Organ - Medium - Digital Download SKU: MQ.10-420-5E Composed by Wilbur Held. Easter, Good Shepherd Sunday, Funeral. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-420-5E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-420-5E). The most loved of all the psalms, the 23rd has inspired many poets to make translations in verse. Wilbur Held has chosen six of these as the basis for this collection of organ pieces. Pastoral mood prevails.Includes:My Shepherd Will Supply My NeedRESIGNATIONThe King of LoveDOMINUS REGIT METhe King of LoveST. COLUMBAThe Lord's My Shepherd, I'll Not WantBROTHER JAMES' AIRThe Lord's My Shepherd, I'll Not WantCRIMONDThe Lord's My Shepherd, I'll Not WantEVAN.

Flute,Piano - Level 2 - Digital Download SKU: A0.1273310 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865462. Published by Milanov (A0.1273310). What Was I Made For? From Barbie by Billie Eilish for flute and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1273329 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865482. Published by Milanov (A0.1273329). What Was I Made For? From Barbie by Billie Eilish for clarinet and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Woodwind Ensemble Alto Flute - Level 4 - Digital Download SKU: A0.793094 Composed by Christopher Kalstad. Classical,Contemporary. 8 pages. Christopher Kalstad #3239559. Published by Christopher Kalstad (A0.793094). The title It Perches in the Soul comes from a line in Emily Dickinson's poem Hope, and the music is based on the composer's choral setting of the poem.  The piece begins vivaciously, but ends on a note of near resignation.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1273337 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865490. Published by Milanov (A0.1273337). What Was I Made For? From Barbie by Billie Eilish for alto sax and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Small Ensemble,Strings Clarinet - Level 5 - Digital Download SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Music #6096869. Published by James Marshall Music (A0.913624).  English Autumn  was composed in Fall/Winter 2018-2019 for Clarinetist Allison Eales commissioned by the Gregynog . Scored for Clarinet in A and String Trio it reflects the collage of Autumn colors:  Green, Yellow, Brown shades of first Autumn; Red, Orange of Autumn at its peak. It followed my English Sonatina for young clarinetists premiered by Alison Eales and Anna de Hair in London in January, 2019, and was premiered in London in October, 2019. This piece reflects the heightened emotions of fiery intensity reflected in the changing of the colors of the leaves in Autumn. Reflected as well is the serene beauty before the Autumn arrives, and the resignation of the eternal cycles of nature. The opening section (Andante) evokes the feeling of nostalgia and assurance of the inevitable cycle of nature. We know the life will go from the tress only to return again next season. We feel the joy of the intense colors of the foliage, and the sadness of the loss of life in winter. This section segues into Green (Adagio cantabile) with pastoral music and quotes of The Water is Wide and I pass all the hours in a shady grove of Pelham Humphrey. This leads into Red (Allegro con fuoco/Presto), followed by Orange (Declamando) as well as absence of color when the leaves all fall. I pass all the hours is a song by Pelham Humphrey with words by Charles II: I pass all the hours in a shady grove …When I see the print of her shape in the green…I think there’s no hell like loving too well, The melody is incorporated because it is the same melodic motif of the Scherzando movement of my English Sonatina for young clarinetists which Alison Eales and Anna de Hair premiered. I discovered it after composing that piece in researching English folk songs to refer to in this piece. It is an ideal segue into the Allegro con fuco/Presto music. The final section (Andante cantabile) is my personal melodic sequence from the rising motif of Over the hills and far away.

Viola Solo - Level 2 - Digital Download SKU: A0.1273288 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865438. Published by Milanov (A0.1273288). What Was I Made For? From Barbie by Billie Eilish for viola. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1273280 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865430. Published by Milanov (A0.1273280). What Was I Made For? From Barbie by Billie Eilish for trumpet. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1273308 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865460. Published by Milanov (A0.1273308). What Was I Made For? From Barbie by Billie Eilish for string bass. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Organ - Level 3 - Digital Download SKU: A0.842670 Composed by North American traditional melody. Arranged by David Christensen. Concert,Easter,Sacred. Score. 5 pages. David Christensen #6567007. Published by David Christensen (A0.842670). This traditional melody (tune: Resignation) is often sung to the words of Psalm 23.  .

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1273293 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865443. Published by Milanov (A0.1273293). What Was I Made For? From Barbie by Billie Eilish for alto sax. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Cello,Piano - Level 4 - Digital Download SKU: A0.874327 Arranged by Pamela M. Robertson. Christian,Concert,Sacred. Score and part. 9 pages. Pamela M. Robertson #6414285. Published by Pamela M. Robertson (A0.874327). This beautiful setting of the American hymn-tune RESIGNATION is intended for the advanced cellist, with an accompaniment part for an advanced-intermediate pianist. There is also a version available for piano and violin.

Small Ensemble Bass Trombone,Piano Accompaniment - Digital Download SKU: A0.961355 Composed by Gustav Mahler. Arranged by Philip Brink. 20th Century,Romantic Period. Score and parts. 5 pages. Philip Brink #4888967. Published by Philip Brink (A0.961355). The final song of the cycle is a testament of resignation, of acceptance of the way things are now. The music sings of the blue eyes of the Wayfarer's beloved, ending quietly.

3, 4, 5 or 6 octaves handbells and optional 3 octaves handchimes - Level 3- - Digital Download SKU: C7.CGB1238 Composed by Sondra K. Tucker. General | Eastertide. With optional 3 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB1238. Published by Chorister's Guild - Digital (C7.CGB1238). “My Shepherd Will Supply My Need combines the tender American folk hymn Resignation with the lovely Canon by Pachelbel.  The two tunes intertwine to create a compelling and reflective moment in worship.

String Orchestra - Level 4 - Digital Download SKU: A0.1206485 Composed by Simon Watkins. Contemporary. Score and parts. 32 pages. Simon Watkins #804688. Published by Simon Watkins (A0.1206485). A piece for string orchestra.  Borne of a growing sense of unease in 2019 about the direction of travel in the world, the dark and disturbing nature of this piece is I hope more catharsis than valediction.  Framed by six orchestral 'screams', a set of variations explores other emotional regions including sadness, resignation, mischief, stillness, hope and light.  The climax, though also a scream is however one of more defiance than frustration.If all that doesn't sound too gloomy, string orchestras of mixed capabilities might find this an enjoyable challenge!  Parts can be made available separately on this site.