Concert Band - Digital Download SKU: AX.00-PC-0015793_PC1 1st Percussion. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015793_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015793_PC1). UPC: 038081440828.Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. These titles can be performed in one concert setting or distributed throughout your teaching year to foster your teaching objectives. Titles included in this first installment are The Magnificent Seven, Wipe Out, Over the Rainbow, and Scooby Doo, Where Are You? Brilliant! (6:00).

Concert Band - Digital Download SKU: AX.00-PC-0015793_TN1 1st Trombone. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015793_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015793_TN1). UPC: 038081440828.Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. These titles can be performed in one concert setting or distributed throughout your teaching year to foster your teaching objectives. Titles included in this first installment are The Magnificent Seven, Wipe Out, Over the Rainbow, and Scooby Doo, Where Are You? Brilliant! (6:00).

Concert Band - Digital Download SKU: AX.00-PC-0015793_M1 Mallets. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015793_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015793_M1). UPC: 038081440828.Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. These titles can be performed in one concert setting or distributed throughout your teaching year to foster your teaching objectives. Titles included in this first installment are The Magnificent Seven, Wipe Out, Over the Rainbow, and Scooby Doo, Where Are You? Brilliant! (6:00).

Concert Band - Digital Download SKU: AX.00-PC-0015793_BTX E-flat Baritone Saxophone. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015793_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015793_BTX). UPC: 038081440828.Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. These titles can be performed in one concert setting or distributed throughout your teaching year to foster your teaching objectives. Titles included in this first installment are The Magnificent Seven, Wipe Out, Over the Rainbow, and Scooby Doo, Where Are You? Brilliant! (6:00).

Concert Band - Digital Download SKU: AX.00-PC-0015793_TB1 Tuba. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015793_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015793_TB1). UPC: 038081440828.Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. These titles can be performed in one concert setting or distributed throughout your teaching year to foster your teaching objectives. Titles included in this first installment are The Magnificent Seven, Wipe Out, Over the Rainbow, and Scooby Doo, Where Are You? Brilliant! (6:00).

Concert Band - Digital Download SKU: AX.00-PC-0015793_T1 1st B-flat Trumpet. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015793_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015793_T1). UPC: 038081440828.Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. These titles can be performed in one concert setting or distributed throughout your teaching year to foster your teaching objectives. Titles included in this first installment are The Magnificent Seven, Wipe Out, Over the Rainbow, and Scooby Doo, Where Are You? Brilliant! (6:00).

Concert Band - Digital Download SKU: AX.00-PC-0015793_TX1 B-flat Tenor Saxophone. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015793_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015793_TX1). UPC: 038081440828.Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. These titles can be performed in one concert setting or distributed throughout your teaching year to foster your teaching objectives. Titles included in this first installment are The Magnificent Seven, Wipe Out, Over the Rainbow, and Scooby Doo, Where Are You? Brilliant! (6:00).

Concert Band - Digital Download SKU: AX.00-PC-0015793_BTC1 Baritone T.C.. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015793_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015793_BTC1). UPC: 038081440828.Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. These titles can be performed in one concert setting or distributed throughout your teaching year to foster your teaching objectives. Titles included in this first installment are The Magnificent Seven, Wipe Out, Over the Rainbow, and Scooby Doo, Where Are You? Brilliant! (6:00).

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.

Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Xylophone - Level 1 - Digital Download SKU: A0.569888 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson Music. Children,Christmas,Sacred,Spiritual,Traditional. Score and parts. 38 pages. Sharon Wilson #6615377. Published by Sharon Wilson (A0.569888). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the grand staff and Boomwhackers® score. Lyrics are provided on the grand staff and Handbells score for sing along enjoyment or when using this arrangement as the accompaniment for a unison choir.In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians. Notes used for each instrument are as follows: Bells ~ C D E F G A B♭ C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G A B♭ B Note assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®    * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1468215 Composed by Adolphe-Charles Adam, Giacomo Meyerbeer, and Martin Luther. Arranged by L. Müller. 19th Century,Classical,Historic,Opera,Romantic Period. Score. 22 pages. Müller Publishing company #1046525. Published by Müller Publishing company (A0.1468215). Discover a Classic Masterpiece Reimagined: Capriccio on the Protestant Chorale from Les HuguenotsImmerse yourself in the rich musical heritage of the 19th century with this exquisite digital sheet music edition of Adolphe Adam's Capriccio on the Protestant Chorale from 'Les Huguenots'. This captivating piece for solo piano is based on Martin Luther's iconic hymn Ein feste Burg ist unser Gott and draws its inspiration from Giacomo Meyerbeer's celebrated opera Les Huguenots.Key Features:- **Timeless Composition:** Experience the artistry of Adolphe Adam, a renowned French composer known for his operatic and ballet masterpieces. This capriccio beautifully integrates a Protestant chorale theme within a vibrant, free-form structure.- **Historical Significance:** Delve into a piece that bridges religious and musical traditions, capturing the essence of Martin Luther's hymn in a context inspired by Meyerbeer's dramatic opera.- **Expertly Reedited:** This modern edition has been meticulously reedited by L. Müller, ensuring clarity and accuracy for today's musicians. Every note has been carefully preserved and presented for optimal readability.- **Accessible Format:** Enjoy the convenience of a digital download, allowing you to print the sheet music or view it on your preferred device anytime, anywhere.**Why Choose This Edition?**Whether you're a pianist looking to expand your repertoire, a music historian fascinated by the intersections of faith and art, or simply a lover of beautiful melodies, this reedited score offers a unique and rewarding experience. The piece's dynamic range and expressive depth make it an excellent choice for performances, recitals, and personal enjoyment.**Purchase Your Copy Today**Don't miss the opportunity to add this exceptional work to your collection. Purchase your digital copy of Capriccio on the Protestant Chorale from 'Les Huguenots' reedited by L. Müller, and bring a piece of musical history to life through your piano.Transform your playing with this timeless masterpiece and enjoy the beauty of Adolphe Adam's composition, now accessible to a new generation of musicians.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1405388 By The Beatles. By John Lennon and Paul McCartney. Arranged by Danut Muresan. Contemporary,Pop,Singer/Songwriter,Standards,Wedding. 2 pages. Sunset Strings, Inc. #988434. Published by Sunset Strings, Inc. (A0.1405388). Introducing Here, There, Everywhere – A Versatile Masterpiece for String Quartet and BeyondElevate your repertoire with Here, There, Everywhere, a sublime arrangement exclusively crafted for string quartet, yet ingeniously adaptable for trio, duo, and solo violin performances. This piece is a quintessence of versatility and beauty, designed for professional musicians aiming to enrich their offerings for weddings and special events.Key Features:Compact and Intuitive: Streamlined for ease of sight-reading, this arrangement ensures a seamless integration into your performance schedule, making it perfect for events with tight preparation timelines.Flexible Configuration: Whether you're performing as a quartet, trio, duo, or solo violinist, Here, There, Everywhere transitions smoothly between formats, maintaining its captivating essence across all variations.Wedding and Event Ready: Tailored to the nuanced demands of weddings and special occasions, this piece adds a touch of elegance and sophistication, resonating with audiences and creating memorable moments.Engaging for All Music Lovers: Crafted to appeal to a broad spectrum of musical tastes, this arrangement promises to enchant not only the musicians who play it but also the diverse audiences who hear it.Professionally Crafted for Professional Use:Meticulously arranged with the professional musician in mind, Here, There, Everywhere balances artistic depth with practicality, ensuring an enriching experience for both performer and listener. Its adaptability across different ensemble sizes without compromising on musical integrity makes it a unique addition to any music lover's collection.Bring Here, There, Everywhere to Your Next Event:Whether it's the magical ambiance of a wedding, the formal elegance of a corporate event, or the intimate setting of a private gathering, Here, There, Everywhere promises to be a piece that musicians will return to time and again.Dive into the beauty and versatility of Here, There, Everywhere – a piece where every note speaks of love, joy, and the timeless journey of music. Available now on arrangeme.com for string quartets and adaptable ensembles, ready to enrich your musical voyage and captivate any audience.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.