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1 Piano,4 Hands,Piano Duet - Digital Download SKU: A0.977046 Composed by Paul SanGregory. Contemporary. Score. 36 pages. Distant Engraver Music #4801728. Published by Distant Engraver Music (A0.977046). This set of six variations is based on a theme made only of chords. The theme is quiet and simple, yet as the variations begin adding rhythms, melodies and textures, various musical styles, characters and dramatic expressions appear. When certain variations take on characteristics of jazz or salsa, audience members might even forget that they are still hearing the same basic chord structure. This piece is written so that almost any number of players can take turns performing it on either one, or two pianos. When fewer players perform the piece, one pianist can play two or three of the easier parts simultaneously. The minimum number of performers needed is four, but to facilitate the playing of cross rhythms, some groups may prefer 5 or 6 players in some variations. The music is written on 5 separate staves with suggestions of where and how to rotate players in and out of the performance, but performers should feel free to divide the parts between themselves in any way that works for them.   Videos of two different performances can be seen at the following links:http://paulsg.net/Videos/MHVariations.movhttps://www.youtube.com/watch?v=k4jbIXK1LiQ&feature=youtu.be
Variations for Multi-Hands Piano
1 Piano, 4 mains

$10.00 8.53 € 1 Piano, 4 mains PDF SheetMusicPlus

Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends.  Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more!  Any kind of diatonic Harp can be used to perform this piece.  The harp part can also be performed as a solo piece.  When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale.  The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
Celtiberian Fantasy For Harp and Strings

$28.99 24.73 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.1006443 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV. 14 pages. Mydnyte Publishing #2016307. Published by Mydnyte Publishing (A0.1006443). A Prayer for Harmonic Convergence is a musical meditation for Soprano Sax, B Flat Clarinet, and Bass Clarinet. It is written in free time, and is more of an exercise in vertical development versus horizontal. A degree of tonal indeterminacy is implied and demanded, as the nature of the instruments that it was written for requires the player to make adjustments of their embouchure in order to keep the pitch in tune with the other lines. In a piece where a note which acts as a third suddenly finds itself acting as a fifth or a root means that slight variations of intonation is inevitable. This is a desired effect. Slight overtones from the instruments are meant to combine and mingle. Occasionally the overtones converge and cause the sinusoidal waveform to beat at different frequencies. There is no way to predict how and when the phenomena will happen, and therefore there is no real way to perform this piece the same way twice. While the performer should take care to keep their intonation complimentary to the other players, a degree of latitude is intended so that the performer may experiment with this concept. It is suggested that the players perform from the score so as to anticipate the entrances and exits of the other performers.
A Prayer for Harmonic Convergence" for Soprano Sax, B Flat Clarinet, and Bass Clarinet

$9.99 8.52 € PDF SheetMusicPlus

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Dan Jones (www danjonesguitarist
$4.95 4.22 € Guitare notes et tablatures PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.800440 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357743. Published by Novel Soundtrax (A0.800440). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
Wabi-Sabi (for string quartet) [VLN 1]
Quatuor à cordes: 2 violons, alto, violoncelle

$3.50 2.99 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.800441 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 11 pages. Novel Soundtrax #6357745. Published by Novel Soundtrax (A0.800441). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
Wabi-Sabi (for string quartet) [VLN 2]
Quatuor à cordes: 2 violons, alto, violoncelle

$3.50 2.99 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.800444 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357751. Published by Novel Soundtrax (A0.800444). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
Wabi-Sabi (for string quartet) [Cello]
Quatuor à cordes: 2 violons, alto, violoncelle

$3.50 2.99 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.800443 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357749. Published by Novel Soundtrax (A0.800443). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
Wabi-Sabi (for string quartet) [Viola]
Quatuor à cordes: 2 violons, alto, violoncelle

$3.50 2.99 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.800439 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 24 pages. Novel Soundtrax #6332761. Published by Novel Soundtrax (A0.800439). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
Wabi-Sabi (for string quartet) [SCORE]
Quatuor à cordes: 2 violons, alto, violoncelle

$13.25 11.3 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Organ - Digital Download SKU: S9.Q49648 This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q49648. Published by Schott Music - Digital (S9.Q49648). German.This method of organ playing presupposes a certain technical skill on the piano. The pedal exercises at the beginning are fundamental and should be practiced in all keys with gradually increasing tempo. The structure of this method is based on the increasing polyphony: two-part pieces are followed by three-and multi-part pieces. Studying the strict structure of the polyphonic compositions, getting a feel of the liveliness of these parts, their coming, going and returning, all this, with the knowledge of harmonic form and architectonic values, provides the essential background for the correct interpretation of polyphonic music, especially of the fugue. The most important musical forms have been used to illustrate the various possibilities of registration and its relationship to style (colourful, solo and smooth playing).Progress within this method is made in a winding pattern, i.e. by falling frequently back on earlier aspects, through the juxtaposition of special stylistic and formal features, in order to consolidate them or add to variety. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music over the centuries and thus be prepared for a really artistic performance and interpretation of old and new works on his instrument, especially for the incomparable art of our great Johann Sebastian Bach.Wer nach dieser Schule das Orgelspiel erlernen will, muss schon eine gewisse technische Fertigkeit auf dem Klavier besitzen. Die Pedalübungen zu Anfang sind grundlegend. Sie sind in allen angegebenen Tonarten und in allmählich beschleunigtem Zeitmaß auszuführen.
Organ Method
Orgue

$21.99 18.76 € Orgue PDF SheetMusicPlus






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