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Organ - Level 2 - Digital Download SKU: A0.1457879 By The computer. By Philipp Nicolai. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 7 pages. Manuela #1036887. Published by Manuela (A0.1457879). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindezwei Tonarten (B, As-Dur); gesetzt mit LilypondAudiobeispiel wurde computergeneriertWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 848for church servicesmultiple key signaturesaudio sample generated by computerversions in two key signatures (Bb, Ab major); engraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.
Wachet auf, ruft uns die Stimme (Gotteslob 554)
Orgue
The computer
$2.00 1.69 € Orgue PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 24 in E Minor Dorian
Piano seul
Brian Golden
$5.99 5.08 € Piano seul PDF SheetMusicPlus

Piano,Violin - Level 1 - Digital Download SKU: A0.1248932 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kristin Coleman Campbell. Broadway,Children,Film/TV,Musical/Show. 7 pages. Horsehair Music #843405. Published by Horsehair Music (A0.1248932). A fun arrangement for a beginning violinists. This piece would be appropriate for a student in Suzuki Book 2 that understands low 1 - B-flat. The student should feel comfortable sliding first finger from B-flat to B-natural. Some slurs are marked in and one retake bow. This download includes a piano accompaniment score and a solo violin part. For a student who hasn't learned to read key signatures, an additional copy of the violin part is included that has sharps for key the key signatures printed by the notes.
Supercalifragilisticexpialidocious
Violon et Piano

$4.99 4.23 € Violon et Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1487259 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 43 pages. Artaria Editions #1064233. Published by Artaria Editions (A0.1487259). The Preludes by Cesar Cui are a fascinating set of pieces, with a distinctive character for each tonality. The pianistic challenges are equal to any other set composed before, during and after its time, and the musical attributes bring out the tender, passionate and soulful emotions of the human spirit. Beginning and ending in C Major, the structure of the set goes from minor to Major for each tonality, for example, after C major, e minor, then G Major, followed by b minor then D Major, etc. After reaching the most accidentals ('sharp's), the composer uses their enharmonic key signatures with most 'flat' minor and Major key signatures until he is back to one 'flat' and, then 'a minor' and finally, 'C Major' to conclude the set. The Preludes were brought to my attention in the 1980s from Charles Ervin, who frequented international piano competitions, and asked if I had ever encountered the opus.. From microfilm, I printed the Jurgenson edition, edited them, and recorded the first integral set of the 25 Preludes for the Marco Polo label, which was further re-printed for Naxos (8.555557). A military engineer, Cesar Cui was also a General, and composed under the tutelage of Mily Balakirev. Having French and Lithuanian parentage, he was not Russian, yet, because of his relationship with Balakirev, became known as one of the Russian Five (Balakirev, Borodin, Cui, Mussorgsky and Rimsky-Korsakov). His music is often attributed to Robert Schumann, and more French in style than Russian. It is my hope that this set of compositions will become as well known as those by Chopin, Rachmaninov, Scriabin and the like, and performed more frequently by pianists of today and the future.Jeffrey Biegel.
25 Piano Preludes, Volume 1 (Preludes 1–12)
Piano seul

$46.00 38.98 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden    The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 2 in A Minor Aolian
Piano seul
Brian Golden
$5.99 5.08 € Piano seul PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1467879 By Diethard Zils. By Unknown. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 5 pages. Manuela #1046181. Published by Manuela (A0.1467879). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindezwei Tonarten (G, F-Dur)aus urheberrechtlichen Gründen ohne Liedtext; ersatzweise mit dem Text von Psalm 95 aus einer urheberrechtsfreien Bibelübersetzunggesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 140for church servicesmultiple key signaturesversions in two key signatures (G, F major); engraved with Lilypondaudio sample generated by computerWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.
Kommt herbei, singt dem Herrn (Gotteslob 140)
Orgue
Diethard Zils
$2.00 1.69 € Orgue PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
Prelude 7 in Eb Ionian
Piano seul
Brian Golden
$5.99 5.08 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
Prelude 12 in Bb Minor Dorian
Piano seul
Brian Golden
$5.99 5.08 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1248572 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843064. Published by Brian Golden (A0.1248572). Prelude 15 in B Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 15 in B Major Mixolydian
Piano seul
Brian Golden
$5.99 5.08 € Piano seul PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1460779 By The computer. By Unknown. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 9 pages. Manuela #1039678. Published by Manuela (A0.1460779). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindedrei Tonarten (F, Es, G-Dur)Audiobeispiel wurde computergeneriertdrei Textvarianten; der Text im aktuellen Gotteslob kann aus urheberrechtlichen Gründen nicht abgedruckt werdenhier gibt es eine Sammlung von Marienliedern aus dem Gotteslob: Sheetmusicdirect Sheetmusicplusweitere Marienlieder aus dem Gotteslob und der Betenden Gemeinde: Sheetmusicdirect Sheetmusicplusgesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 521for church servicesmultiple key signaturesversions in three key signatures (F, Eb, G major); engraved with Lilypondaudio sample generated by computerWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.
Maria, dich lieben (Gotteslob 521)
Orgue
The computer
$2.00 1.69 € Orgue PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 22 in B Minor Phrygian
Piano seul
Brian Golden
$5.99 5.08 € Piano seul PDF SheetMusicPlus






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