Small Ensemble Cello,Flute,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.976886 Composed by Monica Bergo. Contemporary. Score and parts. 35 pages. Monica Bergo #3406737. Published by Monica Bergo (A0.976886).                                                       RUGGINE E DIAMANTE   Grigio il cielo mio Nuvole basse su me Così stanca io Di questa falsa realtà Mi sento cinica Calpesto la mia bontà così inflessibile Non so cos’è la pietà   Sole giallo che Riscaldi l’anima mia coi tuoi raggi sai Portare luce e  armonia E sono euforica E non sto ferma un momento Mi sento in pace e già Del mio rancore mi pento   Ma la ruggine che ho dentro E si ciba del tormento È impaziente, non aspetta E mi spinge alla vendetta Ma il diamante che in me brilla È già pronto alla battaglia E si impegna per lenire La mia smania e quel dolore So che ti hanno calpestata, e che ora sei ferita Ma se segui quel sentiero Ti ritroverai dannata E non tornerai più   Sono ruggine e diamante Sono fiamma e poi più niente Sono il fango che ti inghiotte E il bagliore  che riflette E mi sento dilaniata E contesa da una vita Tra la  luce e il suo fulgore E dal nero e il suo furore E non riesco a respirare In quest’aria senza odore Tante facce, tanta gente Che profumano di niente   Vedo Strade asfaltate Coperte di ghiaccio Semafori rossi Ma non mi fermo Sento la morte , mi siede vicino Mi soffia sul cuore Ma è di marmo Lacrime bruciano tolgono il fiato si fermano in gola ma io non piango  proprio nell’attimo in cui mi ritrovo mi sento cambiata e mi perdo di nuovo   i miei giorni in disordine sul calendario li guardo sfilare ma mi confondo voci di anime dal mio passato mi chiamano forte ma non rispondo bimbi che giocano sul marciapiede mi fissano immobili io non li guardo corro veloce , non mi puoi fermare ma scende una lacrima, e scioglie il dolore   Quante volte vuoi Distruggermi e scappar via Quante volte puoi Negare l’azione tua Castelli costruirò Che tu poi demolirai Cresce la rabbia mia invulnerabile sei   Ma la ruggine che ho dentro, mi ripete è giunto il tempo, se le cose vuoi cambiare, mostra a tutti che sai fare ma il diamante che in me brilla mi ripete sii una stella, è la tua luce interiore la tua forza , il tuo potere e continuo a rimandare e continuo a non capire mentre il mio diamante tace e la ruggine  feroce si fa strada dentro di me   sarò ruggine o diamante sarò opaca oppur splendente chiedo solo un po’ di pace, non di essere felice Sono ai margini da sempre Tra chi ha tutto e non ha niente tra orizzonti ormai perduti E gli amori consumati È la mia maledizione Il mio lutto nelle vene questo tempo mi ha indurito e il  diamante ormai è opaco   ecco  il destino mi aspetta a quel bivio è  finito il  tempo e mi viene incontro vedo una rondine ,cerca il suo nido non vuole migrare ma è quasi inverno sento nel.

A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - Digital Download SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Chamber,Film/TV,Instructional,Jazz,Musical/Show. 10 pages. Davi Rocha Campos #704858. Published by Davi Rocha Campos (A0.1101492). All the Things You Are for voice, Bb clarinet, A clarinet, guitar, accordion. Words & music by Oscar Hammerstein li and Jerome Kern. Como ler os acidentes na Partitura How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.

Choral Choir (Mixed) - Digital Download SKU: A0.1007047 Composed by Johnson Gao. Concert,Contemporary,Film/TV,World. Octavo. 12 pages. Johnson Gao #6411899. Published by Johnson Gao (A0.1007047). Li Bai (A.D.701-762) of Tang Dynasty has written a poem of 20 Chinese characters called as �夜�, or, Quiet Night Thoughts (Nostalgia) in English. The poem is very famous in China and in Japan. Up to date 1314 years have passed. But, very few composers had ever made the song for that poem. Then, Johnson Gao composed a song for it on May 16, 2016. He further enlarged it to 8 voices and made the Karaoke (�拉OK) for you to try. �夜� �白 (公元701~762) 床�明月光, 疑是地上霜。 舉首望明月, (抬頭望明月,) 低頭�故鄉。 Quiet Night Thoughts by Li Bai (A. D. 701~762) Translated by Johnson Gao (English translation by Johnson K. Gao) The bright moonlight is casting over the floor before my bed. It seems to me as like as the frost spreading on the ground. When I raise my head and stare at the bright moon, Bowing my face, I couldn't help thinking of my hometown.

Keyboard instrument or various instruments - difficult - Digital Download SKU: S9.Q172 Sopra li tuoni a quattro. Composed by Giovanni Pierluigi da Palestrina. This edition: score. Antiqua. Downloadable, Score. Schott Music - Digital #Q172. Published by Schott Music - Digital (S9.Q172). These Ricercari belong to the works of Palestrina of which no original print or autograph is known. Haberl included them in the thirty second volume of the works of Palestrina (p. 80 pp.) taken from a copy of G. Chiti which was found in the legacy of Baini. The Ricercari are composed in a strict motet form. That is they carry single themes (3-5) in the manner indicated in the german preface. The order of the Ricercari follows the eight modes: dorian, hypodorian, phrygian, hypophrygian, lydian, hypolydian, mixolydian, hypomixolydian. The work can be performed on keyboard, or string or wind-instruments. The tempo corresponds with moderato time (Andante). In the XVIth century it was custom to add diminutions (coloratures) especially if the part was executed by several instruments and one instrument held on the res facta (written melody).

Keyboard instrument or various instruments - difficult - Digital Download SKU: S9.Q174 Sopra li tuoni a quattro. Composed by Giovanni Pierluigi da Palestrina. This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q174. Published by Schott Music - Digital (S9.Q174). These Ricercari belong to the works of Palestrina of which no original print or autograph is known. Haberl included them in the thirty second volume of the works of Palestrina (p. 80 pp.) taken from a copy of G. Chiti which was found in the legacy of Baini. The Ricercari are composed in a strict motet form. That is they carry single themes (3-5) in the manner indicated in the german preface. The order of the Ricercari follows the eigth modes: dorian, hypodorian, phrygian, hypophrygian, lydian, hypolydian, mixolydian, hypomixolydian. The work can be performed on keyboard, or string or wind-instruments. The tempo corresponds with moderato time (Andante). In the XVIth century it was custom to add diminutions (coloratures) especially if the part was executed by several instruments and one instrument held on the res facta (written melody).

Keyboard instrument or various instruments - difficult - Digital Download SKU: S9.Q173 Sopra li tuoni a quattro. Composed by Giovanni Pierluigi da Palestrina. This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q173. Published by Schott Music - Digital (S9.Q173). These Ricercari belong to the works of Palestrina of which no original print or autograph is known. Haberl included them in the thirty second volume of the works of Palestrina (p. 80 pp.) taken from a copy of G. Chiti which was found in the legacy of Baini. The Ricercari are composed in a strict motet form. That is they carry single themes (3-5) in the manner indicated in the german preface. The order of the Ricercari follows the eigth modes: dorian, hypodorian, phrygian, hypophrygian, lydian, hypolydian, mixolydian, hypomixolydian. The work can be performed on keyboard, or string or wind-instruments. The tempo corresponds with moderato time (Andante). In the XVIth century it was custom to add diminutions (coloratures) especially if the part was executed by several instruments and one instrument held on the res facta (written melody).