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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.512649 Composed by Marc Shaiman. Arranged by Theodore Hicks. Contemporary. Octavo. 10 pages. Theo Hicks Music #4628551. Published by Theo Hicks Music (A0.512649). The powerful ballad from the musical Hairspray. This arrangement was originally premiered by the 2018 Silver Medalist Quartet Signature. This piece works well for small ensemble (quartet minimum) or a large choir. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.You can see a performance of this arrangement on the Barbershop Harmony Society's YouTube channel.For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/Learning Tracks for this arrangement can be purchased through Kohl Kitzmiller at www.kksounds.com. For more information on Signature Quartet, visit https://www.facebook.com/SignatureQt/
I Know Where I've Been
Chorale TTBB

$4.00 3.36 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.512669 By Whitney Houston. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Theodore Hicks. Contemporary,Pop. Octavo. 9 pages. Theo Hicks Music #6009433. Published by Theo Hicks Music (A0.512669). This iconic ballad was featured in the movie The Bodyguard with a powerful performance by Whitney Houston. This arrangement was originally premiered by the 2019 International Quartet Champion, Signature. This piece works well for small ensemble (quartet minimum) or a large choir. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.You can see a performance of this arrangement on the Barbershop Harmony Society's YouTube channel.For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/For more information on Signature Quartet, visit https://www.facebook.com/SignatureQt/
I Have Nothing
Chorale TTBB
Whitney Houston
$4.00 3.36 € Chorale TTBB PDF SheetMusicPlus

Percussion Ensemble Bells,Chimes,Drum Set,Marimba,Multi-Percussion,Timpani,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1467542 Composed by Alan Menken and Howard Ashman. Arranged by Brian L. Monroe. Broadway,Children,Film/TV,Musical/Show. 59 pages. Brian Monroe Music Publications (https://brianmonroemusic.com) #1045822. Published by Brian Monroe Music Publications (https://brianmonroemusic.com) (A0.1467542). 'Be Our Guest' from Beauty and the Beast, a classic Disney clasic, has been expertly arranged for an Intermediate-Advanced percussion ensemble. It's designed to challenge and inspire, while remaining within the technical reach of most high school students.   Scored for 10 percussionists,  it features 7 Mallet percussionists,  Drum set, Timpani and Auxiliary Percussion.  The keys used are Bb, C, and Db.  A breakdown is listed below.  Parts Assignments: Bells 1:  hard plastic Bells 2:  hard plastic Xylophone: Polyball Vibraphone:  Medium Hard Chimes:  2 chime mallets Marimba 1:  Medium Mallets Marimba 2. (may be played on the same instrument as Mar. 1)  Timpani: Staccato Mallets Auxiliary Percussion: Triangle, Suspended Cym, Temple Blocks,  Tambourine,  Finger Cymbals. Drum Set:  Snare Drum, Bass Drum, Floor Tom, HiHat, Ride Cymbal, 2  Crash Cymbals, Splash Cymbal, Cowbell.   Grade 4.
Be Our Guest

$18.00 15.1 € PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.836102 By Whitney Houston. By Michael Masser. Arranged by Ben M. Noynay. Contemporary,Pop. Score. 4 pages. Ben M. Noynay #3859703. Published by Ben M. Noynay (A0.836102). This is a very simple arrangement using the two-part system of playing piano. In a two-part system, the treble staff has the melody of the song to be played by the right hand, and the bass staff has the simple tonic triad chords with progressions from root position to first inversion to second inversion, and of course, to be played by the left hand. This arrangement will suit early intermediate students/players simple because it's in the original published key of A Major. However, beginner students/players will also find this arrangement easy to learn because the left hand chords are designed with very simple fingering assignments. Enjoy playing. .
The Greatest Love Of All
Piano seul
Whitney Houston
$4.99 4.19 € Piano seul PDF SheetMusicPlus

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.954525 Composed by Paul Ellsworth. Christmas,Sacred. Octavo. 5 pages. Paul Ellsworth #3431217. Published by Paul Ellsworth (A0.954525). An original choral work based on Isaiah 7:14, Matthew 1:21-23, and Luke 1:30-33.propter hoc dabit Dominus ipse vobis signumecce virgo concipiet et pariet filium et vocabitis nomen eius Emmanuhelquod est interpretatum Nobiscum DeusAnd He shall save His people from their sins; Immanuel; SalvumTranslationTherefore the Lord himself shall give you a sign;Behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel,Which being interpreted is God with us.And He shall save His people from their sins; Immanuel; Save us.
Immanuel
Chorale SATB

$1.99 1.67 € Chorale SATB PDF SheetMusicPlus

Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.1170819 Composed by Gail M. Luley. Sacred,Traditional,Wedding. 1 pages. Gail M Luley #771158. Published by Gail M Luley (A0.1170819). “Set Me As a Seal†is a sacred composition scored for bass or baritone soloist and violin. It is ideal as a short solo for a wedding ceremony. The text is from the biblical book Song of Solomon, which describes the strength of love. The song’s speaker asks that his or her love place a seal – a precious sign of love – upon their heart, signifying commitment and value of this love.The soloist could sing the lines unaccompanied, but the violin part adds flair and a beautiful counterpart to the singer’s melodic declaration.
Set Me As a Seal
Voix Baryton, Piano

$2.00 1.68 € Voix Baryton, Piano PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1274563 By New Order. By Bernard Sumner, Gillian Gilbert, Peter Hook, Stephen Hague, and Stephen Morris. Arranged by John Ivor Holland. 20th Century,Pop,Rock. Score and Parts. 57 pages. John Ivor Holland #866704. Published by John Ivor Holland (A0.1274563). One of the most popular New Order songs, this bass-thumping classic reached number 4 in the UK and 32 in the US Top 100 upon its original release in 1987 (it was subsequently remixed in 1994). The single was accompanied by a surreal music video by French director Philippe Decouflé, featuring men slapping each other, clownish costumes and a person in dark make-up emerging from an upside-down boxer's bag signing the lyrics in LSF (French sign language). This arrangement includes a quieter section in the middle before launching into a key change and powerful ending - sure to be a crowd-pleaser!
True Faith
Orchestre d'harmonie
New Order
$49.99 41.94 € Orchestre d'harmonie PDF SheetMusicPlus

SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8865-E Composed by Jessica French. Christmas. 18 pages. E. C. Schirmer Music Company - Digital #8865-E. Published by E. C. Schirmer Music Company - Digital (MQ.8865-E). UPC: 600313488658. English.Commissioned by Choral Arts Northwest, Robert Bode, director, this text focuses on the beauty of love and peace that can be found in the wondrous mystery of Christ’s birth. The bright light from the star and angels shining down on the manger is represented by the upper voices descending into clustered chords of light on the words “love came down.†The second element is a melody, initially sung by the tenors, that has a gentle, rocking motion—like that of a lullaby—representing Jesus’ mother Mary holding and rocking her child to sleep. These two themes weave together throughout the piece and finally coalesce to express the brightness of the sign that is signaled by the star and angels, as the upper voices sing the words “love divine,†painting colors of gold and white light illuminating the peaceful manger scene.
Love Came Down at Christmas (Downloadable)
Chorale SATB

$3.15 2.64 € Chorale SATB PDF SheetMusicPlus

Flute Solo - Level 4 - Digital Download SKU: A0.837512 Composed by Brett L. Wery. Instructional. Individual part. 96 pages. Sonata Grendel Publishing #6710119. Published by Sonata Grendel Publishing (A0.837512). A Tonal Lexicon for Flute is a complete method for scale and arpeggio training on flute. It contains the basic vocabulary of tonal music and includes: ·      Chromatic Scales·      Diminished Scale·      Dominant Seventh Chords·      Dorian Scales·      Full-Range Major Scales·      Full-Range Melodic Minor Scales·      Fully-Diminished Seventh Chords·      Half-Diminished Seventh Chords·      Harmonic Minor Scales·      Major Scales·      Major Seventh Chords·      Major Triads·      Melodic Minor Scale in Thirds·      Melodic Minor Scales·      Minor Seventh Chords·      Minor Triads·      Mixolydian Scales·      Natural Minor Scales·      Scales in Thirds·      Scales in Trills·      Whole Tone Scales Scales and arpeggios are ordered so that they progress logically, one to the other. This order contextualizes the melodic and harmonic structures so that the performer begins to develop a natural sense of how the scales and arpeggios function within a tonal framework. The scales and arpeggios are divided into three large units that include both major and minor keys, easy and difficult keys. The close relationship of each key is emphasized to build automaticity in fingering patterns. Enharmonic keys are represented in both spellings and non-diatonic scales such as whole tone and chromatic scales are spelled as they would be found in each of the fifteen key signatures. The use of octave designation symbols is avoided so that the player is able to acclimate themselves to the many ledger lines sometimes found in flute music. This is an essential book for any serious flute player who wishes to build reading acuity and fluency in any tonal setting.
A Tonal Lexicon for Flute
Flûte traversière

$25.25 21.18 € Flûte traversière PDF SheetMusicPlus

Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.929983 Composed by Mrs.Blanton. Instructional,Standards. Individual part. 1 pages. Melissa Blanton #5217765. Published by Melissa Blanton (A0.929983). Your student's fingers will dance when they play this jig! Its a ton of fun!Unaccompanied- its got enough personality to stand alone and this eases the stress and cost of finding an accompanist!G major with a full range- the student if not experienced already, will find that the high notes are quite easy to play! It is a soprano recorder after all!4/4 time signature with pick-up notes.Student is assigned to write in dynamics and articulation. They may need your help with this depending on how educated they are.Thank you in advance for your purchase and Best Wishes!-Mrs. Blanton
Dance a Jig: Unaccompanied Recorder Solo
Flûte à bec Soprano

$1.99 1.67 € Flûte à bec Soprano PDF SheetMusicPlus

Small Ensemble - Level 1 - Digital Download SKU: A0.885647 Composed by Richard Moran. Instructional. Score and parts. 70 pages. Moran Education #10281. Published by Moran Education (A0.885647). This set of thirty-five flash cards is supplied in printable PDF format. These flash cards are ideal for home, peripatetic, or classroom teacher use. This is our American English edition, and contains the following key terms... Treble Clef, Alto Clef, Bass Clef, Staff, Bar Line, Double Bar Line, End Double Bar Line, Begin Repeat, End Repeat, Time Signature, Ledger Line, Sharp, Flat, Natural Sign, Segno, Coda, Double Whole Note, Whole Note, Half Note, Quarter Note, Eighth Note, Sixteenth Note, Dotted Half Note, Dotted Crotchet, Metronome Mark, Pause, Whole Note Rest, Half Note Rest, Quarter Note Rest, Eighth Note Rest, Sixteenth Note Rest, Key Signature, D.S., First and Second Endings.
Music Notation Flash Cards (American English)

$4.59 3.85 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation.  Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and Bâ™­ Clarinet. The key signature of the anthem is Bâ™­ Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major).  The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune. 
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB

$2.99 2.51 € Chorale SATB PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1445548 By Hart & Rodgers. By Lorenz Hart and Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Jazz,Latin,Musical/Show,Pop. 48 pages. John Ivor Holland #1025388. Published by John Ivor Holland (A0.1445548). My Funny Valentine was written for the 1937 Richard Rodgers and Lorenz Hart coming of age musical 'Babes in Arms'. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. One of them was Chet Baker, for whom it became his signature song; in 2015 the Gerry Mulligan quartet's 1953 version of the song (featuring Chet Baker) was inducted into the Library of Congress's National Recording Registry for its cultural, artistic and/or historical significance to American society and the nation’s audio legacy. The description of the male character of Valentine in the show was consistent with Lorenz Hart's own insecurities and belief that he was too short and ugly to be loved; consequently, the lyrics are sufficiently gender-neutral to allow the song to be sung about a person of any gender. This concert band arrangement has been produced from the jazz ensemble version by Michael Sweeney, created in 1988.
My Funny Valentine
Orchestre d'harmonie
Hart & Rodgers
$49.99 41.94 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.891938 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 35 pages. Stephen Davies #5710977. Published by Stephen Davies (A0.891938). In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like! The Clarinet Quartet is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2, namely the Prelude No.1 and the Fugue No.22. The Prelude Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levinson,  ...few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end.... Good to play as well!!                                          The Fugue The key of Bb Minor is a challenging mode for the Clarinet, coupled with the time signature of 3/2, this Fugue should prove interesting in rehearsal! The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic. Also available here in Wind Quartet and Saxophone Quartet flavours!!
Prelude No.1 & Fugue No.22 from The Well-Tempered Clavier Book 2 by J.S.Bach for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$18.99 15.93 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891942 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 33 pages. Stephen Davies #5720039. Published by Stephen Davies (A0.891942). From The Well-Tempered Clavier Book 2 BWV 870-893In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like! The Wind Quartet is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2, namely the Prelude No.1 and the Fugue No.22. The Prelude Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levinson, few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end Good to play as well!! The Fugue Of course this Fugue should be in the key of Bb Minor, but to avoid all those nasty Fb's and E#'s etc the key has been altered just to make the music flow a little better in this instrumental combination (imho!), coupled with the time signature of 3/2, this Fugue should prove interesting in rehearsal! The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic.Also available here in Clarinet Quartet and Saxophone Quartet flavours!!
Prelude 1 & Fugue 22 From 'The Well-Tempered Clavier Book 2' For Wind Quartet (Flt, Ob, Clt, Bsn)
Flûte, Hautbois, Clarinette, Basson

$14.99 12.58 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus






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