Piano,Tuba - Level 2 - Digital Download SKU: A0.1273349 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865502. Published by Milanov (A0.1273349). What Was I Made For? From Barbie by Billie Eilish for tuba and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Handbells (3 octaves) SKU: LO.SHB16 Composed by Douglas E. Wagner. Sacred. Handbell score. Sacred Music Press #SHB16. Published by Sacred Music Press (LO.SHB16). UPC: 000308026016.Based on the tune RESIGNATION.

Small Ensemble,Strings Clarinet - Level 5 - Digital Download SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Music #6096869. Published by James Marshall Music (A0.913624).  English Autumn  was composed in Fall/Winter 2018-2019 for Clarinetist Allison Eales commissioned by the Gregynog . Scored for Clarinet in A and String Trio it reflects the collage of Autumn colors:  Green, Yellow, Brown shades of first Autumn; Red, Orange of Autumn at its peak. It followed my English Sonatina for young clarinetists premiered by Alison Eales and Anna de Hair in London in January, 2019, and was premiered in London in October, 2019. This piece reflects the heightened emotions of fiery intensity reflected in the changing of the colors of the leaves in Autumn. Reflected as well is the serene beauty before the Autumn arrives, and the resignation of the eternal cycles of nature. The opening section (Andante) evokes the feeling of nostalgia and assurance of the inevitable cycle of nature. We know the life will go from the tress only to return again next season. We feel the joy of the intense colors of the foliage, and the sadness of the loss of life in winter. This section segues into Green (Adagio cantabile) with pastoral music and quotes of The Water is Wide and I pass all the hours in a shady grove of Pelham Humphrey. This leads into Red (Allegro con fuoco/Presto), followed by Orange (Declamando) as well as absence of color when the leaves all fall. I pass all the hours is a song by Pelham Humphrey with words by Charles II: I pass all the hours in a shady grove …When I see the print of her shape in the green…I think there’s no hell like loving too well, The melody is incorporated because it is the same melodic motif of the Scherzando movement of my English Sonatina for young clarinetists which Alison Eales and Anna de Hair premiered. I discovered it after composing that piece in researching English folk songs to refer to in this piece. It is an ideal segue into the Allegro con fuco/Presto music. The final section (Andante cantabile) is my personal melodic sequence from the rising motif of Over the hills and far away.

Piano - Digital Download SKU: A0.1063555 Composed by from Southern Harmony 1835. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Full Performance. Duration 168. James M Stevens Music ASCAP #6898003. Published by James M Stevens Music ASCAP (A0.1063555). This is the piano demonstration performance of Stevens' arrangement of the hymn, My Shepherd Will Supply My Need (Resignation).

Small Ensemble Bass Trombone,Piano Accompaniment - Digital Download SKU: A0.961355 Composed by Gustav Mahler. Arranged by Philip Brink. 20th Century,Romantic Period. Score and parts. 5 pages. Philip Brink #4888967. Published by Philip Brink (A0.961355). The final song of the cycle is a testament of resignation, of acceptance of the way things are now. The music sings of the blue eyes of the Wayfarer's beloved, ending quietly.

String Orchestra - Level 4 - Digital Download SKU: A0.1206485 Composed by Simon Watkins. Contemporary. Score and parts. 32 pages. Simon Watkins #804688. Published by Simon Watkins (A0.1206485). A piece for string orchestra.  Borne of a growing sense of unease in 2019 about the direction of travel in the world, the dark and disturbing nature of this piece is I hope more catharsis than valediction.  Framed by six orchestral 'screams', a set of variations explores other emotional regions including sadness, resignation, mischief, stillness, hope and light.  The climax, though also a scream is however one of more defiance than frustration.If all that doesn't sound too gloomy, string orchestras of mixed capabilities might find this an enjoyable challenge!  Parts can be made available separately on this site.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.833813 Composed by William Walker. Arranged by Brent Yorgason. Christian,Christmas. Octavo. 5 pages. SingaNewSong.org #12417. Published by SingaNewSong.org (A0.833813). Hymn arrangement for vocal duet and piano TUNE NAME: RESIGNATION; COMPOSER: William Walker, Southern Harmony; arr. Brent Yorgason 2014; SETTING: Duet (high-voice / low-voice) and Piano; TOPICS: Christmas.

Organ - Medium - Digital Download SKU: MQ.10-420-2E Composed by Wilbur Held. Easter, Good Shepherd Sunday, Funeral. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-420-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-420-2E). The most loved of all the psalms, the 23rd has inspired many poets to make translations in verse. Wilbur Held has chosen six of these as the basis for this collection of organ pieces. Pastoral mood prevails.Includes:My Shepherd Will Supply My NeedRESIGNATIONThe King of LoveDOMINUS REGIT METhe King of LoveST. COLUMBAThe Lord's My Shepherd, I'll Not WantBROTHER JAMES' AIRThe Lord's My Shepherd, I'll Not WantCRIMONDThe Lord's My Shepherd, I'll Not WantEVAN.

Piano Solo - Level 3 - Digital Download SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmond #4968921. Published by Paul Thurmond (A0.828225). Tune: RESIGNATIONUse: Prelude, Offertory, PostludeA couple of years ago I read an interview with director Ridley Scott about his first commercially successful film, Alien. It’s a terrific science fiction/horror movie set on a large spaceship, with a predatory creature who is hunting down the human crew one by one. In the interview, Scott talked about the fact that there were scenes he wanted to film and effects he wanted to use, but his small budget prevented him from doing so. Instead, he was forced to make do with limited time and materials. Alien became a hit, and Scott went on to direct blockbusters like Gladiator and Hannibal.What stuck with me was what Scott said about creativity. It is his opinion that the budgetary constraints under which he operated when making Alien forced him to explore ideas and methods he wouldn’t have otherwise considered. Even though he would later make movies with ten times the budget, he’s extremely proud of what he and his team did with far more limited resources.When I started writing My Shepherd Will Supply My Need, I decided to give myself a big constraint: I would only be allowed to use the white keys of the piano. This is very different for me; I usually throw in some juicy harmonies. It was an interesting process, and I have to say that I agree with Ridley Scott: limits spark creativity. I’m going to look for other ways to apply this principle.I did go over budget slightly, and used one black key. Every flock has its black sheep, right?

French Horn,Piano - Level 2 - Digital Download SKU: A0.1273333 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865486. Published by Milanov (A0.1273333). What Was I Made For? From Barbie by Billie Eilish for french horn and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Organ - Medium - Digital Download SKU: MQ.10-420-4E Composed by Wilbur Held. Easter, Good Shepherd Sunday, Funeral. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-420-4E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-420-4E). The most loved of all the psalms, the 23rd has inspired many poets to make translations in verse. Wilbur Held has chosen six of these as the basis for this collection of organ pieces. Pastoral mood prevails.Includes:My Shepherd Will Supply My NeedRESIGNATIONThe King of LoveDOMINUS REGIT METhe King of LoveST. COLUMBAThe Lord's My Shepherd, I'll Not WantBROTHER JAMES' AIRThe Lord's My Shepherd, I'll Not WantCRIMONDThe Lord's My Shepherd, I'll Not WantEVAN.

SAB choir and organ SKU: LO.10-4991S Composed by Gerald Custer. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/4991S. Published by Sacred Music Press (LO.10-4991S). ISBN 9780787759452.The beautiful early American hymn tune RESIGNATION is paired with Isaac Watts's paraphrase of Psalm 23 in an arrangement for SAB or SATB choirs.

Large Ensemble Cello,Flute,Guitar,Viola,Violin - Level 2 - Digital Download SKU: A0.576517 Composed by David Warin Solomons. Contemporary,Pop,World. Score and parts. 19 pages. David Warin Solomons #29985. Published by David Warin Solomons (A0.576517). A melody of yearning and resignation - written originally for a collaboration project Letter to Howard Nicholls, which never took off. This particular melody, which I wrote for the project, has always remained in my mind so I made it initially into an instrumental duet and now into a fuller version for flute (playing the melody part) accompanied by violin, viola, cello and 2 guitars. The earlier versions for clarinet and guitar and for flute and guitar are also available on this site. The sound sample is an electronic preview. The pdf file contains score and parts. This piece could also work as a pop ballad, in which case a percussion part can be improvised if required.

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1273318 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865470. Published by Milanov (A0.1273318). What Was I Made For? From Barbie by Billie Eilish for trumpet and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1031305 Composed by Alden Pong. Contemporary. Octavo. 8 pages. Alden Pong #3110369. Published by Alden Pong (A0.1031305). A song of struggle between faith and fear as a storm threatens to engulf all in its path. Verses of storm are interspersed with verses of calm, as the loving heart struggles to ease the desperate mind with the notion of there being no reason to fear, reinforcing the faith that ‘love will hold through blood and tears’. The music and text express this idea with an almost surreal detachment of the peaceful heart from the surrounding storm during each return of the verse of calm, amidst the increasing tension in the verses of storm, as if in temporary respite within the eye of the storm. In such a meditative state, one can even begin to admire the storm in awe of the beauty of the sheer force of nature. It culminates with the eventual defeat of the loving heart and a resignation to the likely fate to be met by the end of the storm. Yet, the end is not met with the fear that had threatened to engulf the desperate minds, but with the final, strongest, statement in faith that ‘love goes on past life on earth’.Duration: Approx. 4:30minLanguage: English2017 Choral Contest Entry