Piano Solo - Level 4 - Digital Download SKU: A0.997741 By Taylor Swift. By Taylor Swift. Arranged by Leah Tousignant. Country,Folk,Pop. Score. 9 pages. Leah Tousignant #603413. Published by Leah Tousignant (A0.997741). By Taylor Swift. Arranged by Leah Tousignant. 9 pages. Published by Leah Tousignant. This Love is written and performed by Taylor Swift. This is a piano arrangement for Late Intermediate Piano. This score includes right hand, left hand, and dynamics.

Piano Solo - Digital Download SKU: A0.918381 By Neiked X Mae Muller X Polo G. By Elin Bergman, Karl Ivert, Kian Sang, NEIKED, Taurus Bartlett, Taurus Tremani Bartlett, and Victor Radstrom. Arranged by Leah Tousignant. Contemporary. Score. 8 pages. Leah Tousignant #6670711. Published by Leah Tousignant (A0.918381). By NEIKED, Mae Muller, and Polo G. Arranged by Leah Tousignant. 8 pages. Published by Leah Tousignant.

Piano Solo - Level 3 - Digital Download SKU: A0.1135918 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Leah Tousignant. Folk,Pop. Score. 7 pages. Leah Tousignant #735940. Published by Leah Tousignant (A0.1135918). By Taylor Swift. Arranged by Leah Tousignant. 7 pages. Published by Leah Tousignant. This is a piano arrangement for Intermediate Piano. This score includes right hand, left hand, and dynamics.

Piano Solo - Level 4 - Digital Download SKU: A0.1370790 By Teddy Swims. By Jaten Collin Dimsdale, John Ryan, John Sudduth, Joshua Coleman, Julian Bunetta, Mikky Ekko, Sherwyn Nicholls, and Teddy Swims. Arranged by Leah Tousignant. Blues,Pop,Soul. Score. 8 pages. Leah Tousignant #955130. Published by Leah Tousignant (A0.1370790). By Teddy Swims. Arranged by Leah Tousignant. 8 pages. Published by Leah Tousignant. This is a piano arrangement for Late Intermediate Piano. This score includes right hand, left hand, and dynamics.

Piano Solo - Level 5 - Digital Download SKU: A0.1038327 By Lizzo. By Blake Slatkin, Eric Frederic, Larry Price, Lizzo, Malcom McLaren, Ronald Larkins, Stephen Hague, and Theron Makiel Thomas. Arranged by Leah Tousignant. Hip-Hop,Pop,R & B. Score. 10 pages. Leah Tousignant #643270. Published by Leah Tousignant (A0.1038327). By Lizzo. Arranged by Leah Tousignant. 10 pages. Published by Leah Tousignant. About Damn Time is written by Melissa Jefferson, Blake Slatkin, Eric Frederic, Larry Price, Malcolm McLaren, Ronald Larkins, Stephen Hague, and Theron Makiel Thomas and performed by Lizzo. This is a piano arrangement for Advanced Piano. This score includes right hand, left hand, and dynamics.

Piano Solo - Level 3 - Digital Download SKU: A0.1202122 By Morgan Wallen. By Ashley Glenn Gorley, Jacob Kasher, Jacob Kasher Hindlin, John Byron, and Ryan Vojtesak. Arranged by Leah Tousignant. Country,Pop. Score. 6 pages. Leah Tousignant #800770. Published by Leah Tousignant (A0.1202122). By Morgan Wallen. Arranged by Leah Tousignant. 6 pages. Published by Leah Tousignant. This is a piano arrangement for Intermediate Piano. This score includes right hand, left hand, and dynamics.

Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).    CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!

SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.8562-E Composed by David Ashley White. 4 pages. Duration 2 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8562-E. Published by E. C. Schirmer Music Company - Digital (MQ.8562-E). English.This four-verse setting is a modified strophic design, and the alternating tonic and mediant chords, first heard in the initial two measures, act as a recurring idea throughout—a sort of “signpost.� Expressive, approachable music for unaccompanied SATB voices. Duration 2:15.

String Orchestra - Level 3 - Digital Download SKU: A0.1472073 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kevin Riley. 20th Century,Pop. 10 pages. Kevin Riley #1049770. Published by Kevin Riley (A0.1472073). The song's lyrics describe the titular fool, a solitary figure who is not understood by others, but is actually wise. In his authorised biography, Many Years from Now, Paul McCartney says he first got the idea for the premise from the Dutch design collective the Fool, who were the Beatles' favourite designers in 1967 and told him that they had derived their name from the Tarot card of the same name. According to McCartney, the song possibly relates to a character such as Maharishi Mahesh Yogi, the Beatles' meditation teacher.

Clarinet, bassoon, trumpet, viola, piano - Digital Download SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.

Piano Solo - Level 3 - Digital Download SKU: A0.565276 By Sharon Wilson. By Franz Schubert. Arranged by Sharon Wilson and Sharon Wilson Music. Classical,Holiday,New Age,Romantic Period,Wedding. Score. 4 pages. Sharon Wilson #3684907. Published by Sharon Wilson (A0.565276). Here is a simplified piano solo arrangement of Franz Schubert's beautifully flowing Impromptu in G-flat. This arrangement has been changed to the key of B-flat making it easier for intermediate pianists to sight read. Also, the song has been shortened to only include the first theme. The number of notes has been significantly reduced and the timing has been modified to the more familiar 6/8 time signature. These deviations from the original have been introduced to make the piece consistently playable by the intermediate pianist. This contemporary interpretation creates a relaxing instrumental selection ideal for weddings, anniversary celebrations and Valentine's Day repertoire. Duration 3:00 with the repeat.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 131 pages. Jmsgu3 #887920. Published by jmsgu3 (A0.1298019). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.

Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.

String Orchestra - Level 4 - Digital Download SKU: A0.1297998 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 12 pages. Jmsgu3 #887903. Published by jmsgu3 (A0.1297998). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.