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String Orchestra - Level 5 - Digital Download SKU: A0.1400295 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Historic,Instructional. 21 pages. Jmsgu3 #983477. Published by jmsgu3 (A0.1400295). Scriabin's Op. 74, specifically the Five Preludes, is significant for its innovative harmonic system based on the Mystic Chord. Scriabin's use of the acoustic scale as a set, known as the Mystic Chord, revolutionized traditional tonal gravity and functionality in his compositions. The tritone plays a crucial role in his harmonic construction and formal definition, often leading to sections returning at tritone transpositions. Despite the absence of tonal gravity, Scriabin assigns a pitch-center to his pieces, redefining tonal orientation through the primary transposition of the Mystic Chord. These preludes, composed in 1914 before he died in 1915, showcase Scriabin's mastery of harmonies and his departure from traditional tonalities.
Scriabin: Five Preludes, Op. 74 for String Orchestra - Score Only
Orchestre à Cordes

$49.95 41.91 € Orchestre à Cordes PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
And His Kingdom Will Have No End
Chorale SATB
Kevin Longley
$1.99 1.67 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.962502 Composed by Jordan Morrison. Blues,Concert,Instructional,Jazz. Score. 11 pages. Jordan Morrison Music #2988647. Published by Jordan Morrison Music (A0.962502). West Face is a 3 movement work for Keyboard and Drum Set both played simultaneously by one player. Each movement can stand alone but work better as a larger work, The movements become successively more difficult. This piece will require a significant amount of coordination to execute. The piece was inspired by some rock climbing exploits which required great planning and coordination to accomplish. Performance Advice: The performer should be creative with the problems faced in this piece. It is up to the performer to decide which hand is designated for the keyboard (occasionally both hands will be required). Most of the hi-hat notes should be played by a foot. If you have performance issues please feel free to contact me at jordanmorrison113@gmail.com.
West Face - Keyboard and Drum Set Solo
Piano seul

$7.00 5.87 € Piano seul PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1401941 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Historic,Standards. 36 pages. Jmsgu3 #985140. Published by jmsgu3 (A0.1401941). Scriabin's Op. 74, specifically the Five Preludes, is significant for its innovative harmonic system based on the Mystic Chord. Scriabin's use of the acoustic scale as a set, known as the Mystic Chord, revolutionized traditional tonal gravity and functionality in his compositions. The tritone plays a crucial role in his harmonic construction and formal definition, often leading to sections returning at tritone transpositions. Despite the absence of tonal gravity, Scriabin assigns a pitch-center to his pieces, redefining tonal orientation through the primary transposition of the Mystic Chord. These preludes, composed in 1914 before he died in 1915, showcase Scriabin's mastery of harmonies and his departure from traditional tonalities.
Scriabin: Five Preludes, Op. 74, for String Orchestra
Orchestre à Cordes

$76.95 64.56 € Orchestre à Cordes PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
Rhythms of the Spirit
Orchestre d'harmonie

$140.00 117.46 € Orchestre d'harmonie PDF SheetMusicPlus

Small Ensemble Cello,Double Bass,Flute,Piano,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.1502780 By Hermeto Pascoal. By Hermeto Pascoal. Arranged by Alex Carlyle. 20th Century,Contemporary,Jazz,Latin,Multicultural,World. 20 pages. ALEX CARLYLE #1078447. Published by ALEX CARLYLE (A0.1502780). Score and parts!Grade do maestro e partes individuais no mesmo pdf.HERMETO PASCOAL LIVE - MONTREUX JAZZWEAHermeto PascoalLP (1979) / CD (2001)CD da série Arquivos Warner. Hermeto é uma figura significativa na história da música brasileira, reconhecido principalmente por suas habilidades em orquestração e improvisação, além de ser produtor musical e colaborador de diversos álbuns nacionais e internacionais.[3] Conhecido como O Bruxo, Pascoal frequentemente faz música com objetos não convencionais, como bules, brinquedos infantis e animais, bem como teclados, acordeão de botões, melódica, saxofone, violão, flauta, voz, vários metais e instrumentos folclóricos.Talvez por ter crescido no campo, usa a natureza como base para suas composições, como em sua Música da Lagoa, em que os músicos borbulham água e tocam flautas imersos em uma lagoa: uma emissora de televisão brasileira de 1999 o mostrou solando a certa altura, cantando em um copo com a boca parcialmente submersa na água. Hermeto is a significant figure in the history of Brazilian music, recognized mainly for his skills in orchestration and improvisation, as well as being a music producer and collaborator on several national and international albums.[3] Known as The Witcher, Pascoal often makes music with unconventional objects such as teapots, children's toys and animals, as well as keyboards, button accordion, melodica, saxophone, guitar, flute, voice, various brass and folk instruments.Perhaps because having grown up in the countryside, he uses nature as a basis for his compositions, as in his Música da Lagoa, in which the musicians bubble water and play flutes immersed in a lagoon: a Brazilian television station in 1999 showed him soloing at one point, singing in a glass with the mouth partially submerged in water.
Montreux (Score and parts)
Hermeto Pascoal
$9.99 8.38 € PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1033581 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publications #638891. Published by Lynne Coc Publications (A0.1033581). In Lynne's new series, 'Box of Paints', is 'Red'. Each of the six elementary solos in this series explores the different emotions various colors evoke and/or represent. This is an elementary piano solo/lyrics. Red is one of the 3 primary colors and is strong, energetic, and powerful. It is attention-getting and this is why sometimes it represents danger-as in fire trucks, stop signs, and train crossings, all mentioned in the lyrics. In some cultures, red is a lucky color. Form is intro A B A coda. Is in the key of C and 4/4 time signature. To be performed BOLDLY! Intro demands attention beginning with fortissimo clusters deep in the bass hands alternating, repeating up an octave, and then one more. A sections employ solid triads in root position beginning in LH with RH answering an octave higher. B sections arpeggiate these same chords with hands crossing over. Coda is exactly the mirror image of the intro, going down the piano with the clusters instead of up. This is a good dynamic contrast with 'Blue' and 'Green' in this series. Families of chords: utilizes 3 different families: 1. White/black/white; 2. White/white/white 3. Black/white/white. Lynne also performs this as an instrumental solo on you tube and other streaming platforms. The you tube link to the instrumental version is: https://youtu.be/Wim0E89rLqY.
Red
Piano Facile

$3.40 2.85 € Piano Facile PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1233815 Composed by Władysław Cyrbes. Arranged by Zellev. 19th Century,Broadway,Classical,Folk,Musical/Show,Thriller. Score. 6 pages. Zellev Music #829377. Published by Zellev Music (A0.1233815). Key Signature: E minorTime Signature: 3/4Tempo: Allegro. (a bit faster is better tho)Difficulty: AdvancedWładysław Cyrbes (1851 - 1917), composer and pianist. Born in Czudec near Rzeszów, he studied at the Music Society in Kraków, then he studied piano with Kazimierz Hofmann, and finally in 1873 he went to Munich, where he studied at the conservatory of piano theory and playing. Then he devoted himself to pedagogical work, initially in the company oo. Jesuits in Tarnopol, then at the Music Society in Rzeszów. He spent the last few years in Przemyśl, where, together with his wife, Wanda née Wostrowska, also a pianist, he founded a music school and rendered significant services to the improvement of the city's musical culture. From 1901 he was the director of the Tow. In Przemyśl. Cyrbes' compositional legacy is small, it includes twenty-odd opuses, including the mass (in the manuscript), songs for one voice, piano and choral pieces. Particularly popular were choral compositions, often performed by Echo from Lviv under the direction of Jan Gall, a friend of Cyrbes and a colleague from the time of his studies in Munich, under the great theorist Józef Rheinberg. Gall highly appreciated Cyrbes' choral pieces, as evidenced in a letter to SA Krzyżanowski, in which he strongly recommends them for publication.
Impromptu Valse
Piano seul

$5.70 4.78 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grunge,Lent. Score. 3 pages. Zellev Music #834550. Published by Zellev Music (A0.1239146). Key Signature: C♯ minorTime Signature: 12/8Tempo: Moderato assai (very moderately (126))Difficulty: AdvancedNikolai Vasilievich Artsybushev (Russian: Ðиколай ВаÑильевич Ðрцыбушев; 7 March [O.S. 23 February] 1858 – 15 April 1937) was a Russian jurist, music publisher and promoter, and minor composer. His name is sometimes seen as Artsibushev, Artsybuchev, Artzibushev, Artzybushev, Artchibousheff, Arcybusev, etc.Artsybushev was born at Tsarskoye Selo in 1858. His legal studies were at the Imperial School of Jurisprudence in Saint Petersburg, after which he practised in St Petersburg as an attorney. He also dabbled in music composition, and Nikolai Rimsky-Korsakov gave him private lessons in music theory after Mily Balakirev said his works showed some promise.He also became acquainted with the music publisher Mitrofan Belyayev and participated in his regular weekly gatherings called Fridays (Vendredis). To mark these occasions, a group of 10 composers including Artsybushev collaborated on a 16-part suite for string quartet, called Les Vendredis. His contribution was a Serenade in A major. He also collaborated with others on Variations on a Russian Theme, in versions for both string quartet and orchestra.He was a member of the St Petersburg City Council. After Belyayev's death in 1903 he became chairman of the board of the Belyayev publishing house, in which capacity he had significant dealings with Alexander Scriabin. From 1908 to 1917 he was President of his city's branch of the Russian Musical Society, and later succeeded Rimsky-Korsakov as President of the Board of Trustees for the Society for the Encouragement of Russian Musicians.In 1920 he moved to Paris and became a director of the Belyayev publishing house there. He died in Paris in 1937, aged 79.His works other than those mentioned above are now little known, but include:-Polka caractéristique, Op. 4, orchestra-Valse-Fantaisie, Op. 9, orchestra-Scherzo in C, orchestra (this had its premiere at the same concert at which Rimsky-Korsakov's-Capriccio Espagnol was premiered)-Piano pieces-Orchestral and other arrangements of works by:--Borodin--Glazunov (Suite for string quartet, Op. 35)--Mussorgsky (Night on Bald Mountain, for piano 4-hands;world premiere recording) and--Rimsky-Korsakov (Sinfonietta on Russian Themes, Op. 31).[https://en.wikipedia.org/wiki/Nikolai_Artsybushev].
Prelude
Piano seul

$5.00 4.19 € Piano seul PDF SheetMusicPlus

2 Bfl, 2 Fl, 2 Zinken, 3 Pos, Str, Bc (Org) trombone I - intermediate - Digital Download SKU: S9.Q6131 Marienvesper. Composed by Claudio Monteverdi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 70 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6131. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6131). Latin.Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled: 'Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments'. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures.
Vespro della Beata Vergine
the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures
$3.99 3.35 € PDF SheetMusicPlus

2 Bfl, 2 Fl, 2 Zinken, 3 Pos, Str, Bc (Org) contrabasso da gamba - intermediate - Digital Download SKU: S9.Q6140 Marienvesper. Composed by Claudio Monteverdi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 70 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6140. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6140). Latin.Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled: 'Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments'. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures.
Vespro della Beata Vergine
the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures
$3.99 3.35 € PDF SheetMusicPlus

2 Bfl, 2 Fl, 2 Zinken, 3 Pos, Str, Bc (Org) flauto II - intermediate - Digital Download SKU: S9.Q6127 Marienvesper. Composed by Claudio Monteverdi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 70 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6127. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6127). Latin.Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled: 'Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments'. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures.
Vespro della Beata Vergine
the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures
$3.99 3.35 € PDF SheetMusicPlus






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