Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.793926 Composed by Pietro Mascagni. Arranged by Ivana Tuskan. 20th Century,Easter,Opera,Sacred. Octavo. 12 pages. Ivana Tuskan #4283525. Published by Ivana Tuskan (A0.793926). One of the most beautiful opera chorus, Regina Coeli is a scene from Cavelleria Rusticana by Pietro Mascagni (1863-1945) set in a church service on Easter morning. Originally is written for 2 mixed chorus, soprano solo and orchestra (G-major key). This arrangement is for 4-part male ensemble/chorus (TTBB) and tenor solo, with piano or organ as accompanying instrument.  Some choral and instrumental parts are simplefied and reduced. The key is G-major. Duration: ca. 4:00. Pages: 12 Lyrics: latin and italian   Regina Coeli laetare Quia, quem me ruisti portare, Resurrexit, sicut dixit. Inneggiamo,il Signor non è morto! Ei fulgente ha dischiuso l’avel, Inneggiamo al Signore risorto, oggi asceso alla gloria del Ciel!

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.793809 Composed by Pietro Mascagni. Arranged by Ivana TuÅ¡kan. 20th Century,Easter,Opera,Standards. Octavo. 12 pages. Ivana Tuskan #3590725. Published by Ivana Tuskan (A0.793809). One of the most beautiful opera chorus, Regina Coeli is a scene from Cavelleria Rusticana by Pietro Mascagni (1863-1945) set in a church service on Easter morning. Originally is written for 2 mixed chorus, soprano solo and orchestra (G-major key). This arrangement is for 4-part female ensemble/chorus (SSAA) and soprano solo, with piano or organ as accompanying instrument.  Some choral and instrumental parts are simplefied and reduced. The key is F-major. Duration: ca. 4:00. Pages: 12 Lyrics: latin and italian Regina Coeli laetare Quia, quem me ruisti portare, Resurrexit, sicut dixit. Inneggiamo,il Signor non è morto! Ei fulgente ha dischiuso l’avel, Inneggiamo al Signore risorto, oggi asceso alla gloria del Ciel!

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.793928 Composed by Pietro Mascagni. Arranged by Ivana Tuskan. 20th Century,Easter,Opera,Sacred. Octavo. 12 pages. Ivana Tuskan #4283529. Published by Ivana Tuskan (A0.793928). One of the most beautiful opera chorus, Regina Coeli is a scene from Cavelleria Rusticana by Pietro Mascagni (1863-1945) set in a church service on Easter morning. Originally is written for 2 mixed chorus, soprano solo and orchestra (G-major key). This arrangement is for 4-part male ensemble/chorus (TTBB) and tenor solo, with piano or organ as accompanying instrument.  Some choral and instrumental parts are simplefied and reduced. The key is F-major. Duration: ca. 4:00. Pages: 12 Lyrics: latin and italian   Regina Coeli laetare Quia, quem me ruisti portare, Resurrexit, sicut dixit. Inneggiamo,il Signor non è morto! Ei fulgente ha dischiuso l’avel, Inneggiamo al Signore risorto, oggi asceso alla gloria del Ciel!

Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents:  1. Joyful Running  2. Fountain Of Life  3. Voice Of God (Thanksgiving)  4. Pocket Change  5. The Journey  6. Smoke Signals  7. Horseman's Thrill Ride  8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.

Instrumental Duet Fiddle,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.885660 Composed by Heather Figi. Arranged by Heather Figi. Country,Folk. Score and parts. 27 pages. Music for Young Violinists #2852285. Published by Music for Young Violinists (A0.885660). 10 Boil Them Cabbage Down Solos for Beginning Violin + 9 BONUS VARIATIONS 25 page *eBook available as an instant PDF download. This is the sweetest collection of melodies & playful challenges for both:Your youngest musicians who are just starting their violin journey.Fiddle players of all ages who love the joy of this catchy tune.To learn more about this collection and download FREE sample please visit: https://www.musicforyoungviolinists.com/HOW TO USE THIS BOOK -         1- Assign individual solos to specific students for a group performance to showcase individual musicians.2- As a reading book - the variations help build on existing skills and aural templates while teaching the musician slight changes in the music notation.3- Special assignment for any student who has an affinity for fiddle music.4- Special assignment for summer/winter breaks because the consistency of material allows for independent learning.5- Note reading practice by writing in the pitch above the note (one of the many perks for printing out your music is that you can write in it and still have access to a new, fresh part).6- Fiddle party or workshop material.7- For FUN!!! Play music in the true sense of the word play.* Please note this is a digital download. Once you order this collection, you will be re-directed to a link that allows you to download 10 Boil Them Cabbage Down Solos for Beginning Violin.* Remember to adjust your printer settings to LANDSCAPE when printing this out.A friendly reminder that integrity starts with you.I offer a very generous bulk discount if you need more than a single copy of this product. Click HERE https://www.musicforyoungviolinists.com/violin-sheet-music.html to learn more.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.549061 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 19 pages. Jmsgu3 #3449751. Published by jmsgu3 (A0.549061). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity.Significant Aspects of Faure's SicilienneGabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics.Historical SignificanceThe piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80.Influence and PopularityFauré's harmonic richness and melodic innovations in the Sicilienne exerted a powerful influence on other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today.Musical CharacteristicsThe piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics.Dance and FabricThe term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale. 

Piano Quartet - Level 4 - Digital Download SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.

Piano Solo - Level 3 - Digital Download SKU: A0.818342 Composed by Darlene Zschech. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Contemporary,Sacred. Score. 18 pages. Stephen R Dalrymple #6252777. Published by Stephen R Dalrymple (A0.818342). The Potter’s Hand ♫ by Darlene Zschech ♫ with Spirit of God Descend Upon My Heart (lyrics by George Croly, melody MORECAMBE by Frederick C Atkinson) ♫ piano solo arrangement by Stephen R Dalrymple♫ With the images of the potter, the clay, and the pottery vessel, Isaiah answers the age-old question “What claim does God have on my life?� Nothing we see, hear, taste, smell, or feel would exist without the Creator. Neither you nor I would or could exist without Him. As a painter, sculptor, composer, designer etc. creates a masterwork for his or her own purposes, so we have a purpose beyond ourselves and our existence. ♫ But the images in Isaiah of the potter go beyond the functionality of the created objects, and the purpose and rights of the artisan. Darlene Zschech brings out the beauty and glory of being the masterwork of a true artist. ♫ A song of commitment and consecration, we need songs like this in our repertoire of worship, to urge us to go beyond the words of worship to the giving of our lives in worship. ♫ If our current worship music wasn’t so disposable, we’d be singing this song for many years to come. ♫ slide presentation by Stephen R Dalrymple ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet. (Tell your computer which pages you want to print. You can find programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.) ♫ The YouTube video contains the full recording.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.

Guitar - Level 1 - Digital Download SKU: A0.1493187 Composed by Antonio Augusto Da Silva Fagundes and Euclides Fagundes Filho. Arranged by Marcelo Borba. Country,Folk,Multicultural,Standards,Traditional,World. Chords/Lyrics. 3 pages. Marcelo Borba #1069849. Published by Marcelo Borba (A0.1493187). Leadsheet style - chords and tablature Canto Alegretense é uma das canções mais emblemáticas da música tradicionalista gaúcha, muito conhecida e apreciada no Rio Grande do Sul e entre comunidades gaúchas no Brasil e no exterior. Ela foi composta em 1983 por Nico Fagundes (letra) e Bagre Fagundes (melodia), dois irmãos que são figuras importantes na cultura e na música regional do sul do Brasil.### Contexto e SignificadoA canção é uma celebração da cidade de Alegrete, localizada na fronteira oeste do Rio Grande do Sul, e da identidade cultural dos gaúchos. A letra expressa o orgulho pela terra, pela história e pelas tradições do povo do sul, evocando imagens da paisagem pampiana e dos costumes locais.### LetraA letra de Canto Alegretense é carregada de simbolismo e sentimento. Ela começa com uma saudação ao Alegrete, descrevendo a cidade como um lugar acolhedor e de grande significado para aqueles que têm raízes na região. Ao longo da canção, são mencionados elementos da cultura gaúcha, como o poncho, o mate e a bombaixa, além de referências ao céu e à terra, que têm um profundo significado no imaginário coletivo dos gaúchos.### Impacto CulturalDesde seu lançamento, Canto Alegretense tornou-se um hino extraoficial do Rio Grande do Sul e é frequentemente interpretada em festivais, rodeios, e eventos culturais do estado. A música tem um forte apelo emocional e é vista como um símbolo da resistência cultural e da preservação das tradições gaúchas.Essa canção, com sua melodia marcante e letra poética, continua a ser uma das mais queridas e representativas da música regional do Rio Grande do Sul.****Canto Alegretense is one of the most emblematic songs of traditional Gaúcho music, widely known and appreciated in Rio Grande do Sul and among Gaúcho communities in Brazil and abroad. It was composed in 1983 by Nico Fagundes (lyrics) and Bagre Fagundes (melody), two brothers who are important figures in the culture and music of southern Brazil.### Context and MeaningThe song is a celebration of the city of Alegrete, located in the western border of Rio Grande do Sul, and the cultural identity of the Gaúchos. The lyrics express pride in the land, history, and traditions of the southern people, evoking images of the pampas landscape and local customs.### LyricsThe lyrics of Canto Alegretense are rich in symbolism and emotion. It begins with a salute to Alegrete, describing the city as a welcoming place of great significance for those with roots in the region. Throughout the song, elements of Gaúcho culture are mentioned, such as the poncho, mate, and bombaixa, as well as references to the sky and the land, which hold deep meaning in the collective imagination of the Gaúchos.### Cultural ImpactSince its release, Canto Alegretense has become an unofficial anthem of Rio Grande do Sul and is often performed at festivals, rodeos, and cultural events across the state. The song has a strong emotional appeal and is seen as a symbol of cultural resistance and the preservation of Gaúcho traditions.With its striking melody and poetic lyrics, this song remains one of the most beloved and representative pieces of regional music in Rio Grande do Sul.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818368 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 27 pages. Stephen R Dalrymple #6709715. Published by Stephen R Dalrymple (A0.818368). Hope of the World: 10 Zebulun, Naphtalioriginal song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Isaiah 8-9 and Matthew 4.♫ Isaiah 8 ends and Isaiah 9 begins with the brutal Assyrian invasion and deportation of the northern 10 tribes of Israel (586 BC). Assyria was so effective in disrupting the nation, that we call the 10 northern tribes the “lost tribes of Israel.� God sent many prophets to warn the people that they were failing to keep their covenant with God and that judgment day was coming for the nation.♫ The tribes of Zebulun and Naphtali were located near the Sea of Galilee. They, like all the Northern people, would curse God on the day of darkness as they were killed or deported.♫ But Isaiah sees ahead to a time when Zebulun and Naphtali will be overcome with light and joy. “The people walking in darkness have seen a great light.� This prophecy was fulfilled as Jesus healed and taught in the cities of ancient Zebulun and Naphtali.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.

Concert Band - Level 3 - Digital Download SKU: A0.1248560 Composed by Sawyer Isherwood. Contemporary. Score and Parts. 123 pages. Sawyer Isherwood #843049. Published by Sawyer Isherwood (A0.1248560). Tempest's Approach is a captivating wind ensemble composition that takes listeners on a dramatic journey through the atmospheric turmoil of a storm. The piece masterfully captures the essence of a tempest, skillfully utilizing a range of instruments and musical techniques to create a vivid sonic portrayal.The composition begins with a slow and tranquil section, symbolizing the calm before the storm. A poignant French horn solo emerges, drawing the audience into a serene soundscape. Meanwhile, other instruments subtly mimic the gentle patter of raindrops and the haunting whispers of the wind, creating an immersive atmosphere.As the tension builds, a duet between the euphonium and tuba ensues, serving as a transitional bridge into the impending storm. Dissonant brass chords punctuate the composition, mirroring the initial signs of lightning piercing through the darkness. The baritone saxophone then takes center stage, its haunting solo representing the gradual approach of the storm, with each note evoking a sense of anticipation.In a climactic turn, the percussion section bursts forth, meticulously replicating the tumultuous sounds of a raging storm. Thunderous rolls, crashing cymbals, and cascading snare drum patterns immerse the listeners in the chaotic energy of the tempest. The woodwinds join in with swirling sixteenth notes and trills, amplifying the sense of swirling winds and torrential rain.A shift to cut time signals a momentary respite, symbolizing the storm's brief slowdown. However, the tranquility is short-lived, as the composition quickly accelerates, portraying the intensification of the tempest. The ensemble conjures a maelstrom of sound, mimicking the violent peak of the storm with powerful rhythms and dynamic swells.Finally, as the storm gradually subsides, an alto saxophone takes up the melody once delivered by the French horn. Its somber solo, reminiscent of the opening, serves as a reflective moment, encapsulating the aftermath of the tumultuous weather. The composition draws to a close with a sense of calm resolution, leaving the audience in awe of the storm's raw power and beauty.Tempest's Approach is a captivating and dynamic wind ensemble composition that skillfully combines melodic storytelling, atmospheric effects, and powerful instrumentation to create a sonic narrative that brings the audience into the heart of a storm.

Unison/Two-part chorus - Digital Download SKU: C7.CGA355 Composed by Ruth Artman. General. With Hand signs, flute, and 2 octaves handbells. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA355. Published by Chorister's Guild - Digital (C7.CGA355). UPC: 749193002087.This moving and expressive anthem uses hand signs for the deaf to enhance not only the understanding of the text, but also to add another dimension to the composition. The obbligato part for flute or other C instrument, adds to the effectiveness. However, the handsigns are optional and the anthem may be taught without them. Composer: Ruth Artman Text Author: Ruth Artman.

Piano Solo - Level 2 - Digital Download SKU: A0.1095149 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Children,Classical,Instructional. Score. 3 pages. Sarah Bonsignore #699206. Published by Sarah Bonsignore (A0.1095149). Sarah composed Misha's Dance for her wonderful piano student, Misha! It is a late beginner/early intermediate classical style piece in A minor that sounds harder than it is! Sarah plans to add this piece and many others to her 20 Beautiful Piano Solos book 3 (a series that is now available at Amazon). Sarah's singplaystudios youtube channel has many tutorials and piano/vocal lessons. Please check it out, and find out more about the composer and her work at singplaystudios.com. Sign up is free! Keep Calm and SingPlay on 🎶 🦋.