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Organ - Level 2 - Digital Download SKU: A0.1467879 By Diethard Zils. By Unknown. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 5 pages. Manuela #1046181. Published by Manuela (A0.1467879). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindezwei Tonarten (G, F-Dur)aus urheberrechtlichen Gründen ohne Liedtext; ersatzweise mit dem Text von Psalm 95 aus einer urheberrechtsfreien Bibelübersetzunggesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 140for church servicesmultiple key signaturesversions in two key signatures (G, F major); engraved with Lilypondaudio sample generated by computerWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.
Kommt herbei, singt dem Herrn (Gotteslob 140)
Orgue
Diethard Zils
$2.00 1.74 € Orgue PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Published by George Willson (A0.927173). Creature began as a joke in high school between a friend of mine and me where we described the radical mood swings of our band directors as a creature coming forth from inside of them. Think about the alien from Alien 3 where it opened its mouth and its tongue was a little alien head with teeth of its own. I thought it would be fun to write a piece of music around this creature, so I wrote a short series of story beats and then some music around it. The full story is, unfortunately, lost to history, but the music survived the twenty-five years since its original composition, and in honor of my young self, I merely edited any typos and left it just as I wrote it when I was a seventeen-year-old high school senior. This was my first, solo-written, full band composition, and one can hear that I was a huge fan of Igor Stravinsky. This is not an easy piece to play. It has time changes aplenty, fast runs in the upper woodwinds, very exposed parts in nearly every section, large interval leaps, and spares hardly anyone's range. The eighth note remains constant across the 4 and 8 time signatures, and the breakdown of the complex time signatures is apparent in how the eighth notes are barred. As a conductor, it will be challenging as well, but I survived it on two occasions as both a senior in high school and in front of a military band, so it can be done. So enjoy the musical story of a creature who attacks people in its rage and hunger before it is chased and defeated by an angry mob ... but did it really die? George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
Creature
Orchestre d'harmonie

$35.00 30.5 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.950577 Composed by Kathi Kerr. Instructional,Jazz,Pop,Romantic Period. Score. 27 pages. Melody Music Publishers #6516717. Published by Melody Music Publishers (A0.950577). Here are 12 original piano songs volume 1 for the late intermediate student and pianist that offer specific learning tools. Each song in this volume starts with a rundown from the composer, Kathi Kerr, on what is taught and what to watch for. Key signatures range from D, A, and F major and D minor. Rhythm includes whole, half, dotted half, quarter, and eighth notes and rests. Time signatures include 4/4, 3/4, 6/8, and 2/2 or cut time. If you're wanting to improve your reading and technique skills, these songs will do just that!
12 Piano Songs Later Intermediate Volume 1
Piano seul

$8.99 7.83 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 22 in B Minor Phrygian
Piano seul
Brian Golden
$5.99 5.22 € Piano seul PDF SheetMusicPlus

Flute,Instrumental Duet,Recorder - Level 2 - Digital Download SKU: A0.1374649 Composed by James Devor. Chamber,Classical,Contemporary. 5 pages. JDevor Music, LLC #959177. Published by JDevor Music, LLC (A0.1374649). Five short, engaging pieces intended for all recorders and skill levelswhile originally intended for two soprano recorders, these pieces can also be performed any combination of F and C recorders (although the first part fits best on any F or C recorder and the second fits best on a C recorder)they can also be transposed so they can be performed on any two similarly tuned instrumentsthe duets are not ever required to be played in the given order nor concurrentlyfor educational purposes each short piece is composed using different tempi, key signatures, time signatures, harmonies and rhythmic materials.
Five Slightly Canonic Duets

$5.99 5.22 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
Prelude 8 in C Minor Aolian
Piano seul
Brian Golden
$5.99 5.22 € Piano seul PDF SheetMusicPlus

B-Flat Clarinet,Cello,Viola,Violin - Digital Download SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo #718499. Published by Steven Mark Kudlo (A0.1116845). About 13 1/2 minutes long of intermediate difficulty, this composition smiles. It's in six movements, each movement dipping into three general styles: pandiatonic, expressionistic, and common practice tonality (regular music). Its overall tone is neoclassic, using minimal techniques to provide a satisfying experience. The clarinet is for a B-flat model; it gets at least adequate time to breathe. The string parts are fairly easy, though on one occasion the cello bounces around a bit. There are some varied time signatures that might be too challenging for very young people. There are a variety of key signatures. The composition is tonal.
Minimally Fantastic Suite for Clarinet and String Trio
Trio à Cordes: violon, alto, violoncelle

$5.99 5.22 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.   While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 1 in C Major Ionian
Piano seul
Brian Golden
$5.99 5.22 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble Instrumental Solo,Oboe/English Horn,Piccolo,Saxophone - Level 5 - Digital Download SKU: A0.902119 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Instructional. Individual part. 10 pages. Rainer's Rainbow #6383555. Published by Rainer's Rainbow (A0.902119). In 1722 Bach wrote this Prelude No 15 and included it in Book 1 of the Well Tempered Clavier. It was written as a technical exercise for speed for the piano. Here it is presented in numerous key signatures, including the original, but now for either solo Flute, Oboe or Saxophone. The numerous key signatures provide an opportunity at improving playing in all keys.
Bach BWV 860 Well Tempered Clavier Prelude 15 In G Flute Oboe or Sax Technical Study
Rainer's Rainbow
$6.99 6.09 € PDF SheetMusicPlus






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