. Published by Rubank Publications (HL.4472670). ISBN 9781540001757. UPC: 073999726701. 9.0x12.0x0.11 inches.This classic series of duets is recognizable to nearly everyone who has ever studied an instrument. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. These volumes written specifically for violin duet are carefully edited and bowed. (Vol. I – First Position [Medium]; Vol. II – First Position [Advanced]).

Piano - intermediate - Digital Download SKU: S9.Q11444 Composed by Harald Genzmer. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q11444. Published by Schott Music - Digital (S9.Q11444). The Hindemith pupil Harald Genzmer (1909–2007) worked with virtually all music genres and composed works for many, even unusual instruments (such as the trautonium). He also wrote compositions for the piano, of course, and in 1938 published a major work, Sonata No. 1. For Richards Laugs who had worked in Mannheim since 1945, first as musical director at the National Theatre, then as director of the local music academy, he wrote '3 Tänze' for piano the autograph of which was discovered among the effects of Laugs' widow only recently. These very enjoyable-to-play and melodious miniatures are published for the first time here.Les “3 Danses� pour piano de Harald Genzmer (1909-2007), élève de Hindemith, ont été écrites pour Richard Laugs. La partition autographe a réapparu dernièrement dans la succession de sa veuve. Ces trois délicieuses miniatures sont publiées ici pour la première fois.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534589 Composed by Pierre Bouillon. Concert,Romantic Period,Standards. Score and part. 24 pages. Musik Fabrik Music Publishing #4730807. Published by Musik Fabrik Music Publishing (A0.534589). Pierre-Claude-François BOUILLON (18??-1883) was the principal conductor of the Cirque Fernando,  the famous circus of the Belle Époque who inspired many impressionist artists, such as Renoir, Degas,  Toulouse-Latrec and Georges Seurrat, whose masterpiece “Le Cirqueâ€� was inspired by this Circus.   Bouillon was a very prolific compposer, writing many works for solo instrument and piano, marches,  galops, waltzs, polkas and other dances. These works were intended to illustrate the various numbers  presented during performances..Papillon is a theme and variations which begins with a lyrical introduction. The main theme (letter C) is in the form of a popular French romance. After two variations, there is another lyrical episode which leas to the final polka.  Pierre-Claude-François BOUILLON (18??-1883) était le chef d’orchestre du célèbre cirque Fernando, un  cirque qui pendant la Belle Époque inspira des artistes tels que Renoir, Degas, Toulouse-Latrec et Georges Seurrat, qui peigne “Le Cirqueâ€� d’après une représentation du ce cirque. Bouillon est un compositeur  très prolifique, écrivant des Å“uvres pour instrument solo et orchestre, des marches, des galops, valses,polkas et d’autres morceaux de danse. Ces Å“uvre avaient pour vocation d’illustrer des divers numéros du  cirque. Papillon est un air varié qui commence par une introduction lyrique. La thème principale (lettre C) est en forme de romance populaire. Après deux variations, il y a une seconde épisode lyrique qui amène la polka finale.

Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. Published by Mel Bay Publications - Digital Sheet Music

Guitar ensemble - Intermediate - Digital Download SKU: ZZ.DZ-4281 Composed by Francesco Di Giandomenico. Score and parts. 42 pages. Les Productions d'OZ - Digital #DZ 4281. Published by Les Productions d'OZ - Digital (ZZ.DZ-4281). ISBN 9782898521980.Music For a While is a collection of three short sketches. The music interweaves elements of East European folklore, North American minimalism, European polyphony and traditional Italian music.The first sketch is a very rhythmical, lively and powerful dance based on a fragment from Bela Bartok’s collection For Children.The second sketch is like a canon, a tribute to Pachelbel, but interestingly the development of the piece is influenced by contemporary minimalism. The music, based on a cell of 4 bars with a typical tonal progression that is constantly variated, is simple, beautiful and bright.The last sketch is an homage to Federico Fellini’s universe. With a typical Italian dance rhythm (including references to Nino Rota’s music), this piece evokes the crazy, funny and melancholic wMusic For a While est une collection de trois courts croquis. La musique entrelace des éléments du folklore d'Europe de l'Est, du minimalisme nord-américain, de la polyphonie européenne et de la musique traditionnelle italienne.Le premier «sketch» est une danse très rythmique, animée et puissante, basée sur un fragment de la collection For Children de Béla Bartók.Le deuxième «sketch» est comme un canon, un hommage à Pachelbel, mais de manière intéressante, le développement de la pièce est influencé par le minimalisme contemporain. La musique, basée sur une cellule de 4 mesures avec une progression tonale typique constamment variée, est simple, belle et lumineuse.Le dernier «sketch» est un hommage à l'univers de Federico Fellini. Avec un rythme de danse italienne typique (incluant des références à la musique de Nino Rota), cette pièce évoque le monde fou, drôle et mélancolique du cirque.