Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1440390 By Walk Off The Earth. By Gianni Luminati, Ryan Marshall, Sarah Blackwood, and Thomas Salter. Arranged by Scott S. Stewart. 21st Century,Contemporary,Pop,Rock. 15 pages. Scott S. Stewart #1020356. Published by Scott S. Stewart (A0.1440390). “Red Hands” (2012) by the Canadian group Walk Off the Earth delivers the powerful message of taking responsibility for one’s own actions, and accept the aftereffect of bad behavior and/or bad judgement. The text is conversational in construction allowing opportunity to assign solo lines to poignantly deliver the many sides of the situation of ‘bad conduct’, with the ‘tutti ensemble’ declaring the ultimatum.  This arrangement is scored for 4-part SATB ensemble with piano accompaniment.  Performance time: 3:15+-.

Piano Solo - Level 4 - Digital Download SKU: A0.1248572 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843064. Published by Brian Golden (A0.1248572). Prelude 15 in B Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Concert Band - Level 4 - Digital Download SKU: A0.1272805 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 107 pages. Yellow Envelope Publications #865003. Published by Yellow Envelope Publications (A0.1272805). Threshold is meant to portray time slowing down as you approach a black hole due to Gravitational Time Dilation. As such, I took a melody and reworked it in several different time signatures, to allow you to feel it stretch out or shrink, leading to moments where time basically goes out the window with prolonged moments of aleatoric metallic cacophony in the percussion section. Mixed in with the increasing and decreasing time signatures is something loosely resembling a fugue subject in the woodwinds. I’m not sure where it came from, but I love the feeling it gave this piece.By the way, I always thought it would be really cool if, during the end of the piece, the percussion could be spread throughout the performance venue to create a true surround sound experience, playing the aleatoric motive all around the audience. (Maybe even let some of the audience members participate too!)  …just a thought.Instrumentation2 Flute, Oboe, Bassoon, 2 Clarinet, Bass Clarinet,2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpet, French Horn, 2 Trombone, Euphonium, Treble Clef Euphonium, Tuba6 Percussionists - Timpani, Snare Drum, Bass Drum, Floor Tom,2 Suspended Cymbal, Shaker (egg or shekere), Crash Cymbals, Tam-tam,Glockenspiel, and as many pitched metallic instruments as possible (G, A-flat, B-Flat)

Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

String Orchestra - Level 2 - Digital Download SKU: A0.921905 Composed by Xavier Santiago. Instructional,Standards. Score and parts. 20 pages. Xavier Santiago #6401539. Published by Xavier Santiago (A0.921905). This clever potpourri of traditional Christmas music is a sure winner for your next winter program! Your students will have a blast playing different time signatures and discovering new tempos/key signatures. A classic gem!Songs include:Joy to the WorldDeck the HallsAngels We Have Heard on HighWe Wish You A Merry ChristmasOnce in Royal David's CityWe Three KingsSilent NightJingle BellsThe First NoelGood King Wenceslas

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1418391 Composed by Erik Saite. Arranged by Andrew Middleton. 20th Century. 71 pages. Andrew Middleton #999957. Published by Andrew Middleton (A0.1418391). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Three Gnossiennes for Orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.957848 Composed by Thamar Juan Tyson. Christian,Contemporary,Standards. Octavo. 18 pages. T.J.T. Music Productions #2025441. Published by T.J.T. Music Productions (A0.957848). A very vibrant, expressive and high quality work, Sanctus, Sanctus, Sanctus is a versatile SATB work. Set in Five-four Time, the driving rhythm in the male voices provide a catchy and memorable undercurrent to the off-beat duet part in the female voices. This work is suitable for intermediate to advanced choral ensembles in search of a very challenging and upbeat work. The accents in the four voices create a rhythmic shift between Five-four and Ten-eight time signatures. As a result, choir directors, particularly in high school, college and university settings will be able to instruct and assist their choral students with understanding the conceptual relationship and shift between Five-four and Ten-eight time signatures, while reading rhythmically in Five-four Time. The rhythmic feel is sure to become natural and second nature to choirs that have the opportunity to experience this dynamic and exciting work. This work also can assist high school choral directors with introducing, and teaching their choirs to understand and perform music written with Latin text in a very contemporary style.

Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1326031 Composed by Johan Hefer. Christian,Christmas,Praise & Worship. Score. 2 pages. Johan Hefer #914222. Published by Johan Hefer (A0.1326031). What Is This Christmas?A reflective and uplifting Christmas carol that reminds us of the true meaning of the season. This three-section piece begins with a somber tone as we question the materialistic nature of Christmas. In the second section, the mood shifts with a triumphant Glory to God, and the final section bursts into a joyous celebration of Jesus Christ. With its easy-to-follow key signatures and accessible vocal and piano arrangements, this carol is suitable for worship bands and choirs of all skill levels.Key Features: Uplifting and reflective Christmas carol Three sections with contrasting moods Easy-to-follow key signatures for worship bands Accessible vocal and piano arrangements Suitable for average singers and accompanists Available for both higher and lower singers (F major and C Major) Performance Suggestions: Begin with a slow and reflective tempo in the first section, gradually increasing the tempo and dynamics as the piece progresses. Emphasize the contrast between the first and second sections, highlighting the shift from somber questioning to triumphant praise. Let the final section explode with joy and celebration, encouraging the congregation to join in the song's uplifting message. Keywords: Christmas The true meaning of Christmas Jesus Christ Worship Praise Joy Celebration Hope Love Peace

Small Ensemble Bass Guitar,Cello,Double Bass,Euphonium,Trombone - Level 3 - Digital Download SKU: A0.942478 Composed by Adam Hutchins. Instructional. Score and parts. 11 pages. Adam Hutchins Ltd #6168317. Published by Adam Hutchins Ltd (A0.942478). Our brand new scale based studies for all bass clef instruments, each written with melody in mind!24 varied pieces, in all key signatures major and minor, exploring different time signatures, tempos and styles.Lots to get into and enjoy playing some nice tunes rather than lots of scales, but also great to reinforce scale knowledge.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.1503951 By Edvard Grieg. By Edvard Grieg. Arranged by Jami Kidwell Chavez. 19th Century,Christmas,Classical,Holiday,Romantic Period. 14 pages. Jami Kidwell Chavez #1079403. Published by Jami Kidwell Chavez (A0.1503951). Edvard Grieg's Jule-Sne (Christmas Snow) is a movement from Op 49.  Originally for voice and piano, this translates beautifully into a flute choir setting.   It will add a wonderful moment to any Christmas program portraying the serene beauty of snowfallThis movement moves through several key signatures, time signatures and tempo alterations. Scored for 5 C Flutes, Alto Flute and Bass Flute.

Organ - Level 2 - Digital Download SKU: A0.1458412 By The computer. By Franz Schubert. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 7 pages. Manuela #1037394. Published by Manuela (A0.1458412). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindezwei Tonarten (F, Es-Dur); gesetzt mit LilypondAudiobeispiel wurde computergeneriertWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 711,3for church servicesmultiple key signaturesaudio sample generated by computerversions in two key signatures (F, Eb major); engraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.

Concert Band - Digital Download SKU: AX.00-PC-0017087_P1 Piccolo. Arranged by Charles Sayre. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017087_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017087_P1). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).

Concert Band - Digital Download SKU: AX.00-PC-0017087_C2 2nd B-flat Clarinet. Arranged by Charles Sayre. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017087_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017087_C2). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).

Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.   While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.