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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.862072 Composed by Traditional. Arranged by Lauran Delancy. Children,Christian,Gospel,Sacred,Spiritual. Octavo. 7 pages. Headless Mallets #5019241. Published by Headless Mallets (A0.862072). Jesus Loves Me is another addition to the Color Chorded catalog by Headless Mallets Publishing. Color Chorded makes handbells and handchimes immediately accessible! Color Chorded is a system for ringing handbells and/or handchimes with singing. The system works well for non-music readers of all ages on both handbells and handchimes. The director points to each colored block as the music progresses across the page. Instructions and tips are included in each packet which contains an Assignments/Equipment Page, notated Melody, a Lyrics Lead Sheet, and Color Chorded Chart. More titles are available in the Color Chorded catalog through Headless Mallets Publishing (www.LauranDelancy.com/headless-mallets-publishing). The Color Chorded system has been used by creator Lauran Delancy with children’s chime choirs as young as 3 years old and also with older adults with great success.
Color Chorded Jesus Loves Me
Chorale Unison

$5.00 4.32 € Chorale Unison PDF SheetMusicPlus

Handbell - Level 3 - Digital Download SKU: A0.1307886 Composed by Johann Sebastian Bach. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Baroque,Chamber,Classical,Wedding. Score. 6 pages. Bronze:FX #897148. Published by Bronze:FX (A0.1307886). “Jesu, Joy of Man’s Desiring†is an audience pleaser, both in the sacred setting and as secular meditation or wedding music. This setting combines the melody and the popular eighth-note counter-melody together, all in only two octaves of handbells. The effect is simplistic without being simple, and truly joyous when performed flowingly.The arrangement is for 4, 5, 6, or 7 ringers using two octaves of handbells, and the piece is Level 3 when played with seven ringers. Assignments are included for each quantity of ringers.This piece may also be performed by four- or six-in-hand ensembles without tables, although it should be noted that there are seven accidental bells required (six of them infrequently).Performance time:• 3 minutes, 15 seconds with repeat but without optional DC al Fine• 6 minutes with repeat and optional DC al Fine.
Jesu, Joy of Man's Desiring
Cloches

$2.50 2.16 € Cloches PDF SheetMusicPlus

Handbell - Level 3 - Digital Download SKU: A0.1308228 Composed by Antonio Vivaldi. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Baroque,Chamber,Classical,Wedding. Score. 6 pages. Bronze:FX #897457. Published by Bronze:FX (A0.1308228). This delightful arrangement of the first movement of The Spring is perfect for any energetic moment, regardless of season.  Its charm comes from its quick tempo and dynamic contrasts, complete with the sounds of the spring season (perhaps add a bird whistle, rainstick, props, poem, or a nature slide show). The arrangement is for 4, 5, or 6 ringers using two or three octaves of handbells (or handchimes).  Complete assignments and performance notes are enclosed, and the piece is Level 3 when played with six ringers.  This piece may also be performed by four- or six-in-hand ensembles without tables.The piece is in rondeau form, which means that it has a recurring theme (similar to a refrain) and verses that extremely differ from one another.  Rondeau form is usually explained by letters, where A equals the recurring theme, and each other letter like B or C indicate completely differing verses.  The form then looks like this: ABACADAE etcetera. Because of its consistency, both audience and performers alike will look forward to the next time that the A theme appears. Performance time:• 3 minutes.
The Spring from The Four Seasons
Cloches

$2.95 2.55 € Cloches PDF SheetMusicPlus

Choral Choir (Unison) - Digital Download SKU: A0.862079 Composed by Traditional. Arranged by Lauran Delancy. Children,Christian,Christmas,Sacred. Octavo. 7 pages. Headless Mallets #5316225. Published by Headless Mallets (A0.862079). Silent Night is another addition to the Color Chorded catalog by Headless Mallets Publishing. The traditional hymn tune is STILLE NACHT.Color Chorded makes handbells and handchimes immediately accessible!Color Chorded is a system for ringing handbells and/or handchimes with singing. The system works well for non-music readers of all ages on both handbells and handchimes. The director points to each colored block as the music progresses across the page. Instructions and tips are included in each packet which contains an Assignments/Equipment Page, notated Melody, a Lyrics Lead Sheet, and Color Chorded Chart.More titles are available in the Color Chorded catalog through Headless Mallets Publishing (www.LauranDelancy.com/headless-mallets-publishing).The Color Chorded system has been used by creator Lauran Delancy with children’s chime choirs as young as 3 years old and also with older adults with great success.
Color Chorded Silent Night
Chorale Unison

$5.00 4.32 € Chorale Unison PDF SheetMusicPlus

Handbell - Level 1 - Digital Download SKU: A0.1307052 Composed by William Shrubsole. Arranged by Cheryl (Sutton) Woldseth - Bronze:FX. Christian,Easter,Holiday,Praise & Worship,Religious. Score. 4 pages. Bronze:FX #896340. Published by Bronze:FX (A0.1307052). 3 octaves of handbells8-9 ringersLevel 2“Miles Lane†is a favorite hymn tune, and this arrangement is perfect for young ringers and beginning choirs. Use it as a fanfare before the congregation sings the lyrics “All Hail the Power of Jesus’ Name†without the repeat, or utilize the repeat to perform it as a stand-alone piece. The ringers will enjoy the handbell effects of ring, swing (also called tower swing), LV (let vibrate), SK (shake), and various dynamics.The arrangement is for eight or nine ringers using three octaves of handbells. Complete assignments are enclosed, and the piece is Level 2 when played with nine ringers.Performance time:• 1 minute 51 seconds.
Crown Him
Cloches

$1.99 1.72 € Cloches PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.862685 Composed by Franz Liszt. Arranged by Michael Bomier. Concert,Instructional,Romantic Period. Score. 14 pages. Michael Butkus-Bomier #3691681. Published by Michael Butkus-Bomier (A0.862685). We assume that anyone who is interested in this edited version of La Camp WANTS our slow tempo, our reduced intervals, our melodic alterations, hand re-assignments, and lack of holds, slurs, ties and all manner of gewgaws. This piece, in this edition, is meant to give The Aspiring Artist a really strong taste of just what is in store for them when they ARRIVE! This piece is a common concert closer, for Kissin, Lang Lang, Lisitsa and others. Try it on for size, and then gradually increase the pace, as the notes in this forsaken key become a bit less thorny. When you encounter the original version, you'll have a good leg up on what it takes to make those brilliant octaves, tremolos, chime effects, and thundering finale. MBB.
La Campanella Paganini Etude No.3 in G# minor for Piano Solo
Piano seul

$4.25 3.67 € Piano seul PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.1351199 By Mary Beth Bennett. By Mary Beth Bennett. 21st Century,Religious,Sacred. Score. 12 pages. School Sisters of St. Francis #934180. Published by School Sisters of St. Francis (A0.1351199). An organ composition by Mary Beth Bennett* was commissioned by the School Sisters of St. Francis to celebrate the 100th Anniversary of the Dedication of St. Joseph Chapel (2017) — Milwaukee, Wisconsin. The composition features the Gregorian Chant Credo III, Sr. Theophane Hytrek's Blessing of St. Francis, and soggetto cavato (note assignments) on School Sisters of St. Francis.  Resident organist, Sr. Mary Jane Wagner OSF, performs the piece on the St. Joseph Chapel Casavant (1981) Opus 3493 III/35R.      *Mary Beth Bennett is a recognized performer, improviser and composer living in historic Richmond, Virginia. She serves on the adjunct music faculty of the University of Richmond, and is Organist at Second Baptist Church in Richmond, Virginia.
Toccata: I Believe in One God (Credo III)
Orgue
Mary Beth Bennett
$16.99 14.69 € Orgue PDF SheetMusicPlus

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.862075 Composed by Traditional Hymn. Arranged by Lauran Delancy. Children,Christian,Gospel,Sacred. Octavo. 7 pages. Headless Mallets #5019879. Published by Headless Mallets (A0.862075). I Am Jesus' Little Lamb is another addition to the Color Chorded catalog by Headless Mallets Publishing. Traditional hymn  set to the hymn tune WEIL ICH JESU SCHAFLEIN BIN. Color Chorded makes handbells and handchimes immediately accessible! Color Chorded is a system for ringing handbells and/or handchimes with singing. The system works well for non-music readers of all ages on both handbells and handchimes. The director points to each colored block as the music progresses across the page. Instructions and tips are included in each packet which contains an Assignments/Equipment Page, notated Melody, a Lyrics Lead Sheet, and Color Chorded Chart. More titles are available in the Color Chorded catalog through Headless Mallets Publishing (www.LauranDelancy.com/headless-mallets-publishing). The Color Chorded system has been used by creator Lauran Delancy with children’s chime choirs as young as 3 years old and also with older adults with great success.
Color Chorded I Am Jesus' Little Lamb
Chorale Unison

$5.00 4.32 € Chorale Unison PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-47E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-47E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-47E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 48, No. 7: Corydon! Marche devant! from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.59 € Piano, Voix PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-31E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 44, No. 6: Quand vous serez bien vieille from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.59 € Piano, Voix PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-29E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 44, No. 4: L’attrait de tes beaux yeux from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.59 € Piano, Voix PDF SheetMusicPlus






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