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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Viola & Piano
Alto, Piano

$24.95 21.88 € Alto, Piano PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano.  The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Clarinet & Piano
Clarinette et Piano

$24.95 21.88 € Clarinette et Piano PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016238_PEN Pennywhistle (Piccolo or Recorder). Composed by David Giardiniere. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016238_PEN. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016238_PEN). UPC: 038081478661.This festive medley combines three joyful melodies into a cheerful Celtic tapestry. Centering on The Sussex Carol, it also takes the listener on a colorful romp through Good Christian Men, Rejoice, as well as an Irish fiddle tune entitled A Merry Christmas. The work can be performed with strings alone, but the addition of hand drum, guitar, and whistle give a distinctive fiddle band sound without significantly increasing rehearsal preparation. (2:40) This title is available in SmartMusic.
Highland Holiday: Pennywhistle (Piccolo or Recorder)
Orchestre à Cordes

$5.99 5.25 € Orchestre à Cordes PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1094660 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #698730. Published by Diego Marani (A0.1094660). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for alto sax with piano of the 1st movement, Prelude, is marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
Prelude from "Suite Bergamasque" for Alto Saxophone and Piano
Saxophone Alto et Piano

$7.99 7.01 € Saxophone Alto et Piano PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
Voix haute

$6.99 6.13 € Voix haute PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.563306 Composed by Erik Satie, George Frideric Handel, Johann Pachelbel, Newton, and Traditional. Arranged by Austin Ralphson. Baroque,Classical,Concert,Standards,Wedding. Score and parts. 95 pages. Austin Ralphson #3540037. Published by Austin Ralphson (A0.563306). This mega-bundle of music enables you to save significantly on the individual prices, and includes full scores and parts for the following pieces:Amazing Grace (Newton) Ar Lan y Môr (Welsh Trad.) Canon in D (Pachelbel) David of the White Rock (Welsh Trad.)Gnossienne No.1 (Satie) Gymnopédie No.1(Satie) Largo from ‘Xerxes’ (Handel) Suo Gan (Welsh Trad.)  
Slow Melody Bundle - brass quintet book / pack
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$15.99 14.02 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Violin, cello and piano - Digital Download SKU: S9.Q22633 For violin, violoncello and piano. Composed by Peteris Vasks. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q22633. Published by Schott Music - Digital (S9.Q22633). In my adaptation of a work originally composed in 2002 for eight-voice choir, violin and violoncello, I was particularly interested in recreating the tonal spectrum of the three extended vocalises (sung by the choir) for the piano in my new version for piano trio. While the piano part had to accommodate the entire choral texture, the parts for violin and violoncello remained almost unaltered. This was however not a mere transcription: above all, I significantly expanded the ecstatic climax occurring towards the end of the version for choir, which expresses a vision of dawn breaking and the awakening of nature with its profusion of birdsong. Pēteris Vasks.
Plainscapes
Piano Trio: piano, violon, violoncelle

$33.99 29.81 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1377455 By Various. By Traditional. Arranged by Ben Mason. Celtic,Folk,Historic,Irish,March,Traditional. 35 pages. Music Man #962044. Published by Music Man (A0.1377455). Kingdom in Tune is a Medley of Traditional Folk Songs from across the United Kingdom (England, Wales, Scotland and N. Ireland), scored for Full Wind Band (and Optional Bagpipes). Staring with the Chimes of Big Ben in London and ending in the Scotish Highlands, this delightful Slow Mrach (in triple time) takes the listener on a nostalgic journey around the British Isles. The optional Bagpipes are a useful addition for special events and will lift any performance significantly.Folk Songs included in this Medley are: Oranges and Lemons, Sweet Blooming Lavender, Lavender's Blue, The Miller of Dee, Adieu to Dear Cambria, St. Patrick's Breastplate, Wild Mountain Thyme.
Kingdom in Tune Medley
Orchestre d'harmonie
Various
$19.99 17.53 € Orchestre d'harmonie PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.1095576 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #699582. Published by Diego Marani (A0.1095576). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for horn with piano of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
Prelude from "Suite Bergamasque" for Horn and Piano
Cor et Piano

$7.99 7.01 € Cor et Piano PDF SheetMusicPlus

Piano,Violin - Level 1 - Digital Download SKU: A0.1076969 Composed by Sergey Beltiukov. Children,Classical,Contemporary. 62 pages. BFG Publishing LLP #681096. Published by BFG Publishing LLP (A0.1076969). The violin book Mer r y Locomotive is especially composed for the children in first and second grade of the music school. It consists of 14 different pieces. It offers many tools for the initial development of both the right and the left-hand techniques. All melodic pieces help develop the softness of sound and stimulate smooth change of position. Based on the different methodological tasks, they are divided as follows: No. 1 - 3 – Mastering the legato and detaché techniques (rhythmic bowing) and getting to know holds and pauses; No. 4 - 5 – Connecting strings: this essential part of the technique requires the development of right- hand flexibility. Tackling position changing is also part of this section. The mastering of these main techniques largely determines the entire further development of the pupil's violin technique; No. 6 - 9 – Staccato bowing: at this stage it is advisable to learn staccato not by sharp pressure but based on a light acceleration of detaché and the separation of sounds by pauses; No. 10 - 11 – Is a combination of the legato and staccato bow strokes; No. 12 - 13 – Dotted rhythm in combination with legato and staccato bowing; No. 14 – Is a combination of all the above-proposed bow strokes in one piece; The combination of the violin pieces with accompaniment contributes to the stability of intonation and provides the necessary metro-rhythmic support. The artistically enriched material makes learning more attractive to the pupil and awakens a musical interest in classes, as a result of which the effectiveness of the educational process is significantly increased.
"Merry Locomotive" for violin and piano
Violon et Piano

$12.00 10.52 € Violon et Piano PDF SheetMusicPlus






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