Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century.  It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections.  Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama.  It ends as plaintively as it begins.

String Orchestra - Digital Download SKU: AX.00-PC-0016238_PEN Pennywhistle (Piccolo or Recorder). Composed by David Giardiniere. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016238_PEN. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016238_PEN). UPC: 038081478661.This festive medley combines three joyful melodies into a cheerful Celtic tapestry. Centering on The Sussex Carol, it also takes the listener on a colorful romp through Good Christian Men, Rejoice, as well as an Irish fiddle tune entitled A Merry Christmas. The work can be performed with strings alone, but the addition of hand drum, guitar, and whistle give a distinctive fiddle band sound without significantly increasing rehearsal preparation. (2:40) This title is available in SmartMusic.

Small Ensemble Flute,Guitar,Oboe - Level 3 - Digital Download SKU: A0.753010 Composed by Kevin Love. Contemporary. Score and parts. 21 pages. Kevin Edward Love #4108537. Published by Kevin Edward Love (A0.753010). These are three short colour pieces based on some piano music that I wrote for my friend's daughter; they were first realized as 'Two sketches for Two Guitars and have now been significantly extended and expanded for this setting. They are depictions of her and her two siblings. Waltz is a deep and dreamy 12 year old girl; The Runner is a 10 year old soccer - playing boy; Beguine was a sentimental portrait of a teenage girl that somehow became a Latin dance.

Concert Band - Level 2 - Digital Download SKU: A0.1377455 By Various. By Traditional. Arranged by Ben Mason. Celtic,Folk,Historic,Irish,March,Traditional. 35 pages. Music Man #962044. Published by Music Man (A0.1377455). Kingdom in Tune is a Medley of Traditional Folk Songs from across the United Kingdom (England, Wales, Scotland and N. Ireland), scored for Full Wind Band (and Optional Bagpipes). Staring with the Chimes of Big Ben in London and ending in the Scotish Highlands, this delightful Slow Mrach (in triple time) takes the listener on a nostalgic journey around the British Isles. The optional Bagpipes are a useful addition for special events and will lift any performance significantly.Folk Songs included in this Medley are: Oranges and Lemons, Sweet Blooming Lavender, Lavender's Blue, The Miller of Dee, Adieu to Dear Cambria, St. Patrick's Breastplate, Wild Mountain Thyme.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528173 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 9 pages. Diego Marani #5017843. Published by Diego Marani (A0.528173). Sylvia, originally Sylvia, ou La nymphe de Diane, is a full-length ballet in two or three acts, first choreographed by Louis Mérante to music by Léo Delibes in 1876. Sylvia is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The prelude to the first act and the pizzicati in the third are the significantly more famous sections of this already notable score. The latter, the more famous, is a well-known example of pizzicato style. This section is, according to The New Grove Dictionary of Music and Musicians, traditionally played in a halting, hesitant style that appears to have been no part of Delibes's conception.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1095672 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #699658. Published by Diego Marani (A0.1095672). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for trumpet with piano of the 1st movement, Prelude, is marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.

Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.752781 Composed by Kevin Love. Contemporary. Score and parts. 19 pages. Kevin Edward Love #25539. Published by Kevin Edward Love (A0.752781). These are three short colour pieces based on some piano music that I wrote for my friend's daughter; they were first realized as 'Two sketches for Two Guitars and have now been significantly extended and expanded for three guitars.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.563310 Composed by Christoph Willibald Von Gluck, Erik Satie, George Frideric Handel, Johann Pachelbel, and Traditional. Arranged by Austin Ralphson. 20th Century,Baroque,Classical,Concert,Wedding. Score and parts. 96 pages. Austin Ralphson #3540049. Published by Austin Ralphson (A0.563310). This mega-bundle of music enables you to save significantly on the individual prices, and includes full scores and parts for the following pieces:All Through The Night (Trad.)Andante (Gluck)Ar Lan y Môr (Welsh Trad.)Canon in D (Pachelbel)David of the White Rock (Welsh Trad.)Gymnopédie No.1(Satie)Largo from ‘Xerxes’ (Handel)Suo Gan (Welsh Trad.)Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com 

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1086218 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 19 pages. Diego Marani #690409. Published by Diego Marani (A0.1086218). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat        (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat  (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.

Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â?� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ?� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ?� (erroneously labeled â??simplifiedâ?� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!

Clarinet,Piano - Level 3 - Digital Download SKU: A0.834094 Composed by JOHAN B. KOK (1889-1954). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards,World. Score and part. 7 pages. EMK Music #6508287. Published by EMK Music (A0.834094). ‘Joska’, originally written for two Mandolins, Mandola and Guitar, bears the subtitle and style of the ‘Zigeuner Romance’ or ‘Gypsy Romance’, and it may well have been inspired by Monti’s better known ‘Czardas’, which, significantly, was also originally written for Mandolin and Piano. Both pieces have contrasting slow and fast sections, which is typical of Central European ‘tavern music’, commonly associated with Hungary. ‘Czardas’, of course, means ‘tavern’ in Hungarian.

String Orchestra - Digital Download SKU: AX.00-PC-0016238_HD Hand Drum. Composed by David Giardiniere. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016238_HD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016238_HD). UPC: 038081478661.This festive medley combines three joyful melodies into a cheerful Celtic tapestry. Centering on The Sussex Carol, it also takes the listener on a colorful romp through Good Christian Men, Rejoice, as well as an Irish fiddle tune entitled A Merry Christmas. The work can be performed with strings alone, but the addition of hand drum, guitar, and whistle give a distinctive fiddle band sound without significantly increasing rehearsal preparation. (2:40) This title is available in SmartMusic.