Concert Band - Level 4 - Digital Download SKU: A0.722753 Composed by John Gross Barnard. Arranged by Jari A. Villanueva. Contemporary,Folk,Romantic Period,Spiritual. Score and parts. 56 pages. JV MUSIC #3423151. Published by JV MUSIC (A0.722753). Abraham Lincoln Funeral March for Concert BandBy John Gross Barnard Orchestrated by Jari Villanueva This funeral march written by John Gross Barnard was performed by the United States Marine Band during the funeral procession from the Executive Mansion to the Capitol for Abraham Lincoln on April 19, 1865. The march is titled: Funeral March in Memory of the Abraham Lincoln: Played at the Obsequies of the President of the United States by the US Marine Band. The funeral march follows the standard format of dirges of the time (most notable are Webster’s Funeral March, Chopin’s Funeral March and March in Saul by Handel) written in minor keys (considered somber) and divided into eight measure phrases which makes it easy for the funeral cadence to be played underneath. This funeral march, like most written during this time, has a transition to a major key (happier sounding). This march goes to the relative major (D minor to D major) key. Since no parts are extant from the US Band, I was asked to score the march for a modern symphonic band. I hoped to capture the somber drum beat and employed a chime to replicate the bells that tolled along the funeral route.Full Score Piccolo Flutes 1-2 Oboes 1-2 Bassoon 1-2 Eb Clarinet3 Bb ClarinetsAlto ClarinetBass ClarinetAlto Saxophone 1-2Tenor SaxophoneBaritone Saxophone 3 Cornets 2 Trumpets 4 Horns in F3 TrombonesEuphonium (Baritone TC)TubaString BassTimpaniPercussionChimesA retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.https://youtu.be/lTPBn6AkXZw

String Quartet String Quartet,Viola - Level 3 - Digital Download SKU: A0.798079 By The Police. By Sting. Arranged by Inacio Saldanha. Pop,Rock. Score and parts. 17 pages. Inacio Saldanha #4846357. Published by Inacio Saldanha (A0.798079). Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and UK hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the UK Singles Chart for four weeks. It also topped the Billboard Top Tracks chart for nine weeks.At the 26th Annual Grammy Awards the song was nominated for three Grammy Awards, including Song of the Year, Best Pop Performance by a Duo or Group with Vocals, and Record of the Year, winning in the first two categories. For the song, Sting received the 1983 Ivor Novello award for Best Song Musically and Lyrically from the British Academy of Songwriters, Composers and Authors.The song is considered to be both the Police's and Sting's signature song, and in 2010 was estimated to generate between a quarter and a third of Sting's music publishing income. In the 1983 Rolling Stone critics' and readers' poll, it was voted Song of the Year. In the US, it was the best-selling single of 1983 and fifth-best-selling single of the decade. Billboard ranked it as the No. 1 song for 1983.In May 2019, Every Breath You Take was recognized by BMI as being the most played song in radio history. With nearly 15 million radio plays, Sting received a BMI Award at a ceremony held at the Beverly Wilshire Hotel in Beverly Hills to mark it being the Most Performed Song in BMI’s catalogue, a distinction previously held since 1999 by Mann and Weill’s You've Lost That Lovin' Feelin'. BMI President and CEO Mike O’Neill stated: For the first time in 22 years, BMI has a new top song in our repertoire with Sting’s timeless hit ‘Every Breath You Take,’ a remarkable achievement that solidifies its place in songwriting history.The song ranked No. 84 on the Rolling Stone list of the 500 Greatest Songs of All Time and is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It also ranked number 25 on Billboard's Hot 100 All-Time Top Songs. In 2008, Q magazine named it among the top 10 British Songs of the 1980s. In 2015, the song was voted by the British public as the nation's favourite 1980s number one in a UK-wide poll for ITV.Arranged for Viola Quartet. Key of A major. Intermediate. Audio file made from midi engine.

Trumpet Solo - Level 3 - Digital Download SKU: A0.951537 Composed by Traditional. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 6 pages. Travis Hayman #6096231. Published by Travis Hayman (A0.951537). Hail, Columbia is an American patriotic song that is the ceremonial entrance march of the Vice President of the United States. It was considered one of the unofficial national anthems of the United States until 1931, when The Star-Spangled Banner was named as the official national anthem. Columbia is the name for the national personification of the United States which originated during the 18th century. 

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.734485 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. 18 pages. Chicory Music #5983939. Published by Chicory Music (A0.734485). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in Bb concert for Brass Quintet plus Optional Acoustic Bass and Drum Set at the Intermediate Level.Performance time: approx. 3 minutes.

String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.798078 By The Police. By Sting. Arranged by Inacio Saldanha. Pop,Rock. Score and parts. 17 pages. Inacio Saldanha #4846349. Published by Inacio Saldanha (A0.798078). Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and UK hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the UK Singles Chart for four weeks. It also topped the Billboard Top Tracks chart for nine weeks.At the 26th Annual Grammy Awards the song was nominated for three Grammy Awards, including Song of the Year, Best Pop Performance by a Duo or Group with Vocals, and Record of the Year, winning in the first two categories. For the song, Sting received the 1983 Ivor Novello award for Best Song Musically and Lyrically from the British Academy of Songwriters, Composers and Authors.The song is considered to be both the Police's and Sting's signature song, and in 2010 was estimated to generate between a quarter and a third of Sting's music publishing income. In the 1983 Rolling Stone critics' and readers' poll, it was voted Song of the Year. In the US, it was the best-selling single of 1983 and fifth-best-selling single of the decade. Billboard ranked it as the No. 1 song for 1983.In May 2019, Every Breath You Take was recognized by BMI as being the most played song in radio history. With nearly 15 million radio plays, Sting received a BMI Award at a ceremony held at the Beverly Wilshire Hotel in Beverly Hills to mark it being the Most Performed Song in BMI’s catalogue, a distinction previously held since 1999 by Mann and Weill’s You've Lost That Lovin' Feelin'. BMI President and CEO Mike O’Neill stated: For the first time in 22 years, BMI has a new top song in our repertoire with Sting’s timeless hit ‘Every Breath You Take,’ a remarkable achievement that solidifies its place in songwriting history.The song ranked No. 84 on the Rolling Stone list of the 500 Greatest Songs of All Time and is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It also ranked number 25 on Billboard's Hot 100 All-Time Top Songs. In 2008, Q magazine named it among the top 10 British Songs of the 1980s. In 2015, the song was voted by the British public as the nation's favourite 1980s number one in a UK-wide poll for ITV.Arranged for Violoncelo Quartet. Key of A major. Intermediate. Audio file made from midi engine.

Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.734482 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. 13 pages. Chicory Music #5968687. Published by Chicory Music (A0.734482). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in F concert for Recorder Quartet at the Intermediate Level.Performance time: approx. 3 minutes.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America  ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1''  - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De CÅ“niél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.   

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1367507 By Ray Charles. By Ray Charles. Arranged by Ray Charles. 20th Century,Jazz,Pop. Score. 7 pages. Polly #951854. Published by Polly (A0.1367507). Mess Around is a rhythm and blues song written by Atlantic Records president and founder Ahmet Ertegun under the pseudonym of A. Nugetre (an anagram he often used). It was first recorded by Ray Charles in 1953 and became one of his early hits.Ray Charles' version of Mess Around is characterized by its energetic and infectious piano playing, showcasing Charles' skillful blending of R&B, gospel, and blues elements. The song was a significant success for Charles, marking one of his early contributions to the emerging rock and roll and rhythm and blues scenes.Over the years, Mess Around has been covered by various artists, but Ray Charles' rendition remains iconic. The song has been featured in films, commercials, and television shows, contributing to its enduring popularity. It's considered a classic in the R&B and rock and roll genres, reflecting the dynamic and influential musical style of Ray Charles.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.734480 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. 15 pages. Chicory Music #5954073. Published by Chicory Music (A0.734480). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in F Concert for Clarinet Quartet plus Optional Acoustic Bass and Drum Set at the Intermediate Level.Performance time is approx. 3 minutes.

French Horn,Piano - Level 2 - Digital Download SKU: A0.1047232 Composed by Traditional. Arranged by James Siddons. Easter,Praise & Worship,Sacred,Spiritual,Wedding. Score and part. 2 pages. James Siddons Music and Writings #651778. Published by James Siddons Music and Writings (A0.1047232). This familiar music is appropriate for Pentecost in liturgical worship and Pentecostal worship generally. The original melody and homophonic harmony have been recast into a collaborative setting for Horn in F and Piano. The score for sale here is the solo French Horn part only. The mp3 audio track here has the horn part only and is for practice. The full score, which the pianist needs, is sold separately. The mp3 audio track there has the music of the full score.

Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - Digital Download SKU: A0.972663 Composed by William Howard Doane. Arranged by James Siddons. Christian,Concert,Easter,Sacred. Score and parts. 4 pages. James Siddons Music and Writings #5311151. Published by James Siddons Music and Writings (A0.972663). This fanfare for Bb trumpet and organ is ideal for Easter. The tune of Low in the Grave He Lay is the basis of this arrangement, which also features arpeggios and cadenzas that create the exciting feeling of a herald trumpet signaling a great proclamation. This arrangement is also available in versions in F Major (with the trumpet part in the low range of the instrument) and organ, and for two trumpets (Trumpet Duo) and organ. A full score for the organist and part(s) for the trumpet are needed for performance.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1314355 Composed by James Siddons. Chamber,Christian,Praise & Worship,Religious,Sacred. 7 pages. James Siddons Music and Writings #903101. Published by James Siddons Music and Writings (A0.1314355). This “Meditation� uses melodic phrases from Kremser Tune, used to sing We Gather Together, and Dona Nobis Pacem. The latter is a round and gives a texture of flowing counterpoint to the homophonic stateliness of the hymn tune. Note that this is not an arrangement or medley of these two melodies, but a distinct composition built on their melodic phrases (motives). For Christian worship, this short piece is appropriate for services of Christian unity and peace, and, in the United States, for Thanksgiving Day. This composition is also available as a mixed wind quartet for flute, clarinet in Bb, tenor saxophone, and trumpet in Bb. The first performance was on November 5, 2023, at Saint Andrew Presbyterian Church, Lynchburg, Virginia.

French Horn,Piano - Level 3 - Digital Download SKU: A0.1047100 Composed by Traditional. Arranged by James Siddons. 20th Century,Latin,Praise & Worship,Traditional. Score and part. 14 pages. James Siddons Music and Writings #651624. Published by James Siddons Music and Writings (A0.1047100). Collaborative settings for Horn in F and Piano, with solo passages for each instrument, suitable for recital performance as well as worship. The three hymns are His Eye Is On the Sparrow (arranged in aria style), What Can Wash Away My Sin? (in march tempo) , and I Surrender All (using mariachi rhythm).

Composed by James Siddons. 20th Century, Christian, Concert, Gospel, Traditional. Score. 24 pages. James Siddons Music and Writings #6135401. Published by James Siddons Music and Writings

Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down!   In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion  . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.