Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1326031 Composed by Johan Hefer. Christian,Christmas,Praise & Worship. Score. 2 pages. Johan Hefer #914222. Published by Johan Hefer (A0.1326031). What Is This Christmas?A reflective and uplifting Christmas carol that reminds us of the true meaning of the season. This three-section piece begins with a somber tone as we question the materialistic nature of Christmas. In the second section, the mood shifts with a triumphant Glory to God, and the final section bursts into a joyous celebration of Jesus Christ. With its easy-to-follow key signatures and accessible vocal and piano arrangements, this carol is suitable for worship bands and choirs of all skill levels.Key Features: Uplifting and reflective Christmas carol Three sections with contrasting moods Easy-to-follow key signatures for worship bands Accessible vocal and piano arrangements Suitable for average singers and accompanists Available for both higher and lower singers (F major and C Major) Performance Suggestions: Begin with a slow and reflective tempo in the first section, gradually increasing the tempo and dynamics as the piece progresses. Emphasize the contrast between the first and second sections, highlighting the shift from somber questioning to triumphant praise. Let the final section explode with joy and celebration, encouraging the congregation to join in the song's uplifting message. Keywords: Christmas The true meaning of Christmas Jesus Christ Worship Praise Joy Celebration Hope Love Peace

Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.780067 Composed by Graham Boag. Contemporary. Individual part. 64 pages. Graham Boag #6211521. Published by Graham Boag (A0.780067). Dance Sequences was composed during the first lockdown of last year. It is in four movements each with its own character.Prelude - ‘Pagan Dance’ is highly rhythmic with angular melodic lines throughout with some release in the middle of all the raw emotion. As a result of this there is no clear tonal center in this movement. Perhaps a reflection on what was going on in the World at that point.Lament – ‘Slow Dance’ is more reflective almost Hymn like in its approach and has a clear tonal center around C minor with lyrical lines being passed from Bass 1 to Bass 2.The Wonky Waltz is more lighthearted in style as the title suggests it doesn’t quite know what to be with changing time signatures, perhaps a hint of the Tango thrown in before we finally feel a ‘Waltz’ pulse in the final few bars.Final Dance is another energetic movement that combines simple and compound time signatures to give a feeling of constant change and rhythmic contrast. The rhythmic pulse is highlighted with the use of Col Legno in two sections giving a more of a percussive effect. As the movement builds to the final Bartok pizz snap by all four players the ensemble are in homophonic harmony.I hope you enjoy listening to ‘Dance Sequences’.This audio was produced using NotePerformer 3 in Sibelius Ultimate, just follow this YouTube link:https://youtube.com/playlist?list=PLUIBlHeZRjGSMoBRLoqwwGVGzdsBNeWOaI am delighted to finally be able to announce that the sheet music is now available for purchase and I would love to hear from any ensembles that perform this.Many thanks.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.563991 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Spiritual,Wedding. 18 pages. Austin Ralphson #5801859. Published by Austin Ralphson (A0.563991). Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement.The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.

String Orchestra - Level 2 - Digital Download SKU: A0.921905 Composed by Xavier Santiago. Instructional,Standards. Score and parts. 20 pages. Xavier Santiago #6401539. Published by Xavier Santiago (A0.921905). This clever potpourri of traditional Christmas music is a sure winner for your next winter program! Your students will have a blast playing different time signatures and discovering new tempos/key signatures. A classic gem!Songs include:Joy to the WorldDeck the HallsAngels We Have Heard on HighWe Wish You A Merry ChristmasOnce in Royal David's CityWe Three KingsSilent NightJingle BellsThe First NoelGood King Wenceslas

B-Flat Clarinet,Cello,Viola,Violin - Digital Download SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo #718499. Published by Steven Mark Kudlo (A0.1116845). About 13 1/2 minutes long of intermediate difficulty, this composition smiles. It's in six movements, each movement dipping into three general styles: pandiatonic, expressionistic, and common practice tonality (regular music). Its overall tone is neoclassic, using minimal techniques to provide a satisfying experience. The clarinet is for a B-flat model; it gets at least adequate time to breathe. The string parts are fairly easy, though on one occasion the cello bounces around a bit. There are some varied time signatures that might be too challenging for very young people. There are a variety of key signatures. The composition is tonal.

Concert Band - Digital Download SKU: AX.00-PC-0017087_T2 2nd B-flat Trumpet. Arranged by Charles Sayre. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017087_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017087_T2). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).

Organ - Level 2 - Digital Download SKU: A0.1424791 Composed by Unknown. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 7 pages. Manuela #1005864. Published by Manuela (A0.1424791). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindedrei Tonarten (F, Es, D-Dur); gesetzt mit Lilypondoriginaler Text, wie er im Gotteslob stehtzwei Textversionen (mehr Strophen aus dem Gotteslob bis 2013)Warum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.Wenn Sie mit den Noten zufrieden sind, würde ich mich über eine Rückmeldung freuen. Wenn Sie nicht zufrieden sind, würde ich mich bemühen, die Noten zu verbessern.organ sheet music with text, manualiter; religious song; german; Gotteslob 954for church servicesmultiple key signatures, orginal textversions in three key signatures (F, Eb, D major); engraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.If you are satisfied with the sheet music I would appreciate your feedback. If you are not satisfied I would try to improve the sheet according to your criticism.

Organ - Level 2 - Digital Download SKU: A0.1424089 Composed by Unknown. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 7 pages. Manuela #1005270. Published by Manuela (A0.1424089). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindedrei Tonarten (F, Es, D-Dur); gesetzt mit Lilypondoriginaler Text, wie er im Gotteslob stehtzwei Textversionen (mehr Strophen aus dem Gotteslob bis 2013)Warum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.Wenn Sie mit den Noten zufrieden sind, würde ich mich über eine Rückmeldung freuen. Wenn Sie nicht zufrieden sind, würde ich mich bemühen, die Noten zu verbessern.organ sheet music with text, manualiter; religious song; german; Gotteslob 954for church servicesmultiple key signatures, orginal textversions in three key signatures (F, Eb, D major); engraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.If you are satisfied with the sheet music I would appreciate your feedback. If you are not satisfied I would try to improve the sheet according to your criticism.

Piano Solo - Level 4 - Digital Download SKU: A0.1248572 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843064. Published by Brian Golden (A0.1248572). Prelude 15 in B Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Full Orchestra - Digital Download SKU: A0.1308030 Composed by Nino Rota. Arranged by Brandon C Stanley. Film/TV. Score and Parts. 78 pages. Brandon C Stanley #897309. Published by Brandon C Stanley (A0.1308030). Track #8 from award winning Nino Rota's Original Motion Picture Soundtrack for the 1972 film The Godfather directed by Francis Ford Coppola. This arrangement gives the orchestra everything it needs to sound like the OST. With mandolin, accordion, acoustic guitar and drum set, this arrangement will sound just as it is heard on the big screen.PARTS INCLUDED:Full Transposing ScoreFull C ScoreFluteOboe 1Oboe 2 (optional)Clarinet in Bb 1Clarinet in Bb 2Bassoon 1Bassoon 2Horn in F 1,3Horn in F 2,4Trumpet in Bb 1Trumpet in Bb 2Trombone 1Trombone 2Bass TromboneTubaTimpiniPercussion 1 (Drum Set)HarpPianoAcoustic GuitarMandolinAccordionViolin 1,2ViolaVioloncelloContrabassFor the orchestra lacking Harp, Acoustic Guitar, Mandolin, and Accordion, sufficient cues are available to ensure a full sound for this cue.Film orchestrator Brandon C Stanley presents this cue as it would appear on the scoring stage with no key signatures and large time signatures.Both a C Score and Transposing Score are provided with this download.

Full Orchestra - Digital Download SKU: A0.1308038 Composed by Nino Rota. Arranged by Brandon C Stanley. Film/TV. 9 pages. Brandon C Stanley #897319. Published by Brandon C Stanley (A0.1308038). SCORE ONLY (score in C)Track #8 from award winning Nino Rota's Original Motion Picture Soundtrack for the 1972 film The Godfather directed by Francis Ford Coppola. This arrangement gives the orchestra everything it needs to sound like the OST. With mandolin, accordion, acoustic guitar and drum set, this arrangement will sound just as it is heard on the big screen.For the orchestra lacking Harp, Acoustic Guitar, Mandolin, and Accordion, sufficient cues are available to ensure a full sound for this cue.Film orchestrator Brandon C Stanley presents this cue as it would appear on the scoring stage with no key signatures and large time signatures.

Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.   While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Digital Download SKU: A0.569819 Composed by Austin Ralphson. Instructional. Educational Method. 183 pages. Austin Ralphson #3626809. Published by Austin Ralphson (A0.569819). This pack comprises my two highly successful resources for learning scales and arpeggios in all keys for all grades, with their related key signatures. More than 180 pages take the learner through the process, always linking back to key signatures and encouraging regular practice. It is suitable for all learners of any standard and will follow through from Grade 1 to professional standard.This bundle represents a large saving on the two books when purchased separately. .

Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.

Concert Band - Digital Download SKU: AX.00-PC-0017087_BBC1 Baritone B.C.. Arranged by Charles Sayre. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017087_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017087_BBC1). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).