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Mariachi Band - Level 2 - Digital Download SKU: A0.1404760 Composed by Traditional Mexican Folk Song. Arranged by Donald Jay Smith. Mariachi. Mariachi Band. 9 pages. Donald Jay Smith Music #987820. Published by Donald Jay Smith Music (A0.1404760). This is from a collection of pieces I originally arranged for my Middle School Mariachi Band at Curtis Corner Middle School in Wakefield, Rhode Island. Since that time, I have used these arrangements with all ages through college, pros, and especially two families that happened to have the correct instrumentation between the parents and their children. At the middle school, the strings were more advanced than the trumpets and I needed to deal with young string players only being familiar playing sharp keys and brass players only being familiar with flat keys. My solution for one of the first arrangements was in “Mexican Hat Danceâ€. I assigned the violins two simple double stops (their first double stops: one finger in low first position while bowing both the A and E string-the first finger on the E string is an F chord and first finger on the A string is a C7 chord). I split the four songs, two in flat keys two in sharp keys. The trumpets were assigned several unfamiliar pitches in the sharp keys like G#, but with plenty of repetition and not technically challenging figures except in the bridge of “Mexican Hat Danceâ€. I intended to cover that part of the song on my trumpet, but the trumpets always rose up and nailed it!The set we usually played included: “La Cucarachaâ€, “Cielito Lindoâ€, De Coloresâ€, and “Mexican Hat Danceâ€, all available here (soon).
La Cucaracha

$12.99 11.19 € PDF SheetMusicPlus

Mariachi Band - Level 2 - Digital Download SKU: A0.1405355 Composed by traditional Mexican Fold Song. Arranged by Donald Jay Smith. Mariachi. Mariachi Band. 11 pages. Donald Jay Smith Music #988408. Published by Donald Jay Smith Music (A0.1405355). This is from a collection of pieces I originally arranged for my Middle School Mariachi Band at Curtis Corner Middle School in Wakefield, Rhode Island. Since that time, I have used these arrangements with all ages through college, pros, and especially two families that happened to have the correct instrumentation between the parents and their children. At the middle school, the strings were more advanced than the trumpets and I needed to deal with young string players only being familiar playing sharp keys and brass players only being familiar with flat keys. My solution for one of the first arrangements was in â??Mexican Hat Danceâ?. I assigned the violins two simple double stops (their first double stops: one finger in low first position while bowing both the A and E string-the first finger on the E string is an F chord and first finger on the A string is a C7 chord). I split the four songs, two in flat keys two in sharp keys. The trumpets were assigned several unfamiliar pitches in the sharp keys like G#, but with plenty of repetition and not technically challenging figures except in the bridge of â??Mexican Hat Danceâ?. I intended to cover that part of the song on my trumpet, but the trumpets always rose up and nailed it!The set we usually played included: â??La Cucarachaâ?, â??Cielito Lindoâ?, â??De Coloresâ?, and â??Mexican Hat Danceâ?, all available here.
De Colores

$12.99 11.19 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.823106 Composed by Clark Cothern. Contemporary. 17 pages. Clark Cothern #3067145. Published by Clark Cothern (A0.823106). This contemporary original composition for Wind Quintet is derived from a solved Sudoku puzzle. Note values were assigned to each box in the puzzle and arbitrary rhythmic values were assigned to the resulting 9-note rows. The first two rows were used to develop the running motif and Morse code was used to develop the countermelody. If you follow the Morse code you will be able to decipher what is being spelled out throughout the piece. Intermediate level.
Morse Code Sudoku (Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$15.00 12.92 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.854680 Composed by Bruce Abbott. Jazz. Score and parts. 65 pages. Bruce Abbott #4838111. Published by Bruce Abbott (A0.854680). NOTE: This file is the full set of parts only. Score in landscape orientation is sold separately.Appropriate for high school through professional ensembles. Includes substitute parts for flexible instrumentation. Solos assigned to soprano sax and flugelhorn. Additional sheets with solo changes provided so that solos can be assigned to any instrument. Medium samba with 1/2 time rock interlude section. Mostly modal (Lydian). Length 4:30 with one solo (longer with optional additional solos).  Composed by Bruce Abbott (BMI). www.BruceAbbottMusic.com
Mid-Cape Maverick (Jazz Ensemble - Full Set of Parts)
Ensemble Jazz

$20.00 17.23 € Ensemble Jazz PDF SheetMusicPlus

Mariachi Band - Level 2 - Digital Download SKU: A0.1405367 Composed by traditional Mexican Folk Dance. Arranged by Donald Jay Smith. Mariachi. Mariachi Band. 18 pages. Donald Jay Smith Music #988411. Published by Donald Jay Smith Music (A0.1405367). This is from a collection of pieces I originally arranged for my Middle School Mariachi Band at Curtis Corner Middle School in Wakefield, Rhode Island. Since that time, I have used these arrangements with all ages through college, pros, and especially two families that happened to have the correct instrumentation between the parents and their children. At the middle school, the strings were more advanced than the trumpets and I needed to deal with young string players only being familiar playing sharp keys and brass players only being familiar with flat keys. My solution for one of the first arrangements was in â??Mexican Hat Danceâ?. I assigned the violins two simple double stops (their first double stops: one finger in low first position while bowing both the A and E string-the first finger on the E string is an F chord and first finger on the A string is a C7 chord). I split the four songs, two in flat keys two in sharp keys. The trumpets were assigned several unfamiliar pitches in the sharp keys like G#, but with plenty of repetition and not technically challenging figures except in the bridge of â??Mexican Hat Danceâ?. I intended to cover that part of the song on my trumpet, but the trumpets always rose up and nailed it!The set we usually played included: â??La Cucarachaâ?, â??Cielito Lindoâ?, â??De Coloresâ?, and â??Mexican Hat Danceâ?, all available here.
The Mexican Hat Dance

$12.99 11.19 € PDF SheetMusicPlus

Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)

$2.00 1.72 € PDF SheetMusicPlus

Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
The Sundials: I;Tempus Edax Rerum (Time devours things)

$2.00 1.72 € PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1293942 Composed by Kemani Kevser Hanım. Arranged by Selin Demirel Faerber. Classical,Folk,Multicultural,Standards,Traditional,World. Score and part. 3 pages. Selin Demirel Faerber #884423. Published by Selin Demirel Faerber (A0.1293942). Discover the Fascinating Music of Nihavend Longa with Our Exceptional Arrangement for Violoncello and Piano!🌟 Delve into the captivating world of Nihavend Longa through our meticulously crafted cello and piano performance, paying homage to its historical significance, composed by the talented Turkish composer, Kevser Hanım.📜 A Glimpse into Nihavend Longa: Nihavend Longa is a musical gem with deep roots in Turkish tradition, masterfully composed by Kevser Hanım. Known for its intricate beauty and evocative storytelling, this composition holds a unique place in the history of Turkish music.🎶 What Makes Our Arrangement Stand Out:Immerse yourself in the historical significance of Nihavend Longa as we expertly perform it, delivering a powerful emotional experience.Experience the harmonious fusion of cello and piano, which provides a contemporary twist while honoring the composition's authentic essence.Conveniently access this musical treasure, available for immediate purchase. 🌠Elevate Your Musical Experience: Rediscover the magic of Nihavend Longa for Cello and Piano and embark on a journey through Turkish musical history. Purchase now to relish this exceptional performance that bridges the past and present in harmonious splendor. 🎵✨
Nihavend Longa
Violoncelle, Piano

$2.50 2.15 € Violoncelle, Piano PDF SheetMusicPlus

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1341909 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927419. Published by jmsgu3 (A0.1341909). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.
Hark! the Herald Angels Sing! for Saxophone Trio
3 Saxophones (trio)

$24.95 21.5 € 3 Saxophones (trio) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1329418 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #917401. Published by jmsgu3 (A0.1329418). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.
Lo, How a Rose E'er Blooming for Woodwind Trio

$24.95 21.5 € PDF SheetMusicPlus

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1342175 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927697. Published by jmsgu3 (A0.1342175). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.
Lo, How a Rose E'er Blooming for Saxophone Trio
3 Saxophones (trio)

$24.95 21.5 € 3 Saxophones (trio) PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle

$2.00 1.72 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1327445 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 9 pages. Jmsgu3 #915481. Published by jmsgu3 (A0.1327445). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.
Hark! the Herald Angels Sing for Brass Trio

$24.95 21.5 € PDF SheetMusicPlus






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