Organ - Level 2 - Digital Download SKU: A0.1459350 By The computer. By Melchior Vulpius. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 7 pages. Manuela #1038294. Published by Manuela (A0.1459350). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindezwei Tonarten (Es, F-Dur); gesetzt mit LilypondAudiobeispiel wurde computergeneriertWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 304for church servicesmultiple key signaturesaudio sample generated by computerversions in two key signatures (Eb, F major); engraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.

Organ - Level 2 - Digital Download SKU: A0.1457811 By The computer. By Franz Schubert. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 12 pages. Manuela #1036847. Published by Manuela (A0.1457811). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindedrei Tonarten (F, C, Es-Dur); gesetzt mit LilypondAudiobeispiel wurde computergeneriertWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 711,7for church servicesmultiple key signaturesaudio sample generated by computerversions in three key signatures (F, C, Eb major); engraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.

Concert Band - Digital Download SKU: AX.00-PR-0005284 Score. Arranged by Charles Sayre. Jazz. Score. 40 pages. Alfred Music - Digital Sheet Music #00-PR-0005284. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005284). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).

Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Piano Solo - Level 2 - Digital Download SKU: A0.1377502 By Sharon Wilson. By African-American Spiritual, Charles H. Gabriel, Daniel B. Towner, Fanny J. Crosby, Folk Song, Frederick M. Lehman, Henri F. Hemy, James M.Black, John Bacchus Dykes, Robert Lowry, Traditional Spiritual, William B. Bradbury, and William J. Kirkpatrick. Arranged by Sharon Wilson. Christian,Easter,Folk,Holiday,Spiritual. Score. 45 pages. Sharon Wilson #962094. Published by Sharon Wilson (A0.1377502). This is a collection of 20 hymns and spirituals arranged for early-intermediate piano players.  These artistically crafted arrangements provide unique harmonies and accompaniment that creatively enhance the melody line. From elegant and peaceful to bright and spirited, these arrangements will provide plenty of satisfaction whether used during practice sessions or for personal entertainment and leisure. Lyrics are included for sing-along enjoyment.All notes in all 20 songs are within the two-octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C. Keys Signatures: C, F, and G (and a few scattered accidentals)Time Signatures: 3/4, 4/4, and 6/8Ledger Line Notes: only Middle CNote and Rest durations: whole, half, quarter, and eighth, plus dotted notes of the same durationsThese arrangements are ideal for introducing classic Christian songs to piano students. They can be used as supplementary repertoire for students after they have mastered the basics of music notation and note reading. These arrangements are also great for sight-reading practice, especially if some of the songs are unfamiliar. These arrangements are perfect for small keyboards.  They provide the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. Most of these songs are also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   All Creatures of Our God and KingDown by the RiversideEvery Time I Feel the SpiritFaith of Our FathersHaven of RestHere Is LoveHigher GroundHoly, Holy, HolyJesus, What a Friend for Sinners (HOLY MANNA)Lead Me to CalvaryMarvelous GraceOld Time ReligionPower in the Blood Redeemed, How I Love to Proclaim ItSatisfiedSweet Hour of PrayerThe Love of GodThere Is a Balm in GileadWhen the Roll Is Called Up YonderWhen the Saints Go Marching InVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.563990 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Concert,Spiritual,Wedding. Score and parts. 18 pages. Austin Ralphson #5801505. Published by Austin Ralphson (A0.563990). Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement. The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.

Concert Band - Digital Download SKU: AX.00-PC-0017087_O1 Oboe. Arranged by Charles Sayre. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017087_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017087_O1). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).

Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Digital Download SKU: A0.569823 Composed by Austin Ralphson. Instructional. Educational Method. 348 pages. Austin Ralphson #3675739. Published by Austin Ralphson (A0.569823). This pack comprises my four highly successful resources for learning scales and arpeggios (treble and bass clefs) in all keys for all grades, with their related key signatures. It includes a multi-print licence which allows you to print or photocopy each page up to 10 times. More than 340 pages take your students through the process, always linking back to key signatures and encouraging regular practice. It is suitable for all students of any standard and will follow through from Grade 1 to professional standard.This bundle represents a huge saving on the four books when purchased separately to print multiple copies.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.563991 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Spiritual,Wedding. 18 pages. Austin Ralphson #5801859. Published by Austin Ralphson (A0.563991). Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement.The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.

Concert Band - Digital Download SKU: AX.00-PC-0017087_T1 1st B-flat Trumpet. Arranged by Charles Sayre. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017087_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017087_T1). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).

Concert Band - Level 4 - Digital Download SKU: A0.1272805 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 107 pages. Yellow Envelope Publications #865003. Published by Yellow Envelope Publications (A0.1272805). Threshold is meant to portray time slowing down as you approach a black hole due to Gravitational Time Dilation. As such, I took a melody and reworked it in several different time signatures, to allow you to feel it stretch out or shrink, leading to moments where time basically goes out the window with prolonged moments of aleatoric metallic cacophony in the percussion section. Mixed in with the increasing and decreasing time signatures is something loosely resembling a fugue subject in the woodwinds. I’m not sure where it came from, but I love the feeling it gave this piece.By the way, I always thought it would be really cool if, during the end of the piece, the percussion could be spread throughout the performance venue to create a true surround sound experience, playing the aleatoric motive all around the audience. (Maybe even let some of the audience members participate too!)  …just a thought.Instrumentation2 Flute, Oboe, Bassoon, 2 Clarinet, Bass Clarinet,2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpet, French Horn, 2 Trombone, Euphonium, Treble Clef Euphonium, Tuba6 Percussionists - Timpani, Snare Drum, Bass Drum, Floor Tom,2 Suspended Cymbal, Shaker (egg or shekere), Crash Cymbals, Tam-tam,Glockenspiel, and as many pitched metallic instruments as possible (G, A-flat, B-Flat)

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.993929 Composed by Addie Akin. Instructional. Octavo. 15 pages. Addie Akin #4321465. Published by Addie Akin (A0.993929). After searching and searching for a good tenor/bass sight-reading method, I decided to create my own!  This packet has 50 sight-reading examples for beginning to intermediate men's ensembles.  It covers note names, major and minor key signatures, intervals, and simple vs. compound time signatures.  It uses solfege, numbers, and 'da' for singing.  I believe it's important that students can sight-read using multiple approaches.

Piano Solo - Level 4 - Digital Download SKU: A0.1024651 Composed by Harumi Shiraishi. Concert,Romantic Period,Standards. Score. 4 pages. Harumi Shiraishi #3411967. Published by Harumi Shiraishi (A0.1024651). Overall in ternary form (A-B-A). There are time signatures of 9/8, 12/8. The key signatures are G major, E major, D flat major, and E flat major. The beginning of the middle section is unmeasured.