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1 16 31 ....481

Guitar - Intermediate - Digital Download

SKU: M0.31129MEB

World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31129MEB).

ISBN 9781513476896. 8.75X11.75 inches.

The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.

Gorgeous Melodies for Fingerpicking Guitar
Guitare

$17.99 17.05 € Guitare PDF SheetMusicPlus

Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download

SKU: A0.889419

Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419).

For the 2018 Chamber Music Contest Entry

Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass.

It is not a difficult piece once learned.

It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people.

Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists.

P.S. - The score was written on Finale.

The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score.

This is the first time that this version is published in Sheet Music Plus.

Thank you very much for taking your time to read this text and to listen to the file.


I hope you have a lot of fun and enjoy the music.

Sheers!


Thanks to Claudia Eppelt for the cover design, all the Love and inspiration.

Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion.

Love Forever.


„The litle story of the - „Eternal Bridge

Eternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:

Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho

Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream

Eternal Bridge For Oboe Harp And Strings

$25.00 23.69 € PDF SheetMusicPlus

Harp - Level 5 - Digital Download

SKU: A0.889432

Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages. Luis Anjos Teixeira #4736137. Published by Luis Anjos Teixeira (A0.889432).

I found this Passacaglia from Bach among some of my own handwritten manuscripts. It is a phenomenal piece.

Bach was definitive a great artist, a Genius.

Passacaglia is an Italian word. This music form was originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. In this piece we can clearly experience this „Spanish strumming between „Bars 137 and 145.

The passacaglia was redefined in the late 1620s by Italian composer Girolamo Frescobaldi, who transformed it into a series of continuous variations over an ostinato bass pattern (which itself may be varied).

I added to this piece some interpretation symbols and rearranged it for the harp but every single note was left as it would be found in the original version. 

The piece is appropriate for advanced performers.

Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. 

The piece is difficult but very Human. It requires focused endurance and some practice on certain passages. 

Once learned you will also be playing much better. 


Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste.

Have fun!

It is a piece that can be used in many different kinds of situations, from a serious concert hall to a marriage, it is perfect for Christmas celebrations and all other kinds of Spiritual events.

When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire.


The score was written on Finale.

The sound file is the version in D minor for a concert harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.

Thank you very much for taking your time to read this text and to listen to the file.


I hope you have a lot of fun and enjoy the music.

Sheers!

Luis Anjos Teixeira


Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design.

Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. 

For all Living beings on Earth, for all our Ancestors, 

Thank You for all of You 

All Your Love and Compassion.

Love Forever.


Luis Anjos Teixeira

Passacaglia For Harp
Harpe

$7.55 7.16 € Harpe PDF SheetMusicPlus

Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download

SKU: A0.889436

Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436).

The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works.

It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world.

Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708.

The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe,  edited by Wilhelm Rust. 

The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. 


The Arrangement is relatively easy to perform, also appropriate for beginners. 

It is an ideal piece for advanced performers, this music touches deep into the Soul.

The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement.

Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form.

Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo.

I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul.

If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass.

Have fun!

It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events.

When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire.


The score was written on Finale.

The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.

Thank you very much for taking your time to read this text and to listen to the file.


I hope you have a lot of fun and enjoy the music.

Sheers!

Luis Anjos Teixeira


Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design.

Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. 

For all Living beings on Earth, for all our Ancestors, 

Thank You for all of You 

All Your Love and Compassion.

Love Forever.


Luis Anjos Teixeira

Gottes Zeit ist die allerbeste Zeit - For String Orquestra

$10.99 10.42 € PDF SheetMusicPlus

Trumpet - Level 4 - Digital Download

SKU: A0.817142

Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Decker Music Press #4112429. Published by Charles Decker Music Press (A0.817142).

Cited by the International Trumpet Guild Journal as a great introduction to the world of atonal music, Intermediate Serial Studies for Trumpet bridges the gap between tonal music and more difficult atonal literature with 20 short twelve-tone studies set primarily in the middle and lower registers. Settings vary from lyrical to marcato and tempos range from adagio to allegro. Using serial twelve-tone technique, each study's tone row is used only in original and retrograde (reversed) forms. Interval review in the studies begins with seconds and gradually expands to focus on thirds, fourths, tritones, fifths, sixths and sevenths. While 14 different time signatures are presented, beat subdivisions are not complex to facilitate precise rhythmic execution. Atonal music need not be barren of musical expression as applying creative interpretation with technical accuracy can make the music vibrant and exciting.

See also with Charles Decker Music Press at Sheet Music Plus my Supplemental Practice Approaches for Trumpet and First Technical Studies for Trumpet that help develop trumpeters' skills and musicianship.

If looking for trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this link to 
Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet.

See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

Intermediate Serial Studies for Trumpet Trompette

$9.95 9.43 € Trompette PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio - Level 2 - Digital Download

SKU: A0.889420

Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Classical,Concert,Standards. 8 pages. Luis Anjos Teixeira #3493285. Published by Luis Anjos Teixeira (A0.889420).

Menuett No. 5 K. 94 was composed for pianoforte in Bologna between August and September 1770. 

I did this trio arrangement to experience this piece within a chamber music context in order to enter the 2018 Chamber Music Contest Entry  

Because of its lively caracter and very short length, It would work perfectly as an introduction piece or for a little surprise encore in the end of a concert. 

It is also very easy to play, very appropriate for music students and beginners.

I made use of interpretation symbols like fortes and pianos, crescendos etc., they where total absent in the original. 

I also had to shorten the length of some notes in order to facilitate the interpretation of the piece on woodwind instruments.

The score was written on Finale. 

The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score.

This is the first time that this arrangement is published in Sheet Music Plus.


Thank you very much for taking your time to read this text and to listen to the file.

I hope you have a lot of fun and enjoy the music.

Sheers!


Thanks to Claudia Eppelt for the cover design, all the Love and inspiration.

Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion.

Love Forever.


Luis Anjos Teixeira

Mozart - Minuet K. 94 For Woodwind Trio

$10.99 10.42 € PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download

SKU: A0.1101650

By Chino & Nacho. By Jesus Alberto Miranda Perez, Miguel Mendoza, and Richard Pena. Arranged by juan carlos esteve / Gran Coda. Latin. Score. 2 pages. Juan Carlos Esteve #705025. Published by Juan Carlos Esteve (A0.1101650).

• Transcription of sheet music for keyboard (accompaniment) with chord encryption of the theme Mi Niña Bonita. • The download contains 1 page in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) • Original tone: G • Total number of bars: 107 • Degree of difficulty: Easy • This sheet music is ideal for playing with a group or band. • Contact me to play other scores https://partiturasgrancoda.com/.

Mi Nina Bonita
Piano Facile
Chino & Nacho
$4.99 4.73 € Piano Facile PDF SheetMusicPlus

Trumpet Solo - Level 5 - Digital Download

SKU: A0.817140

Composed by Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche. Arranged by Charles Decker. Classical,Contest,Festival,Historic,Instructional,Romantic Period. Individual part. 53 pages. Charles Decker Music Press #3905635. Published by Charles Decker Music Press (A0.817140).

Now in in one collection are the four famous concertos for E-flat trumpet by Franz Josef Haydn (1796), Johann Nepomuk Hummel (1803), Johann Baptiste Neruda (ca. 1750) and Sasche (1871) that are the core of the trumpet's solo literature edited with dynamics, articulations, and new cadenzas. This essential collection for ambitious trumpeters comes with two sets of solo parts for E-flat trumpet and B-flat trumpet with no piano accompaniment.

For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) and Supplemental Practice Approaches for Trumpet, as well as my First Technical Studies for Trumpet  for young students, all with Charles Decker Music Press at Sheet Music Plus.

To further expand your solo literature knowledge see my collection at Sheet Music Plus of Three Famous Baroque Works for Two Trumpets which has D, C, piccolo A and B-flat trumpet solo parts for the frequently performed Vivaldi and Manfredini Concertos and Francheschini Sonata.

If looking for more trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this like to 
Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet.

See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  

For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

Four Famous Concertos for E-Flat Trumpet by Haydn, Hummel, Neruda & Sasche (Eb & Bb solo parts only) Trompette (partie séparée)

$14.99 14.21 € Trompette (partie séparée) PDF SheetMusicPlus

Small Ensemble Horn,Violin - Level 5 - Digital Download

SKU: A0.889418

Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixeira #3492583. Published by Luis Anjos Teixeira (A0.889418).

Vivace For Violin And Hornfor the 2018 Chamber Music Contest Entry

I was so impressed while listening to some of the wonderful recordings of Elmira Darvarova on the violin and Howard Wall on the Horn. 

It inspired me to finish a duet that toke birth back in the times when I started playing violin. 

Now after 40 years I guess it is ready!!!

I am very grateful for their inspiration.

It is dedicated to - „Elmira and Howard

The piece requires high skilled and experienced artists.

I have used some interpretation symbols to suggest an interpretation and of course I tried to manipulate the audio file. I did very little Bowing. I prefer to leave it to your own interpretation, creativity, or school demands or preferences.

Feel free to experience your own bowing and interpretation. Remember that as an artist you can perform as it pleases you better. 

The score was written on Finale. 

The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score.

This is the first time that this version is published in Sheet Music Plus or anywhere else!

Thank you very much for taking your time to read this text and to listen to the file.

I hope you have a lot of fun and enjoy the music.

Sheers!



Thanks to Claudia Eppelt for the cover design, all the Love and inspiration.

Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion.

Love Forever.


Luis Anjos Teixeira

Vivace For Violin And Horn

$12.44 11.79 € PDF SheetMusicPlus

Trumpet Duet Trumpet - Level 4 - Digital Download

SKU: A0.817141

Composed by Antonio Vivaldi, Francesco Manfredini, and Petronio Franceschini. Arranged by Charles Deckerr. Baroque,Instructional,Standards. Score. 67 pages. Charles Decker Music Press #3926163. Published by Charles Decker Music Press (A0.817141).

For ambitious trumpeters who want to expand their solo repertoire and technique, this 60-page collection (solo parts only, no keyboard accompaniment), of Three Famous Baroque Works for Two Trumpets by Italian composers Vivaldi, Manfredini and Franceschini who wrote brilliantly exciting music for solo trumpets, provides study and performance editions for the three most frequently performed and recorded trumpet duo works of the Baroque era. Each work has a complete set of trumpet parts in C, D, piccolo B-flat and A to provide performers parts for the instrument they prefer to use and practical study material for enhancing transposition capabilities necessary when encountering baroque works published in various keys. Optional trumpet parts for the second movement of the Manfredini Concerto and concluding measures of the third movement of the Vivaldi Concerto are provided.  All have suggested dynamics and no ornamentation except for cadential trills and a single ornament added to the final two measures of the Manfredini Concerto. No keyboard accompaniment parts are provided.

See also my edition collection of Four Famous Eb Trumpet Concertos with E-flat & B-flat solo parts only to Haydn, Hummel, Neruda, Sasche Concertos with Charles Decker Music Press at Sheet Music Plus. 

If looking for trumpet solo features with brass quintet see Charles Decker Music Press SMP editions of Clarke’s Carnival of Venice, Sasche Concertino for Eb Cornet of 1871 , and opera arias by Puccini Che Gelida Manina from La Boheme , Verdi Caro Nome from Rigoletto and Rossini Non Piu Mesta from Cinderella. Use this link to
Kendor Music to see my trumpet feature brass quintet arrangements of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet.

See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.

3 Famous Baroque Works for 2 Trumpets (solo parts Vivaldi & Manfredini Concertos, Francheschini 2 Trompettes (duo)

$14.95 14.17 € 2 Trompettes (duo) PDF SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download

SKU: A0.987846

Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846).

Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.

180 Shift for piano trio
Piano Trio: piano, violon, violoncelle

$32.00 30.33 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus


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