Cello,Piano - Level 3 - Digital Download SKU: A0.1293942 Composed by Kemani Kevser Hanım. Arranged by Selin Demirel Faerber. Classical,Folk,Multicultural,Standards,Traditional,World. Score and part. 3 pages. Selin Demirel Faerber #884423. Published by Selin Demirel Faerber (A0.1293942). Discover the Fascinating Music of Nihavend Longa with Our Exceptional Arrangement for Violoncello and Piano!🌟 Delve into the captivating world of Nihavend Longa through our meticulously crafted cello and piano performance, paying homage to its historical significance, composed by the talented Turkish composer, Kevser Hanım.📜 A Glimpse into Nihavend Longa: Nihavend Longa is a musical gem with deep roots in Turkish tradition, masterfully composed by Kevser Hanım. Known for its intricate beauty and evocative storytelling, this composition holds a unique place in the history of Turkish music.🎶 What Makes Our Arrangement Stand Out:Immerse yourself in the historical significance of Nihavend Longa as we expertly perform it, delivering a powerful emotional experience.Experience the harmonious fusion of cello and piano, which provides a contemporary twist while honoring the composition's authentic essence.Conveniently access this musical treasure, available for immediate purchase. � Elevate Your Musical Experience: Rediscover the magic of Nihavend Longa for Cello and Piano and embark on a journey through Turkish musical history. Purchase now to relish this exceptional performance that bridges the past and present in harmonious splendor. 🎵✨

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1341909 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927419. Published by jmsgu3 (A0.1341909). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.

Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1329418 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #917401. Published by jmsgu3 (A0.1329418). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.

Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1327445 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 9 pages. Jmsgu3 #915481. Published by jmsgu3 (A0.1327445). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Piano,Violin - Level 3 - Digital Download SKU: A0.1295362 Composed by Kemani Kevser Hanım. Arranged by Selin Demirel Faerber. Classical,Folk,Multicultural,Standards,Traditional,World. 3 pages. Selin Demirel Faerber #885643. Published by Selin Demirel Faerber (A0.1295362). Discover the Fascinating Music of Nihavend Longa with Our Exceptional Arrangement for Violin and Piano!🌟 Delve into the captivating world of Nihavend Longa through our meticulously crafted violin and piano performance, paying homage to its historical significance, composed by the talented Turkish composer, Kevser Hanım.📜 A Glimpse into Nihavend Longa: Nihavend Longa is a musical gem with deep roots in Turkish tradition, masterfully composed by Kevser Hanım. Known for its intricate beauty and evocative storytelling, this composition holds a unique place in the history of Turkish music.🎶 What Makes Our Arrangement Stand Out:Immerse yourself in the historical significance of Nihavend Longa as we expertly perform it, delivering a powerful emotional experience.Experience the harmonious fusion of violin and piano, which provides a contemporary twist while honoring the composition's authentic essence.Conveniently access this musical treasure, available for immediate purchase.� Elevate Your Musical Experience: Rediscover the magic of Nihavend Longa for Violin and Piano and embark on a journey through Turkish musical history. Purchase now to relish this exceptional performance that bridges the past and present in harmonious splendor. 🎵✨.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552080 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 10 pages. Jmsgu3 #6113257. Published by jmsgu3 (A0.552080). Bist du bei mir (BWV 508) is a well-known aria, often attributed to Johann Sebastian Bach, but it was composed by Gottfried Heinrich Stölzel. It is part of the second Little Notebook for Anna Magdalena Bach, which Bach gave to his wife as a gift. The aria is a simple song of gratitude, trust, and faith, and it has become popular, being regularly requested at weddings. Despite not being composed by Bach, it holds significance in the context of the music associated with the Bach family.Bist du bei mir is often requested at modern weddings due to its uplifting melody and themes of gratitude, trust, and faith. It has become an iconic love song and a popular choice for wedding ceremonies. Its inclusion in the second Little Notebook for Anna Magdalena Bach provides insight into the musical tastes of the Bach family, adding to its significance in modern weddings.

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1342175 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927697. Published by jmsgu3 (A0.1342175). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.

Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1328151 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #916141. Published by jmsgu3 (A0.1328151). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1291367 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 26 pages. Jmsgu3 #882018. Published by jmsgu3 (A0.1291367). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.The significance of John Bull's Salvator Mundi lies in its historical and cultural importance as a musical composition. John Bull was a prominent English composer, and his work Salvator Mundi is part of the Fitzwilliam Virginal Book, a collection of keyboard music from the late Elizabethan and early Jacobean periods. Bull's music is highly regarded, placing him among the foremost composers of his time, along with Byrd, Gibbons, and Tomkins. The term Salvator Mundi also appears in a papal bull issued by Boniface VIII in the 14th century, which was a definitive statement of the late medieval theory of hierocracy, emphasizing the pope's supremacy. Salvator Mundi is also known as the title of a famous painting attributed to Leonardo da Vinci, which has been the subject of extensive investigation regarding its materials and techniques. Therefore, Salvator Mundi holds significance in music, history, and art.

Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1329078 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #917049. Published by jmsgu3 (A0.1329078). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324492 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 9 pages. Jmsgu3 #912690. Published by jmsgu3 (A0.1324492). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.

Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1325092 Composed by Traditional German. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #913314. Published by jmsgu3 (A0.1325092). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.