Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565016 By Rich Mullins. By Rich Mullins. Arranged by Sharon Wilson. Children,Contemporary,Instructional,Praise & Worship,Sacred. 12 pages. Sharon Wilson #3233879. Published by Sharon Wilson (A0.565016). This sheet music is for a three-part ensemble requiring three (3) sets of 8-note, C major diatonic scale (one octave) instruments (notated for two sets of Handbells and one set of Boomwhackers®). Each instrument set carries the melody for one verse and plays harmony on the other verses. When not playing the melody, the Boomwhackers® maintain a steady rhythm with 2-note chords. Included in this set of scores is a 3-page combined score with all three parts on a grand staff plus a separate 2-page, 1-staff score for each individual part. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.The two Handbell sets have the same note range: C D E F G A C* where C* is one octave above middle C. The notes used by the Boomwhackers® are C D E F G A. Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes for a total group size of 9 players. For beginners, it is best to assign one or two notes to each person. At one note per person, a group of 20 players would be required. Other suggestions and uses: * have all parts played by only bells (requires 3 sets) or all parts played using only Boomwhackers®* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 20 copies of each score. For more than 20 copies, please purchase additional sets.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, idiophone percussion, plastic tubes, elementary classroom music, supplemental education for classrooms, pitched instruments

Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.565053 By Sharon Wilson. By Benjamin R. Hanby. Arranged by Sharon Wilson. Children,Christmas,Folk,Instructional,Standards. Score and parts. 8 pages. Sharon Wilson #3358861. Published by Sharon Wilson (A0.565053). This sheet music is notated for 8-note (one octave, C major diatonic scale) instruments with handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady rhythm with two-note chords. Included in this set of scores is a 2-page combined score with both parts on a grand staff plus a separate 1-page, 1-staff score for each instrument. This song is the easiest of the Bells and Boomwhackers® Christmas arrangements by Sharon Wilson. It uses only 6 notes and only quarter notes and rests with plenty of repetition. It could be used to introduce new players to Handbells and Boomwhackers® and help them become familiar with ringing and whacking techniques. Using a familiar tune presented in an easy format builds confidence as players become comfortable being a part of an ensemble while learning a few basic notes and rhythms.. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Each instrument part uses the same 6 notes: C D E F G A. The two parts are interchangeable. Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes for a total group size of 6 players. For beginners, it is best to assign one note to each person. At one note per person, a group of 12 players would be required.

Piano Solo - Digital Download SKU: A0.818231 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 13 pages. Stephen R Dalrymple #3087667. Published by Stephen R Dalrymple (A0.818231). Day by Day / My Faith Looks Up to Thee piano solo for Left Hand alone by Stephen R Dalrymple  Day by Day - Lyrics by Karolina W Sandell-Berg, translated by Andrew L Skoog, Music: BLOTT EN DAG, byOskar Anhelt 1872 My Faith Looks Up to Thee - Lyrics by Ray Palmer 1830, Music: OLIVET by Lowell Mason 1830  Why write (or play) pieces for left hand alone? 1. My college piano teacher assigned my first LH Alone piece (Prélude For Left Hand Alone by Alexander Scriàbin after I injured my right hand because needed to keep my practice going. 2. It’s concentrated practice for advancing all of the left hand skills. 3. For those of us who are right handed, we don’t always listen to the phrasing we are creating with our left hands. Playing a melody line with the left hand alone forces one to critique and correct the musicality of the left hand. 4. It forces the left hand to move from register to register on the piano. 5. There is wonderful literature for left hand alone that is worth playing.Suitable for Preludes, Offertories, Concerts. Includes 2 versions 1) Piano Score 2) small page format for performing from 8.9 inch tablet.

Piano Solo - Level 4 - Digital Download SKU: A0.818320 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score. 10 pages. Stephen R Dalrymple #5996935. Published by Stephen R Dalrymple (A0.818320). His Eye is On the Sparrowpiano solo for left hand alone by Stephen R Dalrymple performed by the composer © 2020,  Phonogram Copyright  2020 Stephen R Dalrymple My sophomore year in at Biola University I sprained my right wrist. I was making a lot of progress with my piano teacher Miss Jennie Kuk-Ying Wong and was concerned about losing momentum. Not to worry, Miss Wong assigned me Alexander Scriàbin’s  Prélude in C# minor by for solo piano, left hand alone. Working with my left hand alone for a couple of weeks was extremely instructive. Training my left hand to play a melodic legato with the same quality as my dominant hand was challenging, but rewarding. Ever since, I have used compositions for left hand alone occasionally for practice and training. This has led me to write several piano solos for left hand alone. The pace of His Eye is on the Sparrow  is unhurried, so the pianist gets the full benefit of the exercise.   Suitable for preludes, offertories, concerts, personal meditation. Includes 2 versions 1) piano score letter size 2) piano score -  small page format for performing from 10.1 inch tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)

Large Ensemble French Horn,Piano - Level 3 - Digital Download SKU: A0.818349 By Stephen R Dalrymple. By Joseph Gilmore & William Bradbury. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 59 pages. Stephen R Dalrymple #6359211. Published by Stephen R Dalrymple (A0.818349). He Leadeth Me – arranged for French Horn & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ arranged for French Horn solo by Stephen R Dalrymple ♫ transcribed for flute, clarinet, trumpet, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … ♫ This arrangement was written for my youngest daughter, Willa. ♫ This .pdf file includes 16 score choices • Full Score for French Horn and Piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818309 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 32 pages. Stephen R Dalrymple #5735867. Published by Stephen R Dalrymple (A0.818309). I Shall Live in the Secret Place (Nan lye sekrè la) ♫ Original song by Stephen R Dalrymple ♫ (Worship Team Edition) ♫ CCLI Song # 7150377 ♫ music © 2005 Stephen R Dalrymple ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ The Creator of the Universe has many names. The Psalmist uses 4 of them in Psalm 91. Each name has a special significance. ♫ El Elyon tells us of God’s supremacy, he is the Most High God. ♫ The name El Shaddai speaks of the superiority of His power. He is The Almighty. ♫ Yahweh is the sacred covenant name of God. Jewish people have been forbidden even to pronounce this name for hundreds of years. It speaks to the preeminence of His existence. He is the I AM. Of all who are worshipped as gods, He alone exists. ♫ Elohai is a variation of Elohim. This spelling literally means ‘My God.’ ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) optional flute part, and 4) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print) ♫ The Haitian Kreyòl version of this song has its own video.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1023466 Composed by J. C. Walters. 20th Century,Contemporary,Pop. Score and parts. 13 pages. J. C. Walters #6027403. Published by J. C. Walters (A0.1023466). The eighth sign of the Zodiac, Scorpio, can often be a very misunderstood sign. The darkest of the three water signs, Scorpio explores the difficult, yet, necessary act of forgiveness through a pensive lens that highlights the trials, tribulations and emotional peaks one feels after being wronged. .

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998489. Published by jmsgu3 (A0.1416898). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1416919 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998509. Published by jmsgu3 (A0.1416919). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1347512 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Traditional. 6 pages. Jmsgu3 #932321. Published by jmsgu3 (A0.1347512). The motet Hugo, Hugo, princeps by Philippe de Vitry is significant for its musical innovation and potential political connotations. The motet's text is drawn from the opening lines in the two top voices, and it is suggested that it makes a strong political statement about the exile of French Christians, similar to the Jews from their homeland in the Old Testament and the corrupt leadership at the time. Additionally, the motet employs elements that de Vitry helped develop early in the 14th century, which would later characterize the Ars Nova period in music. Therefore, Hugo, Hugo, princeps is notable for its musical and potentially political significance.The term Hugo princeps in Philippe de Vitry's motet is believed to refer to a specific individual named Hugo, potentially with political connotations. The term princeps in the motet's title may imply a reference to a leader or prince. When combined with the context of the text, it likely carries a symbolic or allegorical meaning related to that period's political and social environment. The term Cum structura in Hugo princepsCum structura is a musical term that translates to with structure in English. In the context of Philippe de Vitry's motet, it likely denotes the structural complexity and organization of the musical composition. This term reflects the meticulous and innovative musical construction for which Vitry's works are known, particularly during the Ars Nova period in the 14th century.Philippe de Vitry, a French composer-poet, bishop, and music theorist, is known for his significant contributions to late medieval music. In the last decade of his life, from 1351 to 1361, he served as the Bishop of Meaux, near Paris. This appointment was the crowning event of his court and church career. As a bishop, Vitry's accomplishments were primarily in the musical and literary domains. He was an innovative and influential composer, widely acknowledged as a leading musician of his day, and his treatise Ars Nova became a rallying cry for all modern composers after about 1320. Additionally, he was known for his French poetry set to music, creating a new style of song, anticipating the work of Guillaume de Machaut. While his tenure as a bishop was relatively short, his lasting impact was in music and poetry.

Piano,Trombone - Level 4 - Digital Download SKU: A0.551531 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5309593. Published by jmsgu3 (A0.551531). Sonata Wq. 124 in E Minor: 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach. The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.

French Horn,Piano - Level 4 - Digital Download SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308693. Published by jmsgu3 (A0.551523). Sonata Wq. 124 - 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach.The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.

Piano Solo - Level 4 - Digital Download SKU: A0.1404923 Composed by Brasílio Itiberê da Cunha. Arranged by Alexandre Dias (editor). 19th Century,Classical,Latin,Romantic Period. Score. 28 pages. Instituto Piano Brasileiro - IPB #987955. Published by Instituto Piano Brasileiro - IPB (A0.1404923). This Urtext edition of A Sertaneja by Brasílio Itiberê da Cunha, Op. 15, delivers a true-to-original portrayal of a treasure in the Brazilian piano repertoire. Renowned for its intricate melding of folk melodies with advanced technical demands, this piece not only symbolizes a pivotal moment in Brazilian musical nationalism but also a significant cultural and historical context. The edition draws on the earliest available sources dating back from 1869, ensuring fidelity to Itiberê's original musical text.Key features of our edition include:- Bilingual prefaces in Portuguese and English, offering rich historical and cultural context, providing insights into the work’s genesis, Itiberê’s unique stylistic elements, and its place in the broader context of Brazilian music.- A faithful reflection of the original score, supplemented by editorial noites with meticulous attention to detail in preserving the authentic musical text.- Enhanced by high-quality musical engraving, this edition provides a clear, meticulously crafted score, ensuring an optimal reading experience for modern performers.- An exploration of Itiberê's connections with notable figures such as Louis Moreau Gottschalk and Franz Liszt, enhancing the international significance of A Sertaneja.- Insights into the piece's evolution and its impact on subsequent generations of composers and musicians.This edition serves not just as a scholarly resource but as a bridge connecting performers and audiences to the rich musical traditions of Brazil. It is indispensable for pianists interested in expanding their repertoire with culturally and historically significant works.