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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.972639 Composed by James Siddons. 20th Century,Folk,Holiday,Patriotic,Ragtime. Score and parts. 49 pages. James Siddons Music and Writings #3093043. Published by James Siddons Music and Writings (A0.972639). This composition, by composer, pianist, and musicologist James Siddons, is neither an  arrangement nor a medley. Rather, it is a kind of historical re-construction; one that  imagines how a typical piano rag of before 1905 would have sounded when performed  by a skillful vernacular pianist as a virtuosic improvisation.  A Million Buffalo Roam presents Tom Turpin's Buffalo Rag, Home On the Range, and the Star-Spangled Banner as an extended virtuosic display. It is a representation of a little-documented performance practice. After improvisatory passages on the three themes of The Buffalo Rag are heard individually, they are combined with the tunes of Home On the Range and the Star-Spangled Banner, including one passage in which Home On the Range and the Star-Spangled Banner are played simultaneously, combined with the accompaniment patterns of Buffalo Rag. This work may be performed as a piano duet, piano duo, or piano ensemble. It is also published as a Conductor's Score, with Primo and Secondo combined in one four-staff system.
A Million Buffalo Roam (Piano Duet)
1 Piano, 4 mains

$10.00 8.7 € 1 Piano, 4 mains PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1369552 Composed by Traditional. Arranged by James Siddons. Christian,Easter,Lent,Religious,Sacred. Score. 6 pages. James Siddons Music and Writings #953917. Published by James Siddons Music and Writings (A0.1369552). This piano solo requires a grand piano to achieve its full effect. A dramatic interpretation of When I Survey the Wondrous Cross (HAMBURG Tune) flows into a tranquil setting of the tune NEAR THE CROSS (the melody of Jesus, Keep Me Near the Cross), interpreting the stanza that describes rest beyond the river. Suitable for recital or worship in Lent, especially the week before Easter. Duration: 4 mins, 30 secs. Difficulty: moderate, including ability to play octaves and rapid arpeggios.  A similar interpretation of HAMBURG Tune is found in James Siddons' Sonata Hymnica No. 5, Scenes of Calvary..
When I Survey the Wondrous Cross
Piano seul

$5.00 4.35 € Piano seul PDF SheetMusicPlus

Percussion Ensemble - Level 4 - Digital Download SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
Dance of the Wind-Up Toys
Ensemble de Percussions

$10.00 8.7 € Ensemble de Percussions PDF SheetMusicPlus

Small Ensemble Handbell,Organ - Level 3 - Digital Download SKU: A0.972670 Composed by James Siddons. Christian,Christmas,Contemporary. Score and parts. 9 pages. James Siddons Music and Writings #6593557. Published by James Siddons Music and Writings (A0.972670). This score is for two Readers, handbells (3 octaves) and organ.A medieval folk belief of old Europe was that of all the animals miraculously starting to speak at the birth of the Christ Child. In about 1630, William Austin, a poet and lawyer in London, drew on this traditional belief to write one of his Carrols, for Christmas-day, in which he imagined what the most Stentorian animal of all, the rooster, might say about the new-born Holy Infant in Bethlehem. In setting William Austin’s carrol to music, James Siddons has given the organ the role of creating a soundscape to underpin the drama of Chanticleer’s proclamation. Following each of Austin’s three stanzas (in dramatic recitation by the Readers), an adaptation of the old French tune O Come, Emmanuel is played by handbells in a harmonic style that recalls the pealing of church bells on Christmas morning. This work is appropriate for the beginning of Advent and Christmas day worship, and in a service or program of Christmas music; for example, a service of lessons and carols. The purchase price includes permission to make 14 copies of the score (2 Readers, 8-10 handbell players, organist, and conductor) and permission to video-record a performance for posting on school or church websites and in streaming broadcast.
Shrill Chanticleer: A Song of Emmanuel

$25.99 22.6 € PDF SheetMusicPlus

Small Ensemble - Level 4 - Digital Download SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
Sonata Hymnica No. 7 - Score Only

$10.00 8.7 € PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.920653 Composed by Elizabeth Essex. Children,Instructional. Score. 32 pages. Elizabeth Essex #6703845. Published by Elizabeth Essex (A0.920653). My First Compositions is an introduction to composing and music theory for young children, best used with beginners ages 5-7, although selections can be used with any age. This book can also function as a companion to the method book My Favorite Children's Songs.My First Compositions includes 3 page formats: color by key or notation, composing templates, and practice drawing notation. The sequence begins with composing on the black keys with quarter notes and evolves to use more complex rhythm notation and an increasing set of white keys in middle C position.Students will learn about:finger numbersnames of the white keyseighth note pairsquarter noteshalf notesdotted half noteswhole notesquarter restshalf rests** NOTE: For best results, print double-sided, landscape, and staple-bind down the left side like a book.**
My First Compositions - an Introduction to Composing for Young Beginners
Piano Facile

$6.99 6.08 € Piano Facile PDF SheetMusicPlus

Piano - Level 2 - Digital Download SKU: A0.1140477 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Unimusic Academy (Academia Unimusica). Contemporary,Pop,Rock,Singer/Songwriter. Score (Chords/Lyrics). 8 pages. Unimusic Academy (Academia Unimusica) #740673. Published by Unimusic Academy (Academia Unimusica) (A0.1140477). Thank You for the Music is a song by the Swedish pop group ABBA. It was originally featured on the group's fifth studio album, The Album (1977), and was released as a double-A sided single with Eagle in May 1978 in limited territories, namely Belgium, the Netherlands, Germany, France, Austria, Switzerland and Australia. In South Africa where it peaked at number 2 in August 1978 and became the eighteenth best-selling single of that year. Gracias por la Música is the Spanish-language recording of Thank You for the Music, with lyrics by Buddy and Mary McCluskey. The B-side was the Spanish-language version of Gimme! Gimme! Gimme! (A Man After Midnight) entitled ¡Dame! ¡Dame! ¡Dame!. The song was released in 1980 to promote the band's Spanish-language album/compilation Gracias Por La Música. It was the group's seventh best-selling Spanish single, and also peaked at number 4 in Argentina.
Thank You For The Music
Piano seul
ABBA
$8.00 6.96 € Piano seul PDF SheetMusicPlus

Small Ensemble Bassoon,Harpsichord,Low Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.914146 Composed by Tom Swafford. 20th Century,Broadway,Contemporary,Musical/Show. Score and parts. 11 pages. Tom Swafford #3575315. Published by Tom Swafford (A0.914146). Novelty song for voice (any type), piano (or harpsichord), and optional bassoon.  Originally written for bass voice, the part is in treble clef and goes up to a D at the top of the staff and down to an E below the staff. Contact the composer if you would like it in a different key. This is a silly song with some cartoonish violence represented (cracking skulls etc.), reminiscent of Gilbert and Sullivan or early 20th century musical theater.  PDF is designed for double-sided printing, with page 1 of the score on the left side, blank pages are inserted to avoid page turns in the voice and bassoon parts. duration 2.5 minutes. www.tomswafford.com ASCAP.
The Wretch - novelty song for voice, harpsichord, optional bassoon

$5.00 4.35 € PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.920667 Composed by Elizabeth Essex. Arranged by Elizabeth Essex. Children,Instructional,Standards. Score. 36 pages. Elizabeth Essex #6716673. Published by Elizabeth Essex (A0.920667). My Favorite Songs on the Black Keys is a collection of popular songs which can be used to practice sight-reading finger number notation with any age. Students of any age will recognize the melodies and will want to sing along.The songs are sequenced in order of difficulty to read, starting with songs playable with one hand, then moves on to one-page songs that alternate hands, and then two-page songs. The left-hand notes are colored red as well as turned stem down to assist in differentiating right and left-hand notes.Table of Contents:Hot Cross Buns – LH Hot Cross Buns – RHMary Had a Little Lamb – LHMary Had a Little Lamb – RH Rain, Rain Go AwayRing Around the RosieClocktower ChimesOld McDonaldAu Clair de la Lune Morning (Greig)Camptown RacesBaby SharkEensie WeensieGo Tell It on the MountainThe Farmer in The DellAmazing GraceNobody Knows the Trouble I’ve SeenPop Goes the WeaselOh SuzannaI’ve Been Workin’ on the RailroadAuld Lang Syne** NOTE: For best results, print double-sided, landscape, and staple-bind down the left side like a book.**
My Favorite Songs on the Black Keys - a Sequential Collection for Beginners
Piano Facile

$7.99 6.95 € Piano Facile PDF SheetMusicPlus






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