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Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
Prelude 7 in Eb Ionian
Piano seul
Brian Golden
$5.99 5.22 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.888250 Composed by Edward David Zeliff. Contemporary,Standards. Score. 16 pages. Edward David Zeliff #4764467. Published by Edward David Zeliff (A0.888250). An ambitious piano suite written in a modern, 20th/21st century style without bar lines and time signatures. It is atonal, and therefore without key signatures as they would be meaningless. This particular modern style of writing is clearly explained in the performance/program notes, but essentially all notes are natural unless a sharp or flat precedes it. Tied notes are exactly that, but the next occurrence of the note is considered natural since there are no measure lines. It is, technically, atonal but still with a strong sense of directionality, and requires all the expressiveness of music of the 19th century.
Out of Time - Suite for Piano Solo
Piano seul

$6.00 5.23 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.563991 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Spiritual,Wedding. 18 pages. Austin Ralphson #5801859. Published by Austin Ralphson (A0.563991). Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement.The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.
Gnossienne No.1 (Erik Satie) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$7.99 6.96 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1433827 Composed by Unknown. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Manuela #1014039. Published by Manuela (A0.1433827). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindedrei Tonarten (G, F, Es-Dur); gesetzt mit Lilypondoriginaler Text, wie er im Gotteslob stehtAudiobeispiel wurde computergeneriertWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 822for church servicesmultiple key signatures, orginal textaudio sample generated by computerversions in three key signatures (G, F, Eb major); engraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.
O du mein Volk, was tat ich dir (Gotteslob 822)
Orgue

$2.00 1.74 € Orgue PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1248572 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843064. Published by Brian Golden (A0.1248572). Prelude 15 in B Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 15 in B Major Mixolydian
Piano seul
Brian Golden
$5.99 5.22 € Piano seul PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1326031 Composed by Johan Hefer. Christian,Christmas,Praise & Worship. Score. 2 pages. Johan Hefer #914222. Published by Johan Hefer (A0.1326031). What Is This Christmas?A reflective and uplifting Christmas carol that reminds us of the true meaning of the season. This three-section piece begins with a somber tone as we question the materialistic nature of Christmas. In the second section, the mood shifts with a triumphant Glory to God, and the final section bursts into a joyous celebration of Jesus Christ. With its easy-to-follow key signatures and accessible vocal and piano arrangements, this carol is suitable for worship bands and choirs of all skill levels.Key Features: Uplifting and reflective Christmas carol Three sections with contrasting moods Easy-to-follow key signatures for worship bands Accessible vocal and piano arrangements Suitable for average singers and accompanists Available for both higher and lower singers (F major and C Major) Performance Suggestions: Begin with a slow and reflective tempo in the first section, gradually increasing the tempo and dynamics as the piece progresses. Emphasize the contrast between the first and second sections, highlighting the shift from somber questioning to triumphant praise. Let the final section explode with joy and celebration, encouraging the congregation to join in the song's uplifting message. Keywords: Christmas The true meaning of Christmas Jesus Christ Worship Praise Joy Celebration Hope Love Peace
What is this Christmas?
Piano, Voix et Guitare

$3.99 3.48 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386606 By Sharon Wilson. By African-American Spiritual, Charles H. Gabriel, Daniel B. Towner, Fanny J. Crosby, Folk Song, Frederick M. Lehman, Henri F. Hemy, James M. Black, John Bacchus Dykes, Robert Lowry, Traditional Spiritual, William B. Bradbury, and William J. Kirkpatrick. Arranged by Sharon Wilson. Christian,Easter,Folk,Holiday,Spiritual. Score. 45 pages. Sharon Wilson #970488. Published by Sharon Wilson (A0.1386606). This is a collection of 20 hymns and spirituals arranged for early-intermediate piano players.  These artistically crafted arrangements provide unique harmonies and accompaniment that creatively enhance the melody line. From elegant and peaceful to bright and spirited, these arrangements will provide plenty of satisfaction whether used during practice sessions or for personal entertainment and leisure. Lyrics are included for sing-along enjoyment.All notes in all 20 songs are within the two-octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C. Keys Signatures: C, F, and G (and a few scattered accidentals)Time Signatures: 3/4, 4/4, and 6/8Ledger Line Notes: only Middle CNote and Rest durations: whole, half, quarter, and eighth, plus dotted notes of the same durationsThese arrangements are ideal for introducing classic Christian songs to piano students. They can be used as supplementary repertoire for students after they have mastered the basics of music notation and note reading. These arrangements are also great for sight-reading practice, especially if some of the songs are unfamiliar. These arrangements are perfect for small keyboards.  They provide the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. Most of these songs are also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   All Creatures of Our God and KingDown by the RiversideEvery Time I Feel the SpiritFaith of Our FathersHaven of RestHere Is LoveHigher GroundHoly, Holy, HolyJesus, What a Friend for Sinners (HOLY MANNA)Lead Me to CalvaryMarvelous GraceOld Time ReligionPower in the Blood Redeemed, How I Love to Proclaim ItSatisfiedSweet Hour of PrayerThe Love of GodThere Is a Balm in GileadWhen the Roll Is Called Up YonderWhen the Saints Go Marching In Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
20 Easy Christian Classics, BOOK 1 (Two Octave, Early-Intermediate Piano Solos)
Piano seul
Sharon Wilson
$15.00 13.07 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 17 in E Major Lydian
Piano seul
Brian Golden
$5.99 5.22 € Piano seul PDF SheetMusicPlus

Large Ensemble Alto Recorder,Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,English Horn,Euphonium,Flute,Harmonica,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.942479 Composed by Adam Hutchins. Classical,Instructional,Jazz. Score and parts. 25 pages. Adam Hutchins Ltd #6168311. Published by Adam Hutchins Ltd (A0.942479). Our brand new scale based studies for all treble clef instruments, each written with melody in mind!24 varied pieces, in all key signatures major and minor, exploring different time signatures, tempos and styles.Lots to get into and enjoy playing some nice tunes rather than lots of scales, but also great to reinforce scale knowledge.
Skillful Scale Studies, Treble Clef Edition

$6.99 6.09 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1244564 Composed by Ennio Morricone. Arranged by Brandon C Stanley. Film/TV. Score and Parts. 92 pages. Brandon C Stanley #839516. Published by Brandon C Stanley (A0.1244564). Track #1 from academy award winning Ennio Morricone's Original Motion Picture Soundtrack for the 1966 Italian epic spaghetti Western film The Good, The Bad And The Ugly directed by Sergio Leone. This arrangement gives the orchestra everything it needs to sound like the OST. With guitars, ocarina and harmonica, along with shouts, grunts and whistles from a full choir, this arrangement will sound just as it is heard on the big screen.Flute 1,2Bass FluteOboe 1,2Clarinet in Bb 1,2Bass Clarinet in BbBassoon 1,2ContrabassoonOcarina in CHorn in F 1-4Trumpet in Bb 1,2Piccolo TrumpetTrombone 1,2Bass TromboneTubaTimpiniPercussion 1-4Acoustic GuitarElectric GuitarHarmonicaChoirViolin 1,2ViolaVioloncelloContrabassFor the orchestra lacking guitars, ocarinas, and choir, sufficient cues are available to ensure a full sound for this epic cue.Film orchestrator Brandon C Stanley presents this cue as it would appear on the scoring stage with no key signatures and large time signatures. Both a C Score and Transposing Score are provided with this download.
The Good, The Bad And The Ugly (main Title)
Orchestre

$79.99 69.7 € Orchestre PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1476095 By The computer. By Unknown. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Manuela #1053627. Published by Manuela (A0.1476095). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindedrei Tonarten (C, D, B-Dur)gesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 522for church servicesmultiple key signaturesversions in three key signatures (C, D, Bb major); engraved with Lilypondaudio sample generated by computerWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.
Maria aufgenommen ist (Gotteslob 522)
Orgue
The computer
$2.00 1.74 € Orgue PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1457811 By The computer. By Franz Schubert. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 12 pages. Manuela #1036847. Published by Manuela (A0.1457811). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindedrei Tonarten (F, C, Es-Dur); gesetzt mit LilypondAudiobeispiel wurde computergeneriertWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 711,7for church servicesmultiple key signaturesaudio sample generated by computerversions in three key signatures (F, C, Eb major); engraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.
Herr, du hast mein Flehn vernommen (Gotteslob 711 Nr. 7)
Orgue
The computer
$2.00 1.74 € Orgue PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.780067 Composed by Graham Boag. Contemporary. Individual part. 64 pages. Graham Boag #6211521. Published by Graham Boag (A0.780067). Dance Sequences was composed during the first lockdown of last year. It is in four movements each with its own character.Prelude - ‘Pagan Dance’ is highly rhythmic with angular melodic lines throughout with some release in the middle of all the raw emotion. As a result of this there is no clear tonal center in this movement. Perhaps a reflection on what was going on in the World at that point.Lament – ‘Slow Dance’ is more reflective almost Hymn like in its approach and has a clear tonal center around C minor with lyrical lines being passed from Bass 1 to Bass 2.The Wonky Waltz is more lighthearted in style as the title suggests it doesn’t quite know what to be with changing time signatures, perhaps a hint of the Tango thrown in before we finally feel a ‘Waltz’ pulse in the final few bars.Final Dance is another energetic movement that combines simple and compound time signatures to give a feeling of constant change and rhythmic contrast. The rhythmic pulse is highlighted with the use of Col Legno in two sections giving a more of a percussive effect. As the movement builds to the final Bartok pizz snap by all four players the ensemble are in homophonic harmony.I hope you enjoy listening to ‘Dance Sequences’.This audio was produced using NotePerformer 3 in Sibelius Ultimate, just follow this YouTube link:https://youtube.com/playlist?list=PLUIBlHeZRjGSMoBRLoqwwGVGzdsBNeWOaI am delighted to finally be able to announce that the sheet music is now available for purchase and I would love to hear from any ensembles that perform this.Many thanks.
Dance Sequences for Double Bass Quartet
4 Contrebasses

$34.99 30.49 € 4 Contrebasses PDF SheetMusicPlus






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