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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.753639 Composed by Traditional. Arranged by John Hoesly. Contemporary,Film/TV,Folk. 19 pages. PRS&B #5218597. Published by PRS&B (A0.753639). Wayfaring Stranger- for string quartet with optional bass. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century.  It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections.  Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama.  It ends as plaintively as it begins.
(I Am A Poor) Wayfaring Stranger- string quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$20.00 17.16 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Trumpet & Piano
Trompette

$24.95 21.41 € Trompette PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016238_PEN Pennywhistle (Piccolo or Recorder). Composed by David Giardiniere. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016238_PEN. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016238_PEN). UPC: 038081478661.This festive medley combines three joyful melodies into a cheerful Celtic tapestry. Centering on The Sussex Carol, it also takes the listener on a colorful romp through Good Christian Men, Rejoice, as well as an Irish fiddle tune entitled A Merry Christmas. The work can be performed with strings alone, but the addition of hand drum, guitar, and whistle give a distinctive fiddle band sound without significantly increasing rehearsal preparation. (2:40) This title is available in SmartMusic.
Highland Holiday: Pennywhistle (Piccolo or Recorder)
Orchestre à Cordes

$5.99 5.14 € Orchestre à Cordes PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1086218 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 19 pages. Diego Marani #690409. Published by Diego Marani (A0.1086218). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
Prelude from "Suite Bergamasque" for Brass Quartet
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$9.99 8.57 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Baritone Sax & Piano
Saxophone Baryton, Piano

$24.95 21.41 € Saxophone Baryton, Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1235496 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Brian Buda. Children,Christian,Contemporary,Easter,Praise & Worship. Score. 6 pages. Budaful music #831011. Published by budaful music (A0.1235496). This is a piano cover of the popular worship song, 10,000 Reasons. It is a versatile arrangement that can fit into many different timing slots. The form of the piece mimics the form of 'Bless the Lord', beginning with the chorus and proceeding through all 3 verses. After the chorus following verse 1 and 2, optional endings are offered to help with abrupt endings, for instance, ending a prelude. In verse 3, the harmonies significantly depart from the typical sound, otherwise this arrangement mimics the overall style of the worship song. Chords are also provided.
10,000 Reasons (bless The Lord)
Piano seul
Matt Redman
$5.99 5.14 € Piano seul PDF SheetMusicPlus

Choir,Drum Set,Piano - Digital Download SKU: A0.1070194 Composed by Denny Glasscock and Greg Jenkins (drums). Contemporary,Latin,Praise & Worship,Sacred. Accompaniment. Duration 168. Denny Glasscock #6045039. Published by Denny Glasscock (A0.1070194). This is the digital audio accompaniment for both the solo and SAB versions of Why Not Come to Jesus Now, by Denny Glasscock.  It also serves as a nice instrumental performance recording of the song by a string trio (violin, viola and violoncello), accompanied by piano, drums and bass (rhythm trio).  The violin, viola and violoncello duplicate the soprano, alto and baritone voices, respectively, of the SAB choral version of the song.  Performed along with the rhythm trio, it aids the vocalists in hearing the melody vs. the counter melody at work. The duplications are not obvious, due to the complex back and forth exchanges of melody vs. counter melody, except when the effect is desired with the melody at the beginning of a new section, briefly.  At these points, the new melody significantly contrasts the prior one.  At the ending, the piece concludes with a layering of tones and a light stop.  Click on the publisher's name, Denny Glasscock, above to find the choral and solo versions of the song, where the sheet music is offered.  There you can hear the entire digital version of the song, except for the lyrics.  You can also find the instrumental ensemble (winds and strings) version of the piece, Why Not Now, as well.
Why Not Come to Jesus Now? (Performance/Accompaniment) (Bb)

$1.99 1.71 € PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528173 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 9 pages. Diego Marani #5017843. Published by Diego Marani (A0.528173). Sylvia, originally Sylvia, ou La nymphe de Diane, is a full-length ballet in two or three acts, first choreographed by Louis Mérante to music by Léo Delibes in 1876. Sylvia is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The prelude to the first act and the pizzicati in the third are the significantly more famous sections of this already notable score. The latter, the more famous, is a well-known example of pizzicato style. This section is, according to The New Grove Dictionary of Music and Musicians, traditionally played in a halting, hesitant style that appears to have been no part of Delibes's conception.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
Pizzicati for Brass Quartet
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$9.90 8.49 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Guitar - intermediate to advanced - Digital Download SKU: S9.Q11492 Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11492. Published by Schott Music - Digital (S9.Q11492). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.
6 Pieces
Guitare

$16.99 14.58 € Guitare PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1091315 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 16 pages. Diego Marani #695489. Published by Diego Marani (A0.1091315). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune (moonlight in French), has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for string quartet (Violin I, Violin II, Viola, Cello) is suitable for classroom, repertoire, recital and also for wedding.
Clair de Lune from "Suite Bergamasque" for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.57 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Contrabassoon & Piano

$24.95 21.41 € PDF SheetMusicPlus

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Alto Sax & Piano
Saxophone Alto et Piano

$24.95 21.41 € Saxophone Alto et Piano PDF SheetMusicPlus






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