Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1005708 By Katrina & The Waves. By Kimberley Rew. Arranged by Dan Signor. A Cappella. Octavo. 7 pages. Sig #6210547. Published by Sig (A0.1005708). What a fun song to perform. Upbeat, catchy, singable, and an earworm to boot. Have fun with the bouncy beat, perform like crazy when it is your turn with the melody, and above all, have fun!  Makes a great show opener, closer, and of course a stand-alone audience teaser. .

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1005707 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Dan Signor. A Cappella,Pop,Rock. Octavo. 6 pages. Sig #6207881. Published by Sig (A0.1005707). If you need a toe-tapping, fun song for your next performance, you can't miss with this chart.  Your sopranos will love playing bass during the second verse, your altos will love the little features throughout and your baritones will relish the spotlight while rockin' the melody!

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1005715 Composed by Ebenezer Anesu Maxwell, Ebenezer Maxwell, Kwasi Akontoh, and Kwasi Poku Akontoh. Arranged by Dan Signor. A Cappella. Octavo. 6 pages. Sig #6409401. Published by Sig (A0.1005715). Is there a better way to relax than to sing?  We hope this arrangement-with-a-twist, helps your audiences do just that while your ensemble has a blast performing!  Enjoy the interplay between the parts and really bring that fun-lovin' message alive.   .

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1005694 By Kristin Chenoweth. By Zina Goldrich. Arranged by Dan Signor. A Cappella,Broadway. Octavo. 7 pages. Sig #6036831. Published by Sig (A0.1005694). As sung by Family Feud (a family a cappella trio), this arrangement is a blast to sing! We suggest that you really take advantage of the emotional changes inherent in this entertaining piece. .

Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.1137417 By John Cougar Mellencamp. By George Green and John Mellencamp. Arranged by Dan Signor. A Cappella,Rock. Octavo. 10 pages. Sig #737624. Published by Sig (A0.1137417). This rendition can be added to the pile I didn't know that song could be sung a cappella! Sometimes you just need that 80's rock tune to spice up your set list. Sometimes your bass singer is just itchin' for the melody. Well, here you go!

Flute and basso continuo - intermediate - Digital Download SKU: S9.Q15874 Composed by Giovanni Benedetto Platti. This edition: Sheet music. Il Flauto traverso. Downloadable. Op. 3/3. Schott Music - Digital #Q15874. Published by Schott Music - Digital (S9.Q15874). Key: E minor.Giovanni Benedetto Platti was probably born in Venice about 1700; he came to Würzburg in 1722 in the company of a group of Italian musicians. He was resident in Würzburg as a member of the prince-bishop's court chapel until his death in 1763. As a versatile musician - as the period demanded - Platti wrote sacred compositions and chamber music works, mainly for harpsichord and violoncello. The series of six flute sonatas provide an exception to the norm - a fact which can also be deduced from the dedication of the pieces. It is addressed to a gentlemen in Cologne - a Signor Pietro Filippo di Krufft ... della Collegiata di Santo Cuniberto in Colonia. The original title of the complete opus, the third sonata of which is published in a new edition in this volume, is: Sei Sonate/a Flauto Traversiere Solo con Violoncello overo Cembalo/ ... /Composte dà/Giovanni Platti .../.../Opera Terza/Alle Spese di Giovanni Ulrico Haffner .../Nro. VI. The date of the publication must be 1742. Haffner began printing in this year, and Platti's Op. 1-4 are among the first works published by him. This new edition is based entirely on a copy in the Bavarian State Library, Munich. As always, it is only one of many possibilities.

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1088869 By Linda Eder. By Frank Wildhorn and Leslie Bricusse. Arranged by Dan Signor. A Cappella,Broadway,Musical/Show. Octavo. 5 pages. Sig #693074. Published by Sig (A0.1088869). Inspired by the 1990 Sweet Adeline's Champion, Panache, this is truly the definition of a power ballad. Altos, make sure you make the most of the melody while the other parts certainly get their share of the spot light. Your audiences will be wowed if you really tap into the amazing emotion offered by this timeless work.

Small Ensemble Cello,Harpsichord,Violin - Level 4 - Digital Download SKU: A0.516856 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 42 pages. Santino Cara #2917797. Published by Santino Cara (A0.516856). Complete score and parts of the Violin Concerto No.7 in C major RV 185 for Violin solo, Strings and Cembalo (with insertions of second violin solo, and cello solo) by Antonio Vivaldi. Dedicated to Signor Vettor Delfino and published for the first time in 1716 in La stravaganza Op.4 No.7. Reconstructed and adapted  in 2016 by Santino Cara  In the pdf file with the complete score of the concerto, are inserted all the separate parts of the violin solo and string instruments and part for cembalo. Movements: 1. Largo, 2. Allegro, 3. Largo, 4. Allegro

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1005719 Composed by George Wyle, Sherwood Schwartz, and Sherwood Schwartzf. Arranged by Dan Signor. A Cappella. Octavo. 3 pages. Sig #6427841. Published by Sig (A0.1005719). Don't we all like to tell stories through our songs?  Well, this is one for the ages!  As the melody moves around to different sections, make sure to keep that storyline going.  We suggest that you use the key changes to really add excitement and fun to your tall tale.  .

Trombone Solo - Level 2 - Digital Download SKU: A0.1273300 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865450. Published by Milanov (A0.1273300). What Was I Made For? From Barbie by Billie Eilish for trombone. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Tuba Solo - Level 2 - Digital Download SKU: A0.1273303 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865454. Published by Milanov (A0.1273303). What Was I Made For? From Barbie by Billie Eilish for tuba. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.833813 Composed by William Walker. Arranged by Brent Yorgason. Christian,Christmas. Octavo. 5 pages. SingaNewSong.org #12417. Published by SingaNewSong.org (A0.833813). Hymn arrangement for vocal duet and piano TUNE NAME: RESIGNATION; COMPOSER: William Walker, Southern Harmony; arr. Brent Yorgason 2014; SETTING: Duet (high-voice / low-voice) and Piano; TOPICS: Christmas.

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1273327 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865480. Published by Milanov (A0.1273327). What Was I Made For? From Barbie by Billie Eilish for clarinet and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Piano Solo - Level 3 - Digital Download SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmond #4968921. Published by Paul Thurmond (A0.828225). Tune: RESIGNATIONUse: Prelude, Offertory, PostludeA couple of years ago I read an interview with director Ridley Scott about his first commercially successful film, Alien. It’s a terrific science fiction/horror movie set on a large spaceship, with a predatory creature who is hunting down the human crew one by one. In the interview, Scott talked about the fact that there were scenes he wanted to film and effects he wanted to use, but his small budget prevented him from doing so. Instead, he was forced to make do with limited time and materials. Alien became a hit, and Scott went on to direct blockbusters like Gladiator and Hannibal.What stuck with me was what Scott said about creativity. It is his opinion that the budgetary constraints under which he operated when making Alien forced him to explore ideas and methods he wouldn’t have otherwise considered. Even though he would later make movies with ten times the budget, he’s extremely proud of what he and his team did with far more limited resources.When I started writing My Shepherd Will Supply My Need, I decided to give myself a big constraint: I would only be allowed to use the white keys of the piano. This is very different for me; I usually throw in some juicy harmonies. It was an interesting process, and I have to say that I agree with Ridley Scott: limits spark creativity. I’m going to look for other ways to apply this principle.I did go over budget slightly, and used one black key. Every flock has its black sheep, right?

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1273294 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865444. Published by Milanov (A0.1273294). What Was I Made For? From Barbie by Billie Eilish for alto sax. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.