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Concert Band - Digital Download SKU: AX.00-PC-0016423_TMP Timpani. Composed by Jeremy Bell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016423_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016423_TMP). UPC: 038081482019.A warm and majestic, chorale-style piece that focuses on developing musicianship by shaping the musical lines and supporting countermelodies. The tension and release created by the suspensions as they resolve produces elaborate harmonies and breathtaking expressive moments that serve as a musical memorial for those who never saw fame or glory but strove to make the world a better place. (3:00) This title is available in SmartMusic.
Forgotten Heroes: Timpani
Orchestre d'harmonie

$3.00 2.6 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016423_PC1 1st Percussion. Composed by Jeremy Bell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016423_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016423_PC1). UPC: 038081482019.A warm and majestic, chorale-style piece that focuses on developing musicianship by shaping the musical lines and supporting countermelodies. The tension and release created by the suspensions as they resolve produces elaborate harmonies and breathtaking expressive moments that serve as a musical memorial for those who never saw fame or glory but strove to make the world a better place. (3:00) This title is available in SmartMusic.
Forgotten Heroes: 1st Percussion
Orchestre d'harmonie

$3.00 2.6 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016423_T1 1st B-flat Trumpet. Composed by Jeremy Bell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016423_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016423_T1). UPC: 038081482019.A warm and majestic, chorale-style piece that focuses on developing musicianship by shaping the musical lines and supporting countermelodies. The tension and release created by the suspensions as they resolve produces elaborate harmonies and breathtaking expressive moments that serve as a musical memorial for those who never saw fame or glory but strove to make the world a better place. (3:00) This title is available in SmartMusic.
Forgotten Heroes: 1st B-flat Trumpet
Orchestre d'harmonie

$3.00 2.6 € Orchestre d'harmonie PDF SheetMusicPlus

Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.
Three Pieces for Two Violins and Piano

$32.00 27.75 € PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
Saxophone Soprano et Piano

$11.95 10.36 € Saxophone Soprano et Piano PDF SheetMusicPlus

Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arranged by Sharon Wilson Music. 20th Century,Children,Folk,Instructional,March. 46 pages. Sharon Wilson #6616395. Published by Sharon Wilson (A0.569889). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For most of the song, the Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords.The first 31 measures progress through the melody one time and can be used as a stand-alone performance. This first part of the arrangement is perfect for introducing new players to Bells and Boomwhackers®. Beginning in measure 32, the arrangement becomes more challenging by embellishing the melody, adding eighth notes, and alternating the chopstick theme between the parts. This second section utilizes more advanced note-reading and rhythmic skills and helps develop the ringing and whacking techniques needed for more advanced songs. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. In addition, a complete set of scores for 4 ringers and 3 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 7 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Notes used for each instrument are as follows: Bells ~ C D E F G A B C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G B Note assignment suggestions are provided. Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, plastic tubes, elementary classroom music
CHOPSTICKS: The Celebrated Chop Stick Waltz for 13-note Bells and Boomwhackers (Color Coded Notes)
Sharon Wilson
$10.00 8.67 € PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre

$200.00 173.42 € Orchestre PDF SheetMusicPlus

Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trompette
Keith Terrett
$5.00 4.34 € Trompette PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
Saxophone Alto et Piano

$12.95 11.23 € Saxophone Alto et Piano PDF SheetMusicPlus


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