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Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Alto Flute & Piano
Flûte traversière et Piano

$24.95 21.8 € Flûte traversière et Piano PDF SheetMusicPlus

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 5 - Digital Download SKU: A0.996139 Composed by Amilcare Ponchielli. Arranged by Erik Cole. Romantic Period. 101 pages. Erik Cole #6498527. Published by Erik Cole (A0.996139). A double reed transcription of the Dance of the Hours from La Gioconda, made famous by Disney's Fantasia. The Night section has been cut, as it's the least famous and included many string techniques that weren't very practical for winds to mimic, but it is otherwise true to the original. The 3rd parts are significantly easier than the others, but it is a challenging piece to take up to tempo, regardless. All oboe and bassoon parts are divisi. I was pleasantly surprised at how well almost all of it worked, especially after lowering the key to an easier C/F major which suits the oboe/bassoon range much better. The numerous rubatos/tempo changes were tough to accurately portray in a multi-track recording done to a click track, but I thought it generally came out well without too many inconsistencies. It's a very fun piece to play if your group is up to the challenge.
Dance of the Hours

$36.75 32.11 € PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1466152 By The Buckinghams. By Joe Zawinul. Arranged by Will Corbin. Jazz,R & B. 20 pages. Will Corbin #1044744. Published by Will Corbin (A0.1466152). Here's a treatment of the Buddy Rich Band's arrangement of Mercy Mercy Mercy, significantly tamed for range and skipping the improv solos (feel free to plug something in for a player with that skill). This one works for musicians of more modest talents. It does regrettably include (true to the Rich version) the Florida State University tomahawk chop tune; I'm a University of Florida Gator, so that part is painful.If you need other instrumentation, please contact me at wilcor@aol.com.
Mercy, Mercy, Mercy
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
The Buckinghams
$15.00 13.11 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1284635 Composed by Heitor Villa Lobos. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. Score and Parts. 99 pages. John Ivor Holland #875810. Published by John Ivor Holland (A0.1284635). Heitor Villa-Lobos was a prolific Brazilian composer, conductor, ‘cellist, and classical guitarist, and was probably the most significantly inventive individual in 20th-century Brazilian art music. He wrote over 2,000 orchestral, chamber, and vocal works. Central to Villa-Lobos’s compositional language is Brazilian folk music – he spent his formative musical years playing popular songs on the streets of Rio de Janeiro – but also using elements of European classical works and influenced by French music, creating his unique sound world. Sexteto Mistico is a unique composition in one movement, consisting of short sections, each bringing unexpected richness, strangeness, virtuosity and polyrhythms. The opening is diaphanous and other-worldly; instruments enter in turn as if introducing themselves, continually weaving their dreamlike harmonies. In the next segment we’re taken into a dark, atmospheric oboe solo; this, to rippling accompanying arpeggios, twists and turns with lyrical eeriness. In the final section the theme, that the repeated motif had been hinting at, clearly emerges, leading us to a bright conclusion. Reimagined for symphonic band from the original sextet of flute, oboe, alto saxophone, guitar, celesta and harp.
Sexteto Mistico
Orchestre d'harmonie

$99.99 87.36 € Orchestre d'harmonie PDF SheetMusicPlus

Clarinet,Piano - Level 3 - Digital Download SKU: A0.834094 Composed by JOHAN B. KOK (1889-1954). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards,World. Score and part. 7 pages. EMK Music #6508287. Published by EMK Music (A0.834094). ‘Joska’, originally written for two Mandolins, Mandola and Guitar, bears the subtitle and style of the ‘Zigeuner Romance’ or ‘Gypsy Romance’, and it may well have been inspired by Monti’s better known ‘Czardas’, which, significantly, was also originally written for Mandolin and Piano. Both pieces have contrasting slow and fast sections, which is typical of Central European ‘tavern music’, commonly associated with Hungary. ‘Czardas’, of course, means ‘tavern’ in Hungarian.
JOSKA: A GYPSY ROMANCE – CLARINET & PIANO
Clarinette et Piano

$9.95 8.69 € Clarinette et Piano PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1453661 Composed by Gaston Borch. Arranged by W.C. Rohl. Classical,Film/TV,Halloween,Historic,Thriller. 170 pages. R?sFacta Editions #1032875. Published by R?sFacta Editions (A0.1453661). A collection of five pieces for orchestra by French composer, Gaston Borch (1871-1926) written to accompany creepy, suspenseful, mysterious, and supernatural scenes for silent films. A prolific composer, cellist, conductor, and arranger,  Borch moved to the United States in the early 1900s where he significantly contributed to the American musical landscape. He became particularly known for his work in the burgeoning field of silent film music, composing scores that enhanced the emotional impact of films. Borch’s music was characterized by its melodic richness and dramatic expressiveness, which made it ideal for the cinema. His ability to craft music that perfectly matched the narrative and emotional arcs of films made him a sought-after composer in the industry.  The entire collection - or any number of the individual selections - would make an ideal addition to any Halloween-themed program.  Score and parts.  Also available for string orchestra. resfactamusic.com
Silent Frights: A collection of music to accompany silent film scenes
Orchestre

$90.00 78.63 € Orchestre PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Tenor Sax & Piano
Saxophone Tenor et Piano

$24.95 21.8 € Saxophone Tenor et Piano PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1085680 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 17 pages. Diego Marani #689855. Published by Diego Marani (A0.1085680). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for string quartet of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
Prelude from "Suite Bergamasque" for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.73 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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