SKU: A0.871362

A beautiful work by British American composer Felix Borowski, originally written for Violin and Piano

This version is an adapted version for cello and piano accompaniment, great for repertoire and performances!

It is written for advance intermediate level, about an ABRSM/Trinity Grade 7 Level.
If played with the included Ossia part, it is around Grade 6 level. Solo version also available (2 difficulty levels for the price of 1)! Check out the listings for more information.

SKU: A0.527678

Cosi fan tutte, ossia La scuola degli amanti (Thus Do They All, or The School for Lovers), K. 588, is an Italian-language opera buffa in two acts by Wolfgang Amadeus Mozart first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote Le nozze di Figaro and Don Giovanni.

This arrangement for string quartet of the opera's ouverture includes the following parts: Violin I, Violin II, Viola, Cello.

SKU: A0.1087984

These three pieces are to mimic studies of voicing and touch through lyrical forms. Each specific BPM marking in the tempo is intentionally preceded with ossia rather than ca.. This is to emphasize complete tempo freedom for the performer. The BPM markings are simply given as an initial baseline, showing the general tempo that the composer would perform these pieces at. Neither of the three pieces finish with a triad. Instead, they end with some form of extended harmony, whether it be through a chord or arpeggio. Neither the specific meaning of the piece nor the method to play the piece is included in the piece descriptions following this sentence, as those choices are specific to the performer. Nocturne in A Major (Op. 1 No. 1) uses both contemporary and traditional harmonic concepts, with add9 chords and extended harmonies integrating further color into the piece. Much material of Winter Landscapes in E-Flat Minor (Op. 1 No. 2) is built upon a simple four-note motif (in regards to scale degrees, the motif follows the pattern of 1-7-2-1). To note - this piece never resolves to the traditional E-Flat minor triad. Lastly, Tribute in D major (Op. 1 No. 3), similar to the other two pieces (of the Op. 1 set), uses multiple forms of extended harmonies through chords and arpeggios, such as add9 and dominant thirteenth harmony.

SKU: A0.1192327

A short, fun piece for piano solo with a 'calculating' mood and 'fancy' final chord, 'Checkmate!'. Ideal for a piano player looking for something modern at around Grade 4-5 (UK) standard. Perfect for teenagers and players looking for something non-Classical. Octave span not essential, as the final chord has a small-hand alternative ('ossia'). In C minor, 2 pages, approx 1'00 duration.

SKU: A0.502994

Arranger notes: The vocal part was dictated closely from Ed Sheeran's performance. The vocal part is rather moving and free, so some light rhythmic liberty can be taken. The piano part is mostly dictated based on the guitar part. There are sections where piano is added from where it is performed in the recording. That's where the ossia staves show up. It is not to be performed at the same time, but rather chosen by the accompanist as to which staff they wish to play in the right hand.