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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1273281 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865431. Published by Milanov (A0.1273281). What Was I Made For? From Barbie by Billie Eilish for trumpet. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
What Was I Made For?
Trompette
Billie Eilish
$5.99 5.25 € Trompette PDF SheetMusicPlus

Organ - Medium - Digital Download SKU: MQ.10-420-2E Composed by Wilbur Held. Easter, Good Shepherd Sunday, Funeral. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-420-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-420-2E). The most loved of all the psalms, the 23rd has inspired many poets to make translations in verse. Wilbur Held has chosen six of these as the basis for this collection of organ pieces. Pastoral mood prevails.Includes:My Shepherd Will Supply My NeedRESIGNATIONThe King of LoveDOMINUS REGIT METhe King of LoveST. COLUMBAThe Lord's My Shepherd, I'll Not WantBROTHER JAMES' AIRThe Lord's My Shepherd, I'll Not WantCRIMONDThe Lord's My Shepherd, I'll Not WantEVAN.
The King of Love (Downloadable)
Orgue

$5.00 4.38 € Orgue PDF SheetMusicPlus

Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1273351 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865504. Published by Milanov (A0.1273351). What Was I Made For? From Barbie by Billie Eilish for string bass and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
What Was I Made For?
Contrebasse, Piano (duo)
Billie Eilish
$5.99 5.25 € Contrebasse, Piano (duo) PDF SheetMusicPlus

French Horn Solo - Level 2 - Digital Download SKU: A0.1273289 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865439. Published by Milanov (A0.1273289). What Was I Made For? From Barbie by Billie Eilish for French horn. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
What Was I Made For?
Cor
Billie Eilish
$5.99 5.25 € Cor PDF SheetMusicPlus

Handbell - Level 3 - Digital Download SKU: A0.953708 Composed by Carey Bonner, Felice Giardini, Michael Haydn, and and George W. Warren. Arranged by G. R. Adkison. Christian,Sacred. Score. 7 pages. Gary Ray Adkison #2035805. Published by Gary Ray Adkison (A0.953708). Majestic God is a 4-5 octave, 110 measure medley of the Christian hymns: Come, Thou Almighty King, Praise to the Lord, the Almighty, Praise Him, Praise Him, All Ye Little Children, O Worship the King, and God of our Fathers. Within this arrangement are descant lines, doubling of the melody line, at times, and some bass runs, and triplets. It probably is a level 3 difficulty arrangement---maybe a 3+ (3 plus). There is a juxtaposition of styles, dynamic levels and tempos within this arrangement, for the sake of variety. The first verse of God of our Fathers is done rather straight-forwardly as a setup for the next verse, where the fanfare portions are significantly different from the original. There is also a fanfare tag at the end. The audio demonstration clip is in a piano voice (patch) but suffices to demonstrate how the arrangement is generally meant to sound.
Majestic God
Cloches

$4.00 3.51 € Cloches PDF SheetMusicPlus

Guitar - intermediate to advanced - Digital Download SKU: S9.Q11491 London Manuscript No. 23. Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11491. Published by Schott Music - Digital (S9.Q11491). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.
Suite "L'Infidèle"
Guitare

$15.99 14.02 € Guitare PDF SheetMusicPlus

Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$45.95 40.29 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.563306 Composed by Erik Satie, George Frideric Handel, Johann Pachelbel, Newton, and Traditional. Arranged by Austin Ralphson. Baroque,Classical,Concert,Standards,Wedding. Score and parts. 95 pages. Austin Ralphson #3540037. Published by Austin Ralphson (A0.563306). This mega-bundle of music enables you to save significantly on the individual prices, and includes full scores and parts for the following pieces:Amazing Grace (Newton) Ar Lan y Môr (Welsh Trad.) Canon in D (Pachelbel) David of the White Rock (Welsh Trad.)Gnossienne No.1 (Satie) Gymnopédie No.1(Satie) Largo from ‘Xerxes’ (Handel) Suo Gan (Welsh Trad.)  
Slow Melody Bundle - brass quintet book / pack
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$15.99 14.02 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1471923 By Emma Louise Ashford. By Emma Louise Ashford. Arranged by Andrew Lamb. 19th Century,Christmas. 26 pages. Andrew Lamb #1049556. Published by Andrew Lamb (A0.1471923). ? Christmas Voices by Emma Louise Ashford - Brass Quintet Arrangement ?Bring the festive spirit to life with this advanced-level Brass Quintet adaptation of Christmas Voices by American composer Emma Louise Ashford! Perfect for Christmas concerts, recitals, and church services.Instrumentation: ? Part 1: Trumpet / Cornet / Flugel in Bb ? Part 2: Trumpet / Cornet / Flugel in Bb ? Part 3: French Horn, Tenor Horn ? Part 4: Euphonium / Baritone / Trombone (Bass Clef and Treble Clef) ? Part 5: Tuba, Eb Bass (Treble Clef), Bb Bass (Treble Clef) This arrangement offers flexible instrumentation options.Level of Difficulty: AdvancedPotential Uses: Ideal for Christmas concerts, recitals, and church services.About the Composer:Emma Louise Ashford (1850–1930) was an American organist, composer, and music editor with over 600 compositions. She contributed significantly to church music and held various prominent positions throughout her career.Please like and subscribe for more videos and music arrangements.
Emma Louise Ashford | Christmas Voices | for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Emma Louise Ashford
$10.00 8.77 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Large Ensemble - Level 5 - Digital Download SKU: A0.553579 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Holiday,Standards,Wedding. Score and parts. 22 pages. RayThompsonMusic #3112293. Published by RayThompsonMusic (A0.553579). The Suite Bergamasque  is a piano suite composed by Claude Debussy. It was first composed around 1890, at the age of 28, but was significantly revised just before its publication in 1905.This is an arrangement for wind dectet of the third and most famous movement called Clair de lune in Db major.Its name comes from Verlaine's poem Clair de lune, moonlight in French. It is written in 9/8  compound time, marked andante très expressif, and both the piano and orchestral scores are marked mostly pianissimo. Musically, Debussy's Clair de lune belongs to French Impressionism.It is arranged for a double wind quintet of 2 fl, 2 ob, 2 cl (in A) 2 hn & 2 bsn.I have included an optional bass line for either double bass, contra bassoon or tuba.Other movements are available, for both dectet, and other instrumental groups.It is based on the A Caplet orchestration, so I have retained as far as possible the solo instrumentation.The tricky arpeggios are carried by the clarinets and bassoons.
Debussy: Suite Bergamasque Mvt.3 Clair de Lune - wind dectet (& bass)

$19.95 17.49 € PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016238_VC1 Cello. Composed by David Giardiniere. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016238_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016238_VC1). UPC: 038081478661.This festive medley combines three joyful melodies into a cheerful Celtic tapestry. Centering on The Sussex Carol, it also takes the listener on a colorful romp through Good Christian Men, Rejoice, as well as an Irish fiddle tune entitled A Merry Christmas. The work can be performed with strings alone, but the addition of hand drum, guitar, and whistle give a distinctive fiddle band sound without significantly increasing rehearsal preparation. (2:40) This title is available in SmartMusic.
Highland Holiday: Cello
Orchestre à Cordes

$5.99 5.25 € Orchestre à Cordes PDF SheetMusicPlus

String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412115. Published by jmsgu3 (A0.548729). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. parts: 1 pg. Bowings included. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 37.66 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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