Guitar - intermediate - Digital Download Facsimile. Composed by Nicolo Paganini (1782-1840). This edition: Sheet music. Downloadable. Chanterelle #Q54452. Published by Chanterelle

Vocal Solo,Voice - Digital Download

SKU: A0.791742

Composed by Cherubino Busatti. Arranged by Early Music Scores. Baroque,Classical. 4 pages. Early Music Scores #6029265. Published by Early Music Scores (A0.791742).

Voice and continuo
Composed by Cherubino Busatti (1600-1644). From Arie a voce sola commode da cantarsi nel clavicembalo, chitarone & altro simile stromento, Venezia, 1638. Baroque period. Edited by Felipe Dias. 4 pages.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download

SKU: A0.1410810

Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Opera,Traditional. 9 pages. Bacco Baccanels #993208. Published by Bacco Baccanels (A0.1410810).

English (for Italian see below)
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This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.

I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.

In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.

Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.



Italiano
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L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.
Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.
Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.

Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.

Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download

SKU: A0.1517547

Composed by S. Hildegard von Bingen. Arranged by Zoltan Paulinyi. Medieval,Opera. 59 pages. Zoltan Paulinyi #1091709. Published by Zoltan Paulinyi (A0.1517547).

S. Hildegard von Bingen's opera Ordo Virtutum transcribed in modern notation with lyric in Latin along with its translation into English by Dr Zoltan Paulinyi. With 59 pages, this edition includes the full score in treble and bass clef, and the manuscript fac-simile.

Vocal Solo,Voice - Digital Download

SKU: A0.791580

Composed by Giovanni Felice Sances. Arranged by Early Music Scores. Baroque,Classical. 4 pages. Early Music Scores #5313419. Published by Early Music Scores (A0.791580).

Voice and continuo
Cantada a voce sola sopra il basso della Passacaglie: Usurpator tiranno della tua libertà. Composed by Giovanni Felice Sances (1600-1679). Baroque period. From Cantade di Gio: Felice Sances a voce sola, commode da cantarsi sopra Tiorba, Clauicembalo Arpa, ò altro simile instrumento. Libro Secondo. Parte Prima. Nuouamente composte, & date in luce, con Licenza de Superiori & Priuilegio. Dedicate al Ill. Sig. Marchese Pio Enea Obizzi. - In Venetia 1633. Appresso Bartholomeo Magni. Edited by Felipe Dias. 4 pages.

Unison chorus - Digital Download

SKU: C7.CGA1089

Composed by Carl Schalk. General. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1089. Published by Chorister's Guild - Digital (C7.CGA1089).

UPC: 749193011867.

A lovely, poetic text by nineteenth-century writer Edwin Hodder and additional text by Carl Schalk offer simple and poignant lessons about the Bible. Each verse employs the use of simile to describe how God's Word is like various images found in nature. The straightforward comparisons provide an excellent framework whereby children can better understand the purpose of God's Word and also grow in their faith. An enchanting melody, accompanied by organ and flute, repeats on each verse of the piece underscoring a sense of simplicity and clarity found in the anthem's text.

1 Piano,6 Hands,Piano Duet - Level 3 - Digital Download

SKU: A0.1502703

By SiMiLe. By A.Piazzolla. Arranged by Lora Yatsko. 20th Century,Contemporary,Multicultural,World. Score. 9 pages. Lora Yatsko #1078375. Published by Lora Yatsko (A0.1502703).

Composed by Astor Piazzolla. Arranged by Lora Yatsko. Tango. Score. 9 pages. 

A composition for one piano in 6 hands was created based on the well-known tango motif of Astor Piazzolla. This music uses all the lyrical possibilities of the piano.

Flute Solo - Level 3 - Digital Download

SKU: A0.546856

Composed by Luiz Gonzaga and Ze Dantas. Arranged by Leo Silva. Latin,Traditional. Individual part. 2 pages. MP Sheet Music #156793. Published by MP Sheet Music (A0.546856).

“O xote das Meninas� is a xote by Luiz Gonzaga and Zé Dantas, originally recorded on February 5, 1953, becoming one of the most popular pieces in their repertoire. Gonzaga re-recorded it six years later, for his LP “Meus Sucessos com Zé Dantas� and an instrumental version, in 1972, for the LP “São-João Quente�. According to Zé Dantas: His verses begin by singing the mandacaru, a cactus that does not depend on the rain to bloom, a phenomenon that, when it happens in the dry season, makes the caboclo believe that the thunderstorm is approaching. This superstition led us to establish a simile between the mandacaru flower, a prodromal sign of the rain that arrives giving the earth fecundity, and the girl who, getting sick of the doll, becomes a woman.

Piano,Recorder Solo,Soprano Recorder - Level 3 - Digital Download

SKU: A0.898116

Composed by Carl Scheindienst. Arranged by Douglas Brooks-Davies. Concert,Romantic Period,Standards. Individual part. 25 pages. Douglas Brooks-Davies #6266411. Published by Douglas Brooks-Davies (A0.898116).

A lovely set of variations on the Austrian folk song 'Cousin Michael was there last night'. Originally for csakan or 'romantic recorder' (tuned to G) and guitar, this arrangement, for soprano recorder and piano, offers the recorder part in the original printed key of G - so we play almost exactly the same fingering as the csakan. The guitar part, however, originally written out in the sounding key of C, has been arranged for piano and transposed to G. The piano part keeps as closley as possible to the simple unobtrusiveness of the guitar, with minimal filling out, mainly in the right hand. Metronome markings are ediorial. Slurs, dynamics, etc. are as in the original (where I have added simile, it is to be understood that the slurring of the  preceding bars is to be followed all through). Nothing is known of the composer. The piece was published in Vienna in 1815.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.818377

By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377).

Infinite, Eternal, Invisible, Undetectable God
♫ original song by Stephen R Dalrymple
♫ based on 2 Chronicles 2:6, John 1:18, John 4:24
♫ CCLI song # 7193328
♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14)
♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.]
♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent).
♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him.
♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question.
♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence
♫ music © 2022 Stephen R Dalrymploe
♫ recording ℗ 2022 Stephen R Dalrymple
♫ presentation © 2022 Stephen R Dalrymple
♫ sequenced by the composer
♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.931247

Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Concert,Film/TV,Sacred. Score and parts. 13 pages. Music Macri Editions #5769131. Published by Music Macri Editions (A0.931247).

La Messa di Requiem in Re minore K 626 Ã¨ l'ultima struggente composizione di Mozart. Rimasta incompiuta per la morte dell'autore, avvenuta il 5 dicembre 1791, fu completata successivamente da Franz Xaver Sussmayr.

L'opera è legata alla controversa vicenda della sua morte avvenuta il giorno successivo al completamento delle parti vocali del Lacrimosa. Stendhal parla di un anonimo committente che incaricò Mozart, malato e caduto in miseria, di comporre in quattro settimane una messa da requiem, dietro compenso di cinquanta ducati. Completato quasi certamente entro la quaresima del 1792, il Requiem venne ritenuto per un certo periodo opera del solo Mozart anche per il fatto che la calligrafia di Süssmayr risulta essere molto simile a quella di Mozart: fino agli inizi degli anni novanta del XX secolo si riteneva infatti che l'indicazione, posta in testa alla prima pagina, recitante di me W.A Mozart mppa. 1792 fosse stata apposta da Mozart stesso.

Fu probabilmente solo con l'edizione a stampa di Andrè del 1827 che parte dei dubbi vennero fugati: forse per la prima volta nella storia della musica, una partitura venne pubblicata con un commento critico nel quale si tentava di stabilire con certezza ciò che è certamente di Mozart e ciò che è di pugno d'altri; l'edizione Breitkopf indicò poi con una M il materiale sicuramente mozartiano e con una S quello attribuito a Süssmayr.

Leggendo il testo si può capire quanta intensità e potenza è racchiusa in questa composizione:

Dies irae, dies illa, Solvet saeclum in favilla, Teste David cum Sibylla. Quantus tremor est futurus, Quando Judex est venturus, Cuncta stricte discussurus!

Giorno d'ira, quel giorno distruggerà il mondo in faville, com'è attestato da Davide e dalla Sibilla. Quanto grande sarà il terrore quando verrà il giudice a valutare ogni cosa severamente. 

Alto Saxophone Solo - Level 3 - Digital Download

SKU: A0.546861

Composed by Luiz Gonzaga and Ze Dantas. Arranged by Leo Silva. Latin,Traditional. Individual part. 2 pages. MP Sheet Music #156798. Published by MP Sheet Music (A0.546861).

“O xote das Meninas� is a xote by Luiz Gonzaga and Zé Dantas, originally recorded on February 5, 1953, becoming one of the most popular pieces in their repertoire. Gonzaga re-recorded it six years later, for his LP “Meus Sucessos com Zé Dantas� and an instrumental version, in 1972, for the LP “São-João Quente�. According to Zé Dantas: His verses begin by singing the mandacaru, a cactus that does not depend on the rain to bloom, a phenomenon that, when it happens in the dry season, makes the caboclo believe that the thunderstorm is approaching. This superstition led us to establish a simile between the mandacaru flower, a prodromal sign of the rain that arrives giving the earth fecundity, and the girl who, getting sick of the doll, becomes a woman.

Vocal Solo,Voice - Digital Download

SKU: A0.791579

Composed by Giovanni Felice Sances. Arranged by Early Music Scores. Baroque,Classical. 4 pages. Early Music Scores #5313411. Published by Early Music Scores (A0.791579).

Voice and continuo
Cantada a voce sola. Alla Quarta o Quinta bassa: Presso l'onde tranquille di cristallino rio. Composed by Giovanni Felice Sances (1600-1679). Baroque period. From Cantade di Gio: Felice Sances a voce sola, commode da cantarsi sopra Tiorba, Clauicembalo Arpa, ò altro simile instrumento. Libro Secondo. Parte Prima. Nuouamente composte, & date in luce, con Licenza de Superiori & Priuilegio. Dedicate al Ill. Sig. Marchese Pio Enea Obizzi. - In Venetia 1633. Appresso Bartholomeo Magni.. Edited by Felipe Dias. 3 pages. This edition: TRANSPOSED to D MAJOR.

Soprano Saxophone Solo - Level 3 - Digital Download

SKU: A0.546860

Composed by Luiz Gonzaga and Ze Dantas. Arranged by Leo Silva. Latin,Traditional. Individual part. 2 pages. MP Sheet Music #156797. Published by MP Sheet Music (A0.546860).

“O xote das Meninas� is a xote by Luiz Gonzaga and Zé Dantas, originally recorded on February 5, 1953, becoming one of the most popular pieces in their repertoire. Gonzaga re-recorded it six years later, for his LP “Meus Sucessos com Zé Dantas� and an instrumental version, in 1972, for the LP “São-João Quente�. According to Zé Dantas: His verses begin by singing the mandacaru, a cactus that does not depend on the rain to bloom, a phenomenon that, when it happens in the dry season, makes the caboclo believe that the thunderstorm is approaching. This superstition led us to establish a simile between the mandacaru flower, a prodromal sign of the rain that arrives giving the earth fecundity, and the girl who, getting sick of the doll, becomes a woman.

String Quartet String Quartet - Level 3 - Digital Download

SKU: A0.1040877

By Fritz Stanley. By PEACE LIKE A RIVER, Traditional Words. Arranged by Fritz Stanley. Praise & Worship,Spiritual,Traditional. Score and parts. 10 pages. MicStanley #645646. Published by MicStanley (A0.1040877).

I've Got Peace Like a River is an African-American spiritual based on PEACE LIKE A RIVER tune. Arranged by Fritz Stanley for string chamber ensemble. It is a song of declaration using water as a simile to describe the qualities of peace, joy, and love in three stanzas. The image of the first stanza, “peace like a river,� may have come from Isaiah 66:12, where a similar picture is used. This song is suitable for all ages, and can be easily learned. It may be sung as a song of response after a time of thanksgiving or a declaration of God’s goodness.