Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1254285 Composed by Helmut Kogler. 21st Century,Classical,Contemporary,Praise & Worship,Standards. 12 pages. Pentharmonics #847858. Published by Pentharmonics (A0.1254285). Fanfare & Theme - Grade 2.5 - Duration 1:30min.This signation was commissioned in 2009 by the vatron GmbH (voest alpine mechatronics) for the opening of the new company building in Linz.   The piece emphasizes the festive character of such an event and conveys the spirit of a new era.Originally, Accessio was composed for a quintet of vatron employees and later it has been arranged for wind band. Finally, the signation was re-arranged for different instrumentations.The PDF contains the score and all parts. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.A version for wind band can be found here.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com

Instrumental Duet,Soprano Recorder - Level 3 - Digital Download SKU: A0.929966 Composed by Mrs. Blanton. Instructional,Standards. 6 pages. Melissa Blanton #4641381. Published by Melissa Blanton (A0.929966). Espressione for Recorder- Learn to play with expression! Help your intermediate students learn to make music- not just play a bunch of notes on the staff! These 18 songs/etudes will educate your students on music expression words and develop their musical style and use of expression.  Designed to follow the first level recorder method book.  This could be used for one quarter, assigning 2 per week or one semester assigning one per week. 

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1428951 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 47 pages. Grant Horsley #1009768. Published by Grant Horsley (A0.1428951). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth.The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’.Scored for E flat Clarinet, 4 B flat Clarinets, Alto, Bass and Contrabass Clarinet. This piece is in concert G minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for the full score and all parts.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1433697 Composed by Grant Horsley. Classical,Comedy,Contest,Festival,Film/TV,Halloween. 33 pages. Grant Horsley #1013929. Published by Grant Horsley (A0.1433697). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth.The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 2 Trumpets in B flat, Horn in F, 2 Trombones and Tuba. This piece is in concert C minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at Advanced intermediate level although an intermediate player maybe fine with it. However, the youtube link has the full score for you to assess suitability. It is around 4 mins 30 in length and would be a great addition to a repertoire.Price is for the full score and parts.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1427856 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 46 pages. Grant Horsley #1008598. Published by Grant Horsley (A0.1427856). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth. The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 4 C Flutes, Alto and Bass Flute with optional Piccolo and Contrabass Flute parts. (A 6 C Flute version is also available.)This piece is in concert D minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. A 6 C Flute version is also available.Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for the full score and all parts.

Horn Quintet - Level 2 - Digital Download SKU: A0.1254286 Composed by Helmut Kogler. 21st Century,Classical,Contemporary,Praise & Worship,Standards. 12 pages. Pentharmonics #847859. Published by Pentharmonics (A0.1254286). Fanfare & Theme - Grade 2.5 - Duration 1:30min.This signation was commissioned in 2009 by the vatron GmbH (voest alpine mechatronics) for the opening of the new company building in Linz. The piece emphasizes the festive character of such an event and conveys the spirit of a new era.Originally, Accessio was composed for a quintet of vatron employees and later it has been arranged for wind band. Finally, the signation was re-arranged for different instrumentations.The PDF contains the score and all parts. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.A version for wind band can be found here.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com

B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1115450 Composed by William B. Bradbury. Arranged by Glen Poehlmann. Christian,Sacred. Score and individual part. 22 pages. Arrangements by GPoehlmann #717234. Published by arrangements by GPoehlmann (A0.1115450). HE LEADETH ME - Solo Instrument with Piano Accompaniment Very flexible arrangement! Not only does it come in 2 keys (C & D), but you can transpositions for the most common orchestral instruments. Designed as a Solo but can also be a small group, You can assign more than 1 instrument to play (if confidence is an issue) or you can divide the arrangement into sections performed by different players. Hymn Tune: HE LEADETH ME Medium Easy (Grade 2) 54 measures Performance Time approx 2:25 Key: C and D (2 versions) Meter: 4/4 Parts included (PDF): C Treble, Eb Treble, F Treble, Bb Treble, C High Treble, Bass Clef, Alto Clef, Tuba

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ?� with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ?� accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â?� with â??ssâ?� in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.

Piano Solo - Level 2 - Digital Download SKU: A0.1173900 Composed by Christine Donkin. Instructional. Score. 159 pages. Chrisitne Donkin #774054. Published by Chrisitne Donkin (A0.1173900). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experience.Suggested Pre-Requisite Knowledge for Level 3:Key signatures: up to 3 sharps/flats Time signatures: 2/4, 3/4, 4/4, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to 5th Symbols: articulations, dynamics, ottava indicationsTerms: allegretto, allegro, andante, andantino, largo, lento, moderato.

Piano Solo - Level 2 - Digital Download SKU: A0.1173902 Composed by Christine Donkin. Instructional. Score. 171 pages. Chrisitne Donkin #774056. Published by Chrisitne Donkin (A0.1173902). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experienceSuggested Pre-Requisite Knowledge for Level 4:Key signatures: up to 3 sharps/flatsTime signatures: 2/4, 3/4, 4/4, 2/2, 3/2, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to octave; triads with inversionsSymbols: articulations, dynamics, ottava indicationsTerms: adagio, allegretto, allegro, andante, andantino, larghetto, largo, lento, moderato, presto.

Solo Guitar - Level 3 - Digital Download SKU: A0.955448 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 3 pages. Neal Fitzpatrick Editions #6497651. Published by Neal Fitzpatrick Editions (A0.955448). This study for guitar focuses on right hand finger assignment and tone production while at the same time reinforcing proper left hand positioning through the chromatic nature of the passages. The pieces also presents to the performer increased fretboard knowledge, increased mid-fretboard knowledge, time signature changes and overall note reading enhancements.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag

Piano Solo - Level 1 - Digital Download SKU: A0.906750 Composed by Joy Gilmore, Hsin Hui Gilmore. Arranged by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 10 pages. Joyful Sound Music #3860563. Published by Joyful Sound Music (A0.906750). Teachers and Students, Thank you for downloading this chart. This is specially designed for beginner students who is struggled recognizing the piano keys. This will help young students and adult beginners to find the keys on the keyboard.  Please note that I am not the original creator of these paper keys. But I rearrange the design. On the keys, there are two different types of numbers.  The regular numbers, like 1 2 3 4 5, are for the right hand.  The numbers with the circles, like 1  2  3 4 5, are for the left hand. (Sorry, sheetmusicplus don't have font for this) On the blank keys, you can write down the finger numbers.  This is good for the students learning songs at different positions.  Like G position, F position, etc. The paper key might have a slightly difference on the key size. It is because different manufacture have their own  different key sized width. This paper keys should fit most keyboards or piano. This paper keyboard can help piano beginners start lessons and helps make practice easier. However, it is NOT RECOMMENDED for long term use.  How to Print This pdf is designed for two sided (duplex) printers.  Both sides on the same paper supposed to be in up side down format. Make sure you enable the two sided print function. You should be able to have a paper scale for three octaves on both sides. If you used duplex printing and your printer didn’t line up the scales, please use hand feed. Because every printers have different settings. You just need to try it in a different ways a couple times. Materials: I used the card stock from Sam’s club. It is 110lb greeting card paper. It is the cheapest one on the market. It cost $7.98 for 275 sheets. All of the papers are laminated.

Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.95552EB Award-Winning Fingerstyle Guitar Solos. Composed by Al Petteway. Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #95552EB. Published by Mel Bay Publications - Digital Sheet Music (M0.95552EB). ISBN 9781619119215. 8.75x11.75 inches.Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Al’s award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several pieces in alternate tunings. Al began his professional music career at the age of 11. He played guitar, drums, and string bass with a variety of rock and folk acts in the Washington D.C. area during the 60’s, becoming a local legend by the time he went to college to study music composition in 1970. In 1977, Al took a job with The National Geographic Society. His work as Supervisor of Picture Editing for the society’s Image Collection, gave him the artistic freedom to develop his own acoustic guitar style. While long recognized as one of the country’s foremost bluegrass and folk sidemen, Celtic music specialty label Maggie’s Music signed Al in 1993 and released Whispering Stones following by The Waters and the Wild-exposing his solo acoustic guitar work to an international audience for the first time. Al left the National Geographic to become a full-time musician in the spring of 1995, just before the release of Midsummer Moon.

Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.877797 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 14 pages. Deborah Johnson #32935. Published by Deborah Johnson (A0.877797). Berceuse instrumental solo score, written for a C instrument, flute or other, a captivating and melodious piano solo set at a medium intermediate level, is part of Deborah Johnson's Wayfarers Journey album, featuring new classically-inspired piano and instrumental solos. Berceuse instrumental solo score, tailored for special occasions such as weddings and events, spans a total of 14 pages, including score, separate parts and cover. Parts include: Instrumental (flute) solo; Piano accompaniment. Piano accompaniment includes guitar chords. The term Berceuse denotes a lullaby or cradlesong, often structured in 6/8 or 3/4 time signature. Typically, this musical composition, whether for instrument or voice, holds a tranquil and calming character, akin to lulling a child to sleep. Originating from French in 1875-80, berceuse derives from berc(er) (to rock) combined with the suffix -euse, forming a noun. Berceuse encapsulates a soothing and calming musicality, reflecting the serene and tranquil qualities of a lullaby. With its reflective character, this piece offers an emotive and calming experience, making it an ideal choice for special occasions, creating an atmosphere of peace and tranquility. Spotify link for MP3 download: https://open.spotify.com/track/1PVq9FrHZwBNmNPzQpxhjW Also available is the instrumental solo score version with parts, the piano solo score version with parts and full book of piano solos from Wayfarers Journey. Signed copies of CD at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.

Choral Choir,Choral (2-Part) - Level 3 - Digital Download SKU: A0.877799 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 15 pages. Deborah Johnson #32937. Published by Deborah Johnson (A0.877799). Berceuse piano solo score, a captivating and melodious piano solo set at a medium intermediate level, is part of Deborah Johnson's Wayfarers Journey album, featuring new classically-inspired piano and instrumental solos. Berceuse piano solo score, tailored for special occasions such as weddings and events, spans a total of 14 pages, including score and separate parts. Parts include: Piano Solo; vocal backgrounds (unison and 2 part). Piano solo includes guitar chords. The term Berceuse denotes a lullaby or cradlesong, often structured in 6/8 or 3/4 time signature. Typically, this musical composition, whether for instrument or voice, holds a tranquil and calming character, akin to lulling a child to sleep. Originating from French in 1875-80, berceuse derives from berc(er) (to rock) combined with the suffix -euse, forming a noun. Berceuse encapsulates a soothing and calming musicality, reflecting the serene and tranquil qualities of a lullaby. With its reflective character, this piece offers an emotive and calming experience, making it an ideal choice for special occasions, creating an atmosphere of peace and tranquility. Spotify link for MP3 download: https://open.spotify.com/track/7pTizhs3CtCuChTLTFDN4e Also available is the instrumental solo score version with parts, the piano solo score version with parts and full book of piano solos from Wayfarers Journey. Signed copies of CD at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.